Comparative Study of Ribat Sharaf Decorations, Ribat Mahi and Tomb of Arsalan Jazeb and Minaret of Ayaz. in the Physical Range

Physical range is an arena for categorizing the decorative properties used in the Ribat Mahi and Sharaf attributed to the Seljuk period and the tomb of Arsalan Jazeb and the desire of the Ghaznavid period, which reveals their similarities and differences. The location of the works in the important communication paths illustrates the influence of the Seljuk decorative motifs from Ghaznavi. The analysis of the aspects of differentiation and subscription is one of the special features of Ribat Mahi, tomb of Arsalan Jazeb, Ayaz and Ribat Sharaf. The attributes of the decorations of and their location showed the points of differentiation and their subscription. The research was conducted using historical and comparative method and data collection was done via field observations, library studies, and internet searches. The findings showed that the construction of Ribat Sharaf and Ribat Mahi, which is attributed to Seljuk, was influenced by decorative features attributed to the Ghaznavi period. In this comparison, Arsalan Jazeb's tomb exhibited more differences in terms of the type of decorating. As was observed, the only work is a painting and a knot painted under the plasterboard of wall similar only in terms of layout . the findings indicated that, to the two buildings, Ribat Sharaf and Ribat Mahi, which are attributed to seljuk era have been under the influence of the decoration patterns attributed to Ghaznavi era., At the end, it should be noted that the current review was based on existing evidence and because of the destruction of some of the decorations, one cannot fully judge and conclude.