The presence of the tree in Morocco

With Looking at the root of the word “indigenous”, in order to understanding the indigenous nature of an element in the culture of a land, various objective and subjective aspects, should be sought in the cultural product. Objective aspects are more extravagant than physical spaces such as cities, architecture, and other objects which based on the objectivity of a thought, and the mental effects are more than the mentality of the inhabitants of a land in the arts and their subjective impressions. In this article, understanding the native consequences of the tree in the cities of Morocco and the tree’s presence in the Medina1 of Morocco, as the core of city’s formation, and its presence in various arts, such as gardening and decorative arts, are discussed. Visiting selected cases in Moroccan cities in Medina, the minimal use of trees in areas which are not even encountered with the problem of water supply, shows the indigenous appearance of this factor in the formation of cities as one of the works of the native Moroccan civilization. Apart from the greenery of residential buildings in the tissue, the presence of trees on the street and urban walls are often zero and sometimes limited to inactive and passive presence. Although this has happened in Minnesota’s Medina in a different way, trees are involved as one of the components of the definition of the neighborhood milestones, the dominant approach in exploiting the tree is the minimal use of it. With the exploration of Moroccan indigenous arts, this is also recognizable in such a way that the presence of plant and tree in paintings, ornamentation and even gardening, the main theme of which is the creation of major green environments, is the lack of a native look at this Element is Thus, it can be said that the tree’s native in Morocco is “indifference” or the absence of a tree’s appearance in the city’s spaces, in the other words, the tree has not become an indigenous element in the land of the morocco.