Study and Analysis of Decorative Patterns in the Style of Iranian Painting

Maulana Vali Allah has been a mastermind who has probably followed him more than any other artist, for his delicate engravings and his ability to convey meaningful meanings in his paintings. In many paintings attributed to Behzad, due to the historical and technical connection in paint- ing, due to the position and rank of Behzad, some paintings are attributed to him, regardless of his artistic style and structure. It is one of the important visual elements and completely defines the style of the painter, and the way it is designed and drawn is influenced by the basics of Irani- an aesthetics and follows certain patterns. The method of work in creating space, figures and decorations in the works of Kamaluddin Behzad is of special importance. Therefore, the basis of this research is to investigate the method of drawing ornaments and its accessories in the works of Kamaluddin Behzad with the aim of recognizing the main patterns of ornaments in schools of Herat (Greater Khorasan) and its effects in Tabriz Il school and to study and recognize decorative patterns in figures and accessories in Behzad's works. This research has been done by descrip- tive, analytical, historical and analytical methods and the method of collecting library informa- tion has been done using Corel software and the results show the decorations of figures and re- lated objects in several categories of hats (turbans), clothes, shields, swords, shoes, etc. in each period. It can be specific signs for recognizing the works. By examining the pictorial and decora- tive patterns and presenting analytical documents in the presented tables, he realized that the camel and camel guard located in the Topkapi Palace Museum in Istanbul can be a work of Mau- lana Vali... which is one of the works. It is attributed to Behzad. It does not use the style used in Behzad's works and does not have the obvious characteristics of Kamal al-Din Behzad's works. Evidence shows that this painting bears no resemblance to Behzad's works. By examining the pictorial and decorative patterns, we can get a better understanding of Kamaluddin Behzad's paintings.