From the Pattern to the Throne; the relationship between the tile decoration of the Golestan Palace and the Qajar royal jade (Fath Ali Shah and Naser-al-Din Shah)

The Qajar period is one of the important political, social and cultural sections. Henry is Iran. The explicit effects of Western culture in this period are inevitable. The Kakis continued to be the most significant architectural remnants of the Qajar period. In this regard, people like Fath Ali Shah and Nasser-al-Din Shah undertook repairs and build new palaces. Considering the importance of the crown in Iran and the fact that heaven is a symbol of the heavenly testimony, the crown decoration has been taken into consideration. The crochet has been decorated with the crown section and the hat of the Qajar kings; an adornment on the front of the hat Or the crown of kings was embedded. The main objective of this research is to find the relationship between the designs of the Qajar kings (Fath Ali Shah and Nasser-al-Din Shah) and the designs used in the tiles of the Golestan Palace. The present research seeks to answer the question of the relationship between the motifs used in the Qajar kings' jigsaw and the tile designs in the Golestan Palace. In this regard, by comparative study, using a descriptive-analytic research method, the relationship between the decorations of jute and tile works of Golestan Palace is investigated. In reviewing the images of the jute and comparing it with the tile of Golestan Palace, it is concluded to the author that the designs used in the jute are not related to tile designs in this period. In fact, these beautifully decorated motifs featured such as: the use of plant-animal designs and ... the appearance of these motifs is seen both in tiles and in fur coats. In this regard, the manifestation of the geometric designs in the first rank and the plant designs (Khatay) in the second rank and animal designs in the third order is important.