Pathology mural restoration process in terms of originality and identity in Isfahan Ali Qapu Palace and Chehel

One of the lasting legacies of the mural is the work of every nation in our country there are also a number of these works. Responsible for protection of these works is the people and the government. This article aims to examine the graffiti damage to the Safavid period in Isfahan In terms of painting and visual arts, is looking for agents that cause the most harm to "the authenticity of the painting" The course is in the House. . This descriptive study and through comparative analysis and field observations and interviews with teachers and destroyed, the issue of restoration and originality of graffiti in Qapu Palace and Chehel paid. The authors in this study show that However, human factors, political and even Safavid period after the injury affected And while the repair was carried out with different methods and with the intention of healing and protection , But the restoration of non-normative, has been effective in further damage to the image. Also, in the samples in the House, the authenticity of the paintings in the palace of Chehel more have been threatened.