Analysis of the role of point of view in discourse

The look, feel, vision, interpretation, all these factors are combined in a common area: The point of view. It looks like a great camera and guide us to enter into the most hidden aspects of previous worlds or characters, sometimes it keeps us away from all this happening, like spectators in a stadium. Can we reach a common definition? Like all definitions related literature or discourse, the notion of perspective has a definition uncertain.
Each story is told in a way that could be presented under different points of view. This shows how the author presents his story, his history to the reader. In fact, the point of view itself is the story with which we present and tells the subject of the fiction. Types of point of view will be varied according to the type of narrative. It should be added that the point of view that the author chose will have a remarkable influence on the personification, the genesis and development of the plot, style and staging.
In this article, we will introduce some concepts and theories of some theorists, semioticians and French contemporary critics and, perhaps most important, the notion of point of view, its margins, its role in the story or in general in all contexts, whether literary or political, social or communicative.
The purpose of this article is to study the role of point of view in the narrative configuration and acquisition strategy from which we can analyze the speech in the deepest layers.