The use of fate in Bijan Najdi's modernist stories

Conclusion is one of the most important topics in narratology. The ambiguity and complex structure of the postmodern story, following the form, leads to various conclusions that make the understanding and reception of the results confusing and optimistic for the audience. In modern fiction, Bijan Najdi has created works by breaking the classical form and structure, which has led to various types of endings, which are in the form of rotation or rotation, multiple endings, parallel or parallel, endless end, false, open, definite, proposed for you. The use of these new techniques in the endings of the story by Bijan Najdi has not only contributed significantly to the attractiveness and variety of his works, but also shows his artistic creativity and high writing ability, so that in each of his stories, different examples of these forms can be seen. In this way, the present study, with the aim of explaining the types of endings in Najdi's postmodern novels, descriptively-analytically studies the stories of two groups of cheetahs that ran with me again from the same streets.