From RicSur's Hermeneutic Arc to the Tripartite Interpretive Stages in Meybodi's Kashf al-Asrar
Author(s):
Abstract:
According to Ricurs concept of the hermeneutic arc, an interpreter follows three stages in interpreting a text: explanation, understanding, and appropriation. The explanation stage is concerned with the analysis of the texts verbal structure; it is, indeed, a prologue to the understanding stage which makes it possible to delve into the semantic depth of the text, i.e., into the (implied) authors intention. However, the ultimate goal of interpretation is appropriation, in which the interpreter, with a subjective viewpoint and by involving expectations, biases, presuppositions, and his interpretive position in the final reading of the text, appropriates it and makes it his own. In the Persian hermeneutic tradition, Meybodis commentary on the Quran, Kashf al-Asrar, pivots around three stages called turns or sessions. In the first stage, Meybodi provides literal translations of the verses. Using hadiths and Islamic narrative traditions, he deals, in the second stage, with the occasions and causes of revelation of the verses so as to unveil the intention of the author (God); and, finally, in the third stage, notwithstanding the views of the author (God), Meybodi interprets the verses with reference to their context as well as mystical experience, and in accordance with Sufi traditions and heritage. Without attempting to establish a one-to-one relation between the stages in Ricurs hermeneutic arc and Meybodis tripartite stages, this paper analyzes the latters interpretive methods in light of the formers hermeneutic arc.
Keywords:
Language:
Persian
Published:
Literary Theory and Criticism, Volume:1 Issue: 2, 2017
Pages:
5 to 30
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