A sociological look at the re-creation of Arash's myths in the nationalist literary field

In post-structuralist sociology, who’s most prominent figure is Pierre Bourdieu, an attempt is made to investigate the relationship between the individual and the structure, so that the mutual influence of human will and social structures on his life is not diminished, and the final analysis also suffers from the relative belief that governs the thought. It should not be postmodern. Bourdieu uses the concept of field instead of the concept of structure, in his opinion, every person is involved with different economic, political and cultural fields during his life, and the movements that occur within these fields- knowingly and unknowingly, affect his life. One of these fields is the literary field. The saga of Arash Kamangir is one of the Iranian legends that was recreated by Bahram Baizaei, Mehrdad Avesta and Arslan Pouria in the nationalist literary field of Iran. The analysis of these three poems in Bourdieu's style shows that the common characteristics of the nationalistic literary field of Iran in all three Rewriting is visible, that is, xenophobia, emphasis on a common language, common history, ethnic honors and common borders, which are the constant themes of the intended rewritings and are repeated in different forms.