Khajeh Hosayn Marvi Poetry Style

Khajeh Hossein Marvi (born: Marv, apparently 934-died: Kabul 979 AH) is a descendant of Alaa al-Dawla Semnani, one of the good Iranian poets, writers and artists in the second half of the tenth century, one of the poets of the Safavid period The first (984-930 AH) traveled to India, in the court of Nasser al-Din Homayoun Shah and his son Jalaluddin Akbarshah had a special honor and status. The subject of this article is the study of the style of this poet's divan in three linguistic, literary and intellectual levels based on the book of generalities of Sirus Shamisa's style.

The research method in this article is analytical-descriptive.

His poetic subjects are: praise, praise, love, boasting, sacrilege, mourning, absurdity of time and squandering of time, destiny and moral issues. The influence of Saadi and Hafez's poetry can be seen in his poems, and his influence on Faizi - the greatest Parsigo poet of India in the tenth century, who had a special devotion and discipleship to Marvi - is noticeable. His style is eventful and virtual love is evident in his poetry with a special passion.

The poetic traditions of poets of previous centuries can be seen in his poetry. His poetry contains themes of love, praise, mourning, lamentation and moral themes. His poetry, while unassuming and devoid of verbal and spiritual beliefs, is fiery and influential. The context of numbers and the matter of history are two of his favorite novel industries, and in terms of poetic imagery he is a tangible analogy of the dominant image of the court. With the complete correction of Divan and his other work, one can clarify the vague corners of the literary history of Iran in the tenth century and better show the real face of this honorable Iranian poet and artist and use it in studying the historical course of "Persian lyric".