The place of horse in Mohammad farshchian,s painting,s art works

Horse in pre Islamic and in Myths, religious archaic texts, Shah nameh, historic periodsand remainder works, including very vital and valuable function and always has beenpraised. Horse in that period, has had customic, economic, battle, banquet,hunt,transformational, decorational, ceremonies and etc functions. Also in post Islamic,point to horse in some verses of Koran, Iranian – Islamic texts and Horse books (Farasnameh), expresses good nature and importance of this creature. generally the motifof horse in Iranian culture and art history, particularly in persian painting, has hada superior and worthy place. Also in Mahmoud Farshchian,s works horse has beenapparented in different purporstes. But the aspect of discrimination of horse motif inFarshchian works, in addition to functions of past periods and recreation of works, ispresence of symbolic, psychological and special artistic expression of this valuablecreature. Horse in his Works, is free from every function, profit and aim, and hasshown as sign and symbol of soul, rebel, refinement, freedom, sublimity of soul, andmost profound meanings of secret in human existence that less has been seen in pastworks. In this article, at first, place of Horse in historical periods and then in MahmoudFarshchian works has studied. Hypothesis of this article is based on emphasizing oncreative view and in particulary express of psychology and Semiology of Horse inMahmoud Farshchian works. The theory of research has written based on descriptive-analysis method and also aim of this article, is the survey about position of Horse andits artistic expression and decoding of psychological and Semiotic concepts, where hasappeared in various subjects of Farshchian works.