نشریه مطالعات ادبیات تطبیقی
پیاپی 25 (بهار 1392)

Contemporary Arab and Persian poets، especially the poets of “Exile” doctrine in Arabic literature، have capitalized life، death and human destiny after death in his poetic meditations in different ways. As thought of these issues has been a steady stream of contemporary poetry. Fawzi Maalouf and Ahmad Shamloo have considerable، and in more cases، similar perspectives in this regard. Both poets are pessimistic about life and see it a battle field between good and evil; though، Shamloo gets optimistic when the social situation is going well. The two know death as the only way to save from the pain of life. From the irview points، death is an inevitable fact that one should bow down in front of it; and they refuge in the arms of love from it، while they don’t know death as the end of man’s life.

«Paradox» as a literary array plays an important role in the literature of East and West، particularly in Persian Greek and English literature. Using paradox is a method of literary criticism، including a review of ambiguous statements، deduction and subsequent concept of them. Both Saadi Shirazi and John Donne use the paradox to investigate the dominant contradictions that are، to some extent، incomprehensible to ordinary readers. This paper attempts to review and examine the challenge of the readers’ public understanding through the contradictions occuring in their minds by reading these two poets’ poems. This article seeks also to show how the emergence of such thoughts، and goals of these two poets in the application of the paradox

If poetry is to serve the public good، and it lead sit to the moral utopia of faith in God، it will be undoubtedly authentic from the viewpoint of Islam; and the Qur''an، the Prophet (pbuh) and the Ahlul Bayt (AS) also support such a poetry. However، with adherence to the traditions of Islam and the Holy Prophet (SAW)، the poem is used as an effective weapon in defense of the moral and religious principles، and to counter enemy attacks from the appearance of Islam till now. In this field، Bahar and Ahmed Safi، are clear examples that religious beliefs and doctrines of the faith has a clear manifestation in their poems. This paper attempts to investigate with content analysis the emergence of religious thoughts in these two poets’ poems.

«Anima» and «Animus» are two very famous ancient Persian examples which were originally proposed by psychologists as Yung، and have been manifested over and over in various poets and writers. The ancient example، “Anima”، is the quasi- feminine in men’s entity and “Animus”، the quasi-male in women’s. These old examples are formed under the influence of the mother and father’s presence in every person’s entity and they change under the influence of every person’s life and social conditions. Simin Daneshvar is one of the authors who has displayed these images in different form sin her works، specially in the novel «Su va shun». In this paper، we investigate and implement the aspects of example images of Young and Simin Daneshvar’s Animus with emphasis on the novel «Su va shun».

Comparative literature is one of the newly-founded، useful and efficient sciences that refer to the literature of all nations in an indiscrete series and a single category (despite language and form differences). Obviously، many Iranian poets have similarity in poetry and language with other poets in the world (including Arab poets). In every poet’s works، various themes such as literal، political and social can be found، but in the poems of Mahmoud Sami Albaroudi and Malek al-Shoara-ye Bahar، two contemporary Arab and Persian poets، there are many similarities. This paper is an attempt to examine their common lyrical themes.

Aisha Teymour، the famous contemporary Egyptian poet and women’s vanguard of literary movement in this country، and Parvin Etesami، the greatest lady of Iranian literature and poetry، both originated in cultural families، offered mot and precious poems to the world of poetry. These two Poet ladies، used the rich source of Islamic teachings and religious culture، a lot and employ them to fertilize their own poetic themes. Among the themes of these two poets’ poems are Hijab، modesty، patience، the vocabulary and semantic use of Quranic terms. Also، sad poems and expressions of the maternal affection are the other common issues in these two warbler’s poetry.

Iran and Iranian art treasures have got a great part in inspiring and creating numerous masterpieces of world literature. James Maurie and Gobineau are among writers who created their unique works under the influence of this rich heritage. Both benefiting from the conditions prevailing in Iranian society، have got tremendous skill in reproducing the Iranian notion and that of orientalism in the form of stories. Their famous fictions «Adventures of Haji Baba Isfahani» and «Asian stories» are the evidence. In this paper، we aim to study the place of Iran through these works، and after that، to explore the view of these two authors on the Iranian society at that time.

«Nostalgia» or homesickness is a poet or writer’s same sense of nostalgia، in the absence of the things that are، in the current situation، out of reach for him. Changes and evolution in social and political circumstances is very effective in stimulating this strange feeling of nostalgia. One type of nostalgia includes a pessimistic and nihilistic attitude to the universe، and generally، the sadness of death and the mortality of human beings that is interpreted as «philosophical nostalgia». In this paper، by investigating Abul Ala Ma’arry and Attar Neyshabouri’s poetry، death grief، mortality، and their cynical view of the world has been comparatively studies.

Todays comparative literature has been accepted as one of the most important style in new criticism. We are going to study Sepehri and Perse by applying this way of criticism. We selected this tow poet because they are been reputed as difficult to be interpreted. So we base American school and use linguistic knowledge to illustrate why it is difficult to interpret their poems. Hence Anabase of Perse andMosafer of sepehri has been choosen.Dialect is a linguistic expression meaning individual style of speaking and writing. But deviant form of dialect lead to idiosyncratic dialect. In this essay we want to study comparatively the reason of difficulty of poem according to their idiosyncratic dialect