فصلنامه زن در فرهنگ و هنر (پژوهش زنان)
سال نهم شماره 1 (بهار 1396)

Family is the most important pivot of a society that paves the way of its prosperity or causes its misery; an institution currently and unfortunately lost its stability, with its referring to Islamic life style being its panacea. Therefore, it is useful to present a suitable pattern of Islamic family through show productions. To this end, the present study seeks to the content policies of the desired representation of Islamic life style of family within show productions. This study has been carried out in two stages. In first stage, the content of 7 books on Islamic family was counted all, through qualitative content analysis. The analysis in this stage resulted in 725 codes classified in 93 concepts and 12 categories, and finally presented as the comprehensive pattern of Islamic family with 3 axes: theoretical perspectives of Islam on family, practical solutions for strengthening family, and family instability factors. In the second stage, with the questions designed out of the pattern obtained in the first stage, the experts and professors in 4 areas, namely management and policy making, family and Islamic life style, TV production, and communication science were interviewed. The interviewees were selected through purposeful sampling and the interview itself was conducted in a semi-structured form. The results obtained from the interviews were codified and categorized. Finally, the results of the study were presented in two parts. The first part titled as “objectives, axes, and priorities” included 7 categories namely, “marriage and making family”, “outlining the position of family members”, “the economy of family”, “the desired environment ruling on family”, “visiting relatives”, “the duty of family members”, and “dealing with family instability factors”. The second part also titled as “content policies and rules” included 35 content propositions concerning the desired representation of family in show products under Islamic life style.

In cultural and media studies, investigating how social roles, ethnicity, sub-cultures and specially men and women are represented, holds great significance. One of the educational functions of the media with respect to children is role representation and gender stereotypes. This article aims to compare Iranian and foreign child-audience TV programs considering “gender” focusing on “Kolah Ghermezi” New Year Puppet Series and Disney Animations. Examining how gender is represented in “Kolah Ghermezi Puppet Series (Version 2015) and “Big Hero 6” animation, this research also shows what kind of concepts and values are presented to the audience.
Accordingly, applying social constructionism theories of representation elaborated by Stuart Hall and based on gender stereotype concept, the author qualitatively analyzes media texts through semiotic approach. In doing so, the latest version of “Kolah Ghermezi” New Year puppet series, that is version 2015, and “Big Hero 6” animation were purposefully selected. The results are indicative of the fact that women are less represented in both programs. In the former, the said representation occurs through traditional stereotypes, and in the latter, the same goes along with deconstruction of gender stereotypes. Moreover, in both programs “positive” concepts and values are more represented than negative ones. However, “Big hero 6” holds a greater role in this regard.

In each community to choose a spouse, according to the conditions and requirements of society, there are criteria and norms. In other words, choose a spouse is a social affair and greatly influenced by the dominant values of society. More research in this area are used deductive strategies and quantitative methods to investigate the phenomenon. While this phenomenon in social actors lived experience has subjective dimensions and diverse objective manifestations that are complex at the same time.This research is based on a phenomenological approach to explore the meaning of choose a spouse among young women as a social phenomenon. This phenomenological study was carried out with the participation of fifteen young girls married in the city of Mashhad were chosen purposefully. The results showed that there are three dominant pattern for the selection of a spouse: style based on traditional patterns, style based on friendly interactions, intermediate style (friendly interactions under the supervision of family). Also the criteria making, control of criteria, adaptation, acceptance and final selection represent the original dimensions of spouse selection that shared in the lived experience of participants in the research.

In recent decades due to population growth, increased a staggering variety of social problems in the communities occurred. Including those deemed as an injury, divorce Iran. When two people are married, this is a very personal and private reasons do, but broader aspects of social and symbolic in this respect there. Today, human subjects, fantasy for themselves some imaginary position in the social structure of the show. The purpose of this paper is to use the concept of love and fantasy Lacan, a social problem (divorce) explain. The conceptual framework is inspired by the theories of Jacques Lacan and sex fantasy about love and divorce in Lacan's discussion of the way the paper form system.
Lacan's unconscious way of divorce by means of fantasy among women, divorced analysis and data was collected through in-depth interviews. The research findings show that the audience on a fantasy scenario of a mm constructed, seek it in the fantasy comes true and if access to it is thought that he will fix all ills. . But when access, subject to the experience unpleasant reality and fantasy objective evidence of the ordinary person who has nothing in common with the mental picture of it. Fantasies cause problems in relationships and health are reduced. In fact, sexual fantasies, causing the gap between reality and fantasy and the reality exceeds expectations. In this case, the people, "the feeling of deprivation in love" grows.

There is always a spiritual and intellectual power in primeval art which connects our world with supernatural world.
The foundation-stone is agricultural lifestyle and farming archetypes in Iran ancient civilization; so, enrichment subject-matter or enhancement idea is a fair question for the other ancient culture.
The generative idea performs a vital role that is connected with goddesses.
These forms, shapes and metaphysical functions of goddesses composed of natural elements like: The Zodiac (Stars), plants, animals or music instruments.
The Iranian goddess named Anahita/ Nahid.
She is the symbol of generative idea and the kingdom of thought Seas.
People knew very respectable goddess of the waters/Nahid and Temples are built for her people. They gave gifts to her temples. Gifts were the valuable works of art which had some pictures of Nahid. These images showed her supernatural tasks which inspired by religious texts and books. So we have reviewed religious literatures of Iranian Ancient centuries. If we pay attention to these ancient texts, we do not make mistakes in our interpretation from Nahid's image.
This research method is based on library and documentation from works of art; and its method is comparative study of art. This researcher tried to find points of similarity between Anahita and the other goddesses in matriarchal and ancient civilization, and illustrate & analyze the roots of their shapes for finding common denominator.
We can see their pictures & effects on each other in art.

Language has long been associated with social issues and intertwined relationship between the two is impossible. In fact, the emphasis on the social context of critical discourse analysis, show the inseparable connection. Woman of the most important social issue that is the subject of a wide sector of space is devoted to the works of thinkers .Boshra Al-Bustani Of those who studied the issue of women subject.she defends the human rights of women In his poem. He rejects patriarchy and the culture of death of women And seek a balance between men and women. In his poem To express his ideology used Expressive mixed with tradition And using words functional and technical illustrations is seeking change.

Hijab has turned into a major concern for the authorities of the Islamic Republic of Iran over the recent decades. Since the Revolution, the obligatory hijab and considering it to be in line with the human morales has served as the major reason for maintenance of this legal obligation. Over certain periods, there has been ups and downs regarding objections and criticisms concerning hijab but such criticisms have never stopped. There is a competing hypothesis which necessitates observance of the fundamental human rights of the Iranian citizens. In contrast, the government seeks recourse to the need for observance of the majority of Iranian citizens as Muslims to defend hijab as a legal (rather than mere religious) requirement. Due to the relative success of this hypothesis, the Islamic government is required to review in theory and practice the implementation of such legal requirement, while at the same time defending the legal stance of hijab. The present article seeks to adopt a practical perspective and provide an academic report to investigate the truth of hijab and the governing rules with respect to the legal, social and political ideas to portray a more realistic future for policy making concerning hijab in Islamic Republic of Iran.