Stylistic Analysisof Sepehri's poem by emphasizing on de-familiarization in similes

SohrabSepehri is one of the stylist poets in contemporary poetry that has been able to invent and create poetic images with the techniques of de-familiarization, outgoing the usual norms in the use of industries. In Sepehri"s poetry, visual de-familiarization prevails in the field of simile. He tries to relying on techniques based on de-familiarization, create similes in addition to introducing their ideal world and breaking down the wall of habits, create images with new and unknown connections between nature, objects and concepts. In this research we seek to extract type of the simile examples and Sepehri"s speech de-familiarization analysis, let"s get to one of the highlights of his personal style.

The research method in this essay is descriptive-analytical and the data were collected in a library method and then the data analysis were examined based on the content analysis technique.

The main basis of the authors" examining is on the types of similes in terms of its elements as well as their sensory or intellectual nature, and of course, they pay attention to formalist stylistics. The results of this study show that one of the important tricks of SohrabSepehri to understand his inner worlds and his ideal world and finally, to achieve his own style, using dynamic poetic images based on de-familiar similes.

From the analysis of Sohrab"s poetry and the de-familiarization metaphors used in his poems, we can found that he has his own system of thought and following his habitual attitude, tries to change the audience"s perception of the world around him. Due to his painting job and interest in nature, as well as his tendency towards Eastern mysticism, he tries to describe his ideal ideas to the audience in a different format from what his predecessors have stated. In fact, he is looking for a painting with words; A kind of de-familiar painting by relying on a tool called imaginary forms and, of course, by emphasizing the element of simile is placed in front of the audience, and transforms its mental archives into an image.