The compare Telesm-e Hayrat by Bidel and Safar-nāma-ye Rūḥ by Fuzuli

Mulla-Mohammad Fuzuli-Baghdadi (890 - 963 AH) is a poet who has a poem and prose literature works in three Persians, Arabic, and Turkish languages. One of his works in Persian prose is “Safar-nāma-ye Rūḥ” which is popular as “Hosn o Eshgh” and “Sehhat o Maraz”. This work is a story of entering sprit into the body, and its conjoining with temperament and its journey at body territory.
Bidel Dehlavi, the great poet of Indian style (sabk-e hendi), (1054 -1133 AH) also in his Matnawi by the name of “Telesm-e Hayrat” after preliminary God worship and stating the origin of creation and expressing inability against God and praising Islam prophet, tells a story of sprit king who comes to physical world excursion from the spiritual world and enters in the body and go through some stages in this settlement. In this article by introducing Fuzuli and stating common and suitable grounds for the acquaintance of Bidel with him and his works specially Safar-nāma-ye Rūḥ we propose the possibility of using this work at composing Telesm-e Hayrat by Bidel. Then we investigate the structure and elements of these works and compare the scale of their familiarities.