Research in the Architectural decorations ( the Qajar house Haj Mirza Ebrahim Sadeghi In the city of Ardabil)

The use of decorations in iranian traditional and native architecture has always had a special position. Among the noteworthy architectural contexts for presenting decorative arrays, the homes of wealthy individuals with social and religious credit differ in historical periods, which are now referred to as historical homes.Ardebil's Qajar houses are among the historic houses that feature extensive and varied indigenous decorations, contrarily many of these houses have been completely demolished or are being demolished. In the meantime, some of Ardebil province's monuments also have durable wooden decorations such as: grille, lattice window, door- window and so on, but among the most prominent are sash windows. there are many monuments from the historical era of qajar in this province, many of which have sash windows. They are used in various sizes and often in homes . The luxurious and magnificent home of the deceased Haj Mirza Ibrahim Sadeghi is located in the Uç Decan district of Ardabil in the heart of Ardabil's historical context. The monument of Sadeghi's house was built in 1283 AH in accordance with the 1342 SH , which is one of the valuable relics of the Qajar era in the field of residential architecture in Ardabil. one of the Qajar houses of Ardabil city is the house of the deceased Haj Mirza Ebrahim Sadeghi which has artistic features of Qajar period such as: wooden decorations (qavareh bori, mirror decoration, flexure , grille), glass underpainting, murals, Inscriptions, gypsum decorations (Moqarnas and stringcourse) and brickwork that are listed in the country's National List of Works. Studies of the writers through field observations, interviews, and library studies indicate that the decorations and decorations in Sadeghi's home are among the hallmarks of the Qajar art. Including  Affiliated wooden decorations to  sash window that follow the current pattern in the Northwest region, meaning that the sash window frame is rectangular in shape and with inscriptions with a dominant geometric knot design. This pattern is common in Qajar houses in Tabriz.  The use of qavare bori technique  in wooden ornamentation of architecture is common, in the Qajar period and Sadeghi's home was no exception.  Given that the history of Sadeghi's house construction dates back to the late Qajar period, new innovations and principles influenced by Western art influence on architectural decorations, such as inspired by European paintings on the wall of Sadeghi's house are such as this. ; Including the pattern of European landscapes, castles, ships and Corent's column . The presence of western themes alongside indigenous arts such as Mogharnas and  stringcourse   in the decorating of Sadeghi's house indicates the coexistence of Western and Oriental arrays at a temporal and spatial point; in other words, the artist commits himself to performing indigenous decorations with the religious themes of his time, such as Quranic inscriptions are known in Arasi Hall, and on the other hand influenced by Western art, he turns to European style painting in King's Hall. Also, by adapting decorations and arrays to other Qajar houses (whether in Ardabil or otherwise), can find a common concept and theme in them, indicating that a particular pattern of decorations dominated the Qajar period. The data and information were analyzed using a descriptive-analytic approach. The purpose of this study is to investigate the arrays of Sadeghi Historical House in order to identify a particular pattern of Qajar decorations in the Northwest region and to answer the following questions: The Sadeghi  Historical House include what Architectural arrays and ornaments and what are the themes and concepts? Is there a particular pattern of decorations in the Qajar houses in Ardebil with an emphasis on Sadeghi's historic home? What kind of attribute does this template contain?