Piero Zima's Experimental Dialectical Methods and Sociological Criticism of My Dad’s Songs

The story text is the accumulation of reality and imagination. The literary creator coordinates both the external and internal biological experiences in a simple or complex literary structure that is a combination of vocabulary and story elements. Understanding the story also depends on understanding the forms of consciousness that are tied to the structure of the text and its meaning. One of the most prominent literary theories in the analysis of literary and artistic works is the sociology theory, and in particular, the sociology of Marxism, which, in the process of its examination, discusses the ideology (hegemony) of the economy and the belief in its infrastructure, the social classes, human object, on the other hand, the idleness of the goods and the like. The sociological issues of literature, or the same subjects in literature, includes; addressing the effects of literary subjects and sociology and the life of the lower classes of society, and their social methods, culture and the cultural elements, are considered the contemporary themes that are associated with the works of contemporary writers, including Ali Ashraf Darvishian. In this descriptive essay, the documentary and analysis are based on the social critique of Pir Zima's text, and in particular, his empirical and dialectical methods, the complex transplantation of the text with the social backgrounds of creation and the development of the story along with My Dad’s Songs of Ali Ashraf Darvishian is examined.