مجله اللغه العربیه و آدابها
سال چهاردهم شماره 36 (ربیع 2018)

Palestinian poetry Because of the challenge between the Palestinians and Israel was attentive to town and among cities and calling them becom as the source of goodness and mercy and Drive Poetic image fits toward the his poetry goal but its Repetition inspiration poetry substantiality poet Mahmoud Darwish and strengthen the stability of his identity and it have the Most Repetition of cities so that the continuous Repetition between the poet and the city reveals of a strong relationship, for example of many Symbolic implications that they fluctuate Between the experience of grief and pain, and shine and prosperity of the city. In addition, Beirut by poet expresses the name of the land of Palestine, when the roots of the city Found strength with connection to the legacy and Time evolution and created Time and space synchronization between the poet and the city. Therefore, this study aims to analyze call of Beirut in Mahmoud Darwish poetry in terms of statistics and content to show hidden images and indication based on the descriptive - analytical method for analysis of literary text and to decode the signs and indications.

The most important elements in music consisted of technical elements which are in collaboration with poetical experiences. Also it is an obvious allocation of embodying poetical passages because of its clear significance in producing general atmosphere of ode Therefore poets especially the contemporary poets take into consideration those specified elements. From the most beautiful musical perspectives the internal music is certain features concealed beyond the vocabularies the Sentences letters and the repetition of them for the fact that music affects the souls and has important impression in the heart. The poet of Palestinian Mahmood Darvishs is the on who pays special attention to music certainly the internal music because he has realized the significance of music in poem. For the sake of this we have chosen the Ode of Algedariiah to investigate it. since it is displaying the internal music which is found in it. Also it is full of different categories of the internal music.
More ovwr the paper prouided by the Current researchers Points out the Various examples and gorgeous explanation of the Ode which makes contribution if the exhibition of the Factors available in Ode. The qualitative and analytic method of inwestigating the data are used by the researchers in order to draw conclusions. Also Algedariiah Ode is the reflection of sorrowdulness and pains in the hard letters in comparison with the soft letters.

The animal and non-animal character has a wide impact on the words of Imam Ali (Al-Balajah). The call of the Al-Balajah as a means of visual photography, the drawing of a lot of artistic paintings, and vivid artistic images that amazed the minds of the Bologna and the eloquent people was a concern of the upper self To a more favorable perspective to reflect the situation experienced by Imam Ali (AS) and the developments and attitudes that occurred during his successful succession The imam has often sought to regenerate in everything and even the relations between the two parties (likeness and likeness) even though they clash with the prevailing rationality. Imam Ali (p) succeeded through these wonderful problems, especially the simple form of animals (birds, birds, reptiles) A strong shake in the recipient in terms of influence, persuasion and revelation because the choice of the true image expressed by the imam was not random, it is rooted in the language of his words and his artistic experience.
One of the most important results of this study is that the employment of the simple nature (in the form of the dialect) in Imam Ali (p) has shown many psychological and objective situations in its social and educational repercussions of harsh criticism, repudiation, mocking, floundering, and so forth on individuals, their behavior and attitudes.

Elegy involves the most sincere affections. Elegy for father, mother, brother, sister and spouse existed in ancient Arabic Poetry but elegy for wife is rare in comparison with elegy for husband. In addition, elegy for wife exists in Farsi Literature. This study reviewed elegy of Jarir Ibn Atieh and Khaqani Shervani for their wives based on the American School of Comparative Literature and René Wellek Theory. The purpose of this study was to investigate literary and cultural commonalities of Ancient Arabic and Farsi Literature. In addition, this study found that rare elegies for wives exist in Arabic and Farsi poems. Based on the American School, the culture of the poet has been effective in accepting this literary genre and the complicated poetic language of Jarir and Khaqani has become soft and simple in these poems. This is because the poet has had deep sighs and wails and has been mourning. This shows the sincerity of emotions in the poems of these two poets. Descriptive-analytical methodology was used in this study.

Defamiliarization means language is not the only means of communication that appears in two forms in the text : or in the form of use of language unusual or the exit of criteria including language but this defamiliarization is done with the intention of the author or speaker, So this article is examined the phenomenon of defamiliarization with descriptive- analytical methods in the Abul ala-Maarri's poems especially "Luzumiyat" Divan. Thus, we study innovation phenomenon in three levels: phonetic, Signifying and composition. The results obtained in this article that the poet in the rhythmic level used assonanse as if he wanted that homogeneity to show his artistic ability in flipping meanings and meanings he also used the phenomena of presentation and rotation to create in the poem the unity of the psychological atmosphere and organic unity. At the semantic level, Al-Mari resorted to personification abstract meanings. He uses the metaphorical implication more but defamiliarization that emerged in the simile, the poet has used from terms syntactic and prosodic as components for simile and perhaps increased use of such terms is showing its high knowledge in this science.

Thinkers have always had special attention to the Koran as the most important source of inspiration. They have paid to express its miracle by interpretation and description and various sciences. One of these sciences is methodology; It is an independent nature which paved its way through linguistic and now thinkers use this science to express technical styles and vocative, semantic, synthetic and pictorial beauties of a text, because doubtless, the Koran has mysteries and techniques, in area of interpretation that denote its miracle.
One of the most important styles used in Koran in all the sura(h)s in various ways are both threatening and encouraging styles.
This research tries to study two styles (encouraging and threatening) at Three levels: Vocative, semantic, synthetic in encouraging and threatening signs.
It is understood from the results that; firstly: There is a kind of coordination between two spaces of signs ((encouraging and threatening) and intense and quiet voices, secondly: The interrogative sentences are accordant with threatening space and grammatical sentences are accordant with encouraging space, thirdly: There is a kind of coordination between semantic groups and surah's space.

The present study discusses Surat AL- hajj from a stylistic approach depends on the different levels in modern linguistics field ( phonetic syntactical, structral and rhetorical in addition to the psychological aspects as means of analyse the literary text and uncovering its deep structure in which the summit lies in giving applied study to the sura . The study begins with giving a general definition to the sura and definition to the concept to stylistics, the researcher tackles the linguistic levels that emphasizes the rhythm and phonemic units and the different meanings and implicatrons associated with these. The study then shifts to tow levels, the syntactical level and grammatical level in dealing with the forms to the most prominent nouns, apart from the grammatical phenomena and constrnctions. The study then discusses the rhetorical level represented by the artistic representation and summetry. The representation depending on simile, metaphor, rhythm, apposition and assonance. In forming the artistic image in the sura a formation that betray, an artistic summetry and harmony in the general structure to the sura.

For a long time, literature has been of special interest to great analysts and critics, while focusing on psychology, sociology and politics, and its original mechanisms. In this regard, Shamlu and Adonis are respectively the contemporary poets in Persian and Arabic literature, and have both directed poetry and literary works to normative form and meaning. The current article's theoretical framework, using a descriptive-analytical method relyies on Adler's theory of inferiority felling and focuses on such aspects as the relation of literature to psychology and Adler's theory of inferiority feeling and its effect on the artistic background of these two poets. The current article attempts to match these axes with the works of these two poets giving rise to a new approach for researchers and readers. One of the results of this study is that both poets have experienced the same psychological process in their artistic careers; this sets the ground for implementing this psychological process and its manifestations on their poetic experience. Moreover, these two poets experienced the same negative conditions at the beginning of their youth and this has led to their tragic literature, followed by a dialectic between humiliation and redress.