The Representation of the Negritude Movement in Wole Soyinka's A Dance of the Forests
Abstract:
The Negritude movement reached the crux of its popularity in 1960s. Thinkers of this movement to defy the constant development of imperial cultural domination employed the discourse of the colonizer. For instance, they appropriated the binary oppositions which were initially propagated by colonialism but disarranged the hierarchies of importance, beauty and po wer in them. A Dance of the For ests, written in 1960, at one level is a critique of the Negritude movement. According to what has been represented in the play, Soyinka admonishes most of the theoretical principles of Negritudinism yet, at the same time, he believes in the strategic political potentialities of the movement. Claiming that cultures in Africa, as elsewhere, have never been self-directed, Soyinka questions the essentialist outlook on hist ory and race held by the Negrit udinists. In brief, he presumably does not advocate Negritudinist ideologies unless they are employed transitorily to resist imperialism.
Language:
Persian
Published:
Research in Contemporary World Literature, Volume:15 Issue: 60, 2011
Page:
75
magiran.com/p871777
دانلود و مطالعه متن این مقاله با یکی از روشهای زیر امکان پذیر است:
اشتراک شخصی
با عضویت و پرداخت آنلاین حق اشتراک یکساله به مبلغ 1,390,000ريال میتوانید 70 عنوان مطلب دانلود کنید!
اشتراک سازمانی
به کتابخانه دانشگاه یا محل کار خود پیشنهاد کنید تا اشتراک سازمانی این پایگاه را برای دسترسی نامحدود همه کاربران به متن مطالب تهیه نمایند!
توجه!
- حق عضویت دریافتی صرف حمایت از نشریات عضو و نگهداری، تکمیل و توسعه مگیران میشود.
- پرداخت حق اشتراک و دانلود مقالات اجازه بازنشر آن در سایر رسانههای چاپی و دیجیتال را به کاربر نمیدهد.
In order to view content subscription is required
Personal subscription
Subscribe magiran.com for 70 € euros via PayPal and download 70 articles during a year.
Organization subscription
Please contact us to subscribe your university or library for unlimited access!