جستجوی مقالات مرتبط با کلیدواژه « ساخت های همپایه » در نشریات گروه « ادبیات و زبان ها »

One of the characteristics of technical prose is the length and inconsistency of dependent clauses in compound sentences, which is accompanied by the repetition of words and meanings and the omission of verbs, and the use of lexical music and sometimes the repetition of sentences and words in order to The author's speech is not representative, but it is believed that in the sender's prose, the use of parallel constructions, synonyms, and clauses with the same meaning is avoided because the parallel constructions cause confusion. This descriptive-analytical essay by examining the preface of Abu Mansoori's Shahnameh (Old Preface to the Shahnameh), which is one of the first texts written in Mursal's prose, answers the question of how and with what function the parallel constructions in Mursal's prose are used. are taken The findings show that the equivalent constructions of nouns, conjunctions and adjectives in the form of words, combinations or sentences, in the prose of the sender, not to repeat the meaning of the sentence and express it differently and in a different way of expression. Rather, they are used to clarify the meaning and scope of speech and to remove ambiguity. These constructions play an essential role in explaining the content and scope of the text through synonyms or contradictions, distortions, limitations, etc. But, adverbs are not considered because they are necessary and cannot be removed because of other parts of the sentence, and they are not repetition of meaning, they do not have frequency and they do not include all sentences, clauses, phrases and groups.

In the 12th paragraph of the 33rd Zand of Yasna, the name of the god “Bahman” has been followed by the adjective griftAr and another word whose spelling and meaning are not so clear. griftAr has been rendered “acceptor” and “recipient”. In this article, with respect to the meanings of griftan and griftAr, it is suggested that griftAr is a passive participle and its meaning is “perceivable”. The connection between this adjective and Bahman will be demonstrated by surveying sentences and phrases from Middle Persian texts. At the end, it will be proved that this word and that one which follows it, should be read griftArOmand and this latter one be rendered as “perceivable”.

One of the methods in production of Prolixity in the speech is use Paratactic Structures with consecutive components. Whereas every component of Paratactic Structures contains a message and a concept, they are best means to description of phenomena. Therefore Qabus-nameh’s writer is to describe everything in details; he has also used Paratactic Structures. Nasolah Monshi has also used of this methods for Creating of Prolixity in the translation of Klileh va Demneh. However because is replaced description with definition in technical prose, Klileh va Demneh’s writer used for description in phenomena than Paratactic Structures. Therefore are different Functions of Paratactic Structures in Klileh va Demneh and Qabus-nameh. It means used Paratactic Structures in Qabus-nameh to introduce of complete components and in Klileh VA Demneh for tender descriptions. This study is result research that for analyses Functions of Paratactic Structures in Qabus-nameh and affect it on versions of Technical Prose (special Klileh va Demneh) in Creating of Prolixity.

This paper is the result of a reasearch which has been done for studying and analysis of the coordinate structures in Kalila - o - Demna. Applying coordinate structures in Kalila - o - Demna is one of the techniques by Abolmaali for creating dignified prose which is imitated by other writers in the periods after him not only in literary prose but also in writing historical and scientific books. What we mean by "coordinate structures" is two words, two phrases or two sentences which are connected by conjunction particularly ''and''. The coordinate structures may have been made of two parts or more. These parts which may be synonymous, antonym, cause and effect, etc. occupy the place of subject, object, complement, adjective and adverb in sentence structure. The most important using of the coordinate structures in Kalila-o-Demna is for aesthetic techniques.