Contemplative concept of approach to committed Arabic poetry (Case study: Mehdi Janaah Al-Kazemi)

The immediate issue and the emergence of Qa'im al-Muhammad (peace be upon him), peace be upon him, are among the most fundamental and dynamic religious, religious and political issues of the day. As it can be said, the effective discourse of Mahdism and its modern approach in the present era are the only way for man to escape isolation and self-esteem. The proud role of Hazrat Mahdi (as) as a follower of Ahlul Bayt (as) in committed literature has long been the focus of many poets' attention in the field of Shia literature. His immense mission in retaliation for the enemies of the right front, the leadership of the Islamic Ummah during the time of absence, and the establishment of the utopian government by taking away from his religious discourse and Quranic criticism has made him a personless personality in history. It also manifests itself in the crystallization of this spiritual sense in the presence of the more lively classical poets. Mehdi Ghanah Al-Kazemi is one of the hundreds of poets who tried to beautifully portray his artistic art of Ahlul-Bayt (AS), especially Mahdi (aj), the only man who is the world of humanity who is behind the scenes of absence. His poems With the name of the Prophet Muhammad (AS). Therefore, this study, by studying descriptive-analytic, explores those poems that have been implicitly expressed in it.