Postmodernism in Nahid by Mohammad Qasem Kashkuli

Abstract The quantity and quality of the use of postmodernism in Persian postmodernism differs depending on the depth of the writers' familiarity with the postmodern idea and how postmodernism's elements and components are applied in their works. The figure has fallen. The purpose of this study is to investigate the features and elements of postmodernism in Nahid's novel by Mohammad Qasem Kashkouli in order to quantify and quantify the use of this work from the postmodernism's rules and regulations and to highlight its weaknesses and strengths. Nahid, one of Kashkol's famous novels, is a fluid narrative of the main narrator Nahid. The whole narrative is in fact devoted to the two parts of Nahid's dream and awakening, the state that dominates the story space throughout the novel, though it is less than fifty thousand words in proportion to the volume and the number of words, and can somehow be The title of "The Long Story" is explored, but possessing the postmodernism components and the main elements of story, story, incident and personality as well as the depth and structural depth of form and content presentation is a complete and well-deserved novel chosen by the author as a premier novel. Contemporary has been adapted to the postmodern components.