جستجوی مقالات مرتبط با کلیدواژه « شیخ بهایی » در نشریات گروه « ادبیات و زبان ها »

In his innovative theory, Russian folklorist Vladimir Propp examined the morphology of Russian folktales. Unlike former classifications of these stories which were mostly based on content and theme, Propp’s classification is based on the stories’ form and structure. He realized the first step in rectifying his hypothesis was recognizing and determining the fixed and variable elements of the stories. This article examines and analyzes the morphology of Sheikh Bahai’s Cat and Mouse which consists of several frame narratives and multilayered stories within stories so that this story is composed of a total of thirty-four sub-stories. This article is based on library research and adopts a descriptive hermeneutic content analysis approach and attempts to probe the functions, determine their frequencies, and study them comparatively based on Propp’s morphology. The findings indicate that there are strong intertextual relationships among these stories. Of the thirty-five tales in this work, in addition to Propp’s thirty-one functions, for the first time, seven more functions are discussed in this article which include "escape", "gossip", "commitment", "menace", "hiding", "wager", and "abandonment".

Baha' al-Din Muhammad Ameli, known as Sheikh Baha'i (953-1030 AH), is one of the most virtuous scholars of the Safavid period, who wrote poems in Persian and Arabic. In this article, with a stylistic approach, his Persian and Arabic poems are analyzed in a comparative way in terms of structure and content.

The collection of research data has been done in a library manner, and the research findings are written in a descriptive and analytical way. The statistical population includes Sheikh Baha'i's Diwan and his Arabic poems, which were published in Al-Kashkul and various books.

gs: Sheikh Baha'i's Persian poems are simple and without language difficulties, and in Arabic poetry, he wrote simple poems according to Arabic Morph syntax. Macaronic language, the use of Arabic prosody, the use of Arabic words is some of the influences of the Arabic language that can be seen in his Persian poetry. In the comparative comparison, there are similarities in the structure and content of both his poems. There are many types of repetition in the form of puns, Alliteration, repetition of words, sentences rejection and reverse, similes, metaphors, Quranic Allusion, contrasts, allusions, Metonymy, in the rhetorical structure. And in the content, he pays attention to mystical, religious, educational, and lyrical themes, mysticism and religion are the main motifs of his poems. Love for God, Rogue and Qalandari, description of wine, condemnation of the hypocrisy of ascetics, attention to religiosity, advice to religion, seeking the infallible imams, seeking intercession from the imams are the main content in mystical and religious trends. And he has written the educational content with the elements of religion and mysticism. A small part of his poems is lyrical, which is more in Arabic poems than in Persian.

Sheikh Bahāyi is a bilingual poet who wrote to Persian poetry and poetry in Arabic, which was his First language, In the comparative comparison of his poetry, there are stylistic similarities in the linguistic structure, rhetoric and content. He has written poetry in Persian and Arabic with a simple language, common rhetoric of literature and common mystical and religious thought.

The morphology of Russian structuralist theorist, Vladimir Propp, has for decades been a template for structural and morphological analyses. Propp’s model breaks down the structure of folktales into thirty-one functions and seven ‘spheres of action’. Each tale’s components are devised in accordance with each character’s function and their sphere of action. The present article investigates the element of movement in Sheikh Bahai’s frame narrative Cat and Mouse. Based on library research, this study adopts a descriptive hermeneutic data analysis approach. After scrutinizing a selection of Cat and Mouse stories and the structural data and diagrams on the element of movement in the tales, the findings demonstrate that these tales have one to seven movements and their frequencies are roughly fifty, with two-movement and one-movement tales having the highest frequencies respectively; the reason for this is that these tales are frame narratives and this fact leads to the formation of a multiplicity and diversity of movements.

Examining and comparing the frequency of important words in each text shows the world of the author's language and the world of language represents the world of the author's thought; Therefore, one of the most important things that can be done in the research of texts is to explore the words and their uses and their meaning and concept in each text. This article also compares words, compositions, idioms and announcements in the poems of Mirdamad, Mulla Sadra and Sheikhs. The main purpose of this article is to study the similarities and differences of words, combinations and terms in the poems of Mirdamad, Mulla Sadra and Sheikhobahi.

The method used in this research is descriptive-analytical and documentary method has been used to collect information.

Statements and words in the poems of Mulla Sadra and Sheikh Baha'i are mystically similar to each other. Mirdamad's court also has a significant statement in presenting philosophical theories.

Similar words with almost identical meanings have been used in the studied divans in the field of philosophy, love and mysticism. In three courts, the words fire, love, sky, world, religion, cup, earth and sun have the highest frequency; The Divan of Sheikh Behbai also has more mystical themes. Mirdamad and Mulla Sadra have paid more attention to mystical and philosophical themes. Allegorical approaches are also seen more in the poems of Sheikhabai and Mulla Sadra.

Music is one of the most important pillars of poetry that makes it enjoyable. Music in poetry has different aspects such as inner music, exterior, and side. One of the aesthetic elements of the poem, especially the classical formats, is the use of side-by-side music that results from the repetition of poetic vocabulary at the end of each beat, especially rhyme and row. The poets try to come closer to their goal of expressing the poetic meanings, with respect to the connection between the music of the poem and other elements. In this descriptive and analytical study, the side music in Sheikh Baha'i poetry is examined. The results indicate that in the quatrains of Sheikh Baha'i there are pronouns of the nominal rhyme, the present verb which has a higher frequency of nominal rhyme than the other types of rhyme, and in the other quatrains the present tense has a higher frequency. Most rows are simple and one-part, and two-part and three-part rows are rarely used.

the cat and mouse by writer and scholar Sheikh bahai but stories of the mystery that the author 's own age Sofia reproach . The purpose of this study that elements of the story . The stories because , according to the elements , theme,, time and place , practice, the issue of the analysis . the number of stories of cat and mouse language version of the story is 34 , which is mostly containing religious and moral issues . way story elements in the cat and mouse stories more or less affected by way of ancient Persian tales . Hence, the theme in the course of development and spread the story ; for short stories, and at least a chance to do not allow such a writer . element " dialogue " story old - style has been paid and speak the same figures , including individuals from various classes of society. but the animals as well as the characters innate and numerous stories. saw the angle in the third person most of the stories . part of the story is rooted in how to recruit story elements in it. This paper is to answer the question of what the story of factors influence the validity of these stories were effective .

In his allegorical tale “The Advice of the Sage through the Language of the Cat and the Mouse” Shaikh Bahayi fights all types of superstitions, and this paper tries to study his tale and his attitude towards superstitions. The researcher believes Shaikh Bahayi denounces indirectly the common superstitions of the Sufis. He instructs the young people to follow their common sense and to refuse superstitions. This paper is to trace back the origin of superstitions and its different types in the ideas of Sufis, and how Shaikh Bahayi redirects the people to rationalism, the source of knowledge that had been seemingly declining in that period of time.

bahaei Mystic poet and scholar and sage and love that lived in the tenth and eleventh centuries .his poems from the perspective of didactic literature is very valuable and important. his poetry is full of hints moral and educational valuable concepts that show Educational atmosphere of the poems feel clean and pleasing his emotions .his Devotion and his love to Ahl al-Bayt Especially Imam Reza (PBUH) is recognized. BahaI uses in composing his poems,of verses and traditions as well as poets former . It is likely that purpose, and necessity to him for his word that he is used Sayings and Poems of Imam Reza . Moral and educational themes lyrics Sheikh Bahai in some cases, show that he is used Sayings and Poems of Imam Reza . This study examined the cost and lyrics of Imam Reza Sheikh adaptive Court took the view didactic literature. To be at the end of training concepts and legal poems with poems of Imam Reza Sheikh Bahai well be seen as an analogy could be studied

It is evident that Sheikh Bahaee has a number of Persian writings besides his numerous Arabic writings but، as time passed، some works were ascribed to him mistakenly. This article tries to introduce and investigate such ascribed works. The works explored in this study include: Tooti Nameh، Nan va Panir، Nan va Khorma، Mathnavi Sheikh Abulpashm، Manzume dar Ta’bire Roya، Mathnavi Romuze Esme Azam and the prose treatise Pande Ahle Danesh va Hoosh be Zabane Gorbeh va Moosh.

The story of cat and mouse and their confrontation is a common theme in Persian literature. This story has always been popular among children and it is one of the important texts of Iranian traditional schools. Such stories have been widely reflected in Persian literature and short stories in verse and prose have been written based on this confrontation. In addition, some long stories have been written imitating Mouse and Cat by Ubayd Zakani. There are fifteen adaptations of Mouse and Cat of Zakani; Mouse and Cat of Sheikh Bahai is the most famous one.

Sheikh Bahaee, the great religious scholar of the 10th and 11th centuries (A.H.), was also an architect, poet, mathematician, and astronaut. His high religious status as Sheikh- ul- Islam in the Safavid court and among the people makes it hard to think of the presence of satire in his works. Nevertheless, the fact is that Sheikh Bahaee has strategically employed satire as an effective means of criticism of society and morality of his time, as well as promotion of social awareness. In addition to some satiric poems and writings found in his works, he has also two completely satiric works named Kashkool (collection of writings), and Moush- o- Gorbe (Mouse and Cat), a symbolic story. Existence of hese works alone shows how Sheikh Bahaee concerned with satire in criticizing deeds and sayings of particular groups of people. This study then is an attempt to show the potential of satire, as well as social and moral criticism in Sheikh's Bahaee's Persian works.

In this Article, the author is about to present a summary of the life and works of Sheikh Bahaei and to evaluate the fabulous poem and Bahaei (i.e. valuable) words of him in the scale of word's music and art of versification of a jurisprudent poet who obtained the position and title of Sheikh-al-Eslam (i.e. Elder of Islam) in the Court of Abbas Safavy, the King, and in the realm of terminology and combination of them with the music frets and in the Mirror of Fantasy and creation of colorful concepts by him in prosody swing.