The Study of Necked Incense as the First Instruments of Music Multiplicative

The first spark of music in the human mind began with hearing the sound of nature, and it has probably been accompanied by dancing and singing. These acts have been performed at ceremonies, prayers, and perhaps celebrations of the product’s gathering, gradually uniforming they have been creating rhythmic movements, multiplication, and rhythm. They could by playing hand together and body, knocking two sticks together and hitting two hollow logs and any other object get the sound out. They came slowly to assonance and believed that these sounds had magical effects. There are also legends about the emergence of music in different ethnic groups that have been quoted for many years. Among the Lear instrument mad white Apollo casings or back turtle bowls cut by Hemes or the goddess of the sun, and even the Emperor’s chains command, Hakong T is to invent music and imitate the sound of birds with the instrument music. The focus of this research is necked incense, whose works can be found in the art of ancient Ilam and Mesopotamia. The main purpose of this study also focuses on the study and analysis musical instrumentation, its types and methods of construction, and has attempted to explain the necked incense in a field method and library. Also about the turtle found in archaeological excavation, especially in the tombs, and the main trunk of these instruments, in this research has been studied. Two types of necked incense instruments including Melodic structure and Harmonic necked incense were investigated from the author’s point of view, that these instrument are show the evolving music instruments in the present age. The instruments of Tar, Setar, Tanbour, and other instruments are music multiplicative.