Radif in Iraqi's Style

The most exquisite and the greatest manifestations of our culture in our turbulent historical periods are the magnificent works in Persian literature reflecting all historical, cultural, social, psychological, aesthetic, and other aspects. To appreciate the value of these invaluable gems, we must scrutinize over the delicate and witty points and distinguish between the good as well as bad aspects because our contemporary literature is the logical continuation of the past literature. In this regard, knowledge of different genres, history of literature, prosody, stylistics, mysticism, history of language, grammar, rhyme and rhythm, Radif, etc each provides a way for better understanding of literary works. Rhythmical language has a greatly significant role in assigning Prominence to the images present in the mind of the poets, similar to mysticism being an interpretation of attraction. These all, from all litrary perspectives, particularly Radif need to be repeated. It is noteworthy that Radif has been welcomed from ancient times. In the present article, contrary to the ideas proposed with most of the scholors, attempts to present the aduantages of using poetic Radifs in the forms of words, nouns, adjectives, advebs, vebs and sentence – wise in the works of famous poets of Iraqi’s style.