نشریه پژوهش های دستوری و بلاغی
پیاپی 13 (بهار و تابستان 1397)

Nostalgia is the psychological state of humanitarian crystallize in reference to return to the self and tendency to the past and show on it bemoaning the past. Psychologists believe that the Nostalgia is a feelings of psychological complex, rebellion, homesickness and dimension and cores. Political and social conditions and distance from home, poverty and deprivation prominent impact in this matter. Elia Abu Madi of contemporary Arab poets and we see Alienation clearly in his poems. The poet in his life and faced a lot of individual and social calamities and afflictions such as alienation and tyranny, colonialism and distance from home and far from Adored, which affected all of these things in himself and led to the emergence Nostalgia in his poems. The article tried to study the phenomenon of alienation in the notification of this great poet and sheds light on the different aspects of analytical manner. The spatial and temporal alienation and social alienation and spiritual alienation, political alienation is one of the most important implications of which have been addressed in this regard

The miter of leili & majnoon hs on of the chapters in the “Nami” which is relaled to the zandi dynasty . he was chronology man of Karim khan. In addition he owned the hiteratures of Gandj-e-Gouhar,Khosro-Shirin and Wamagh & Azra, also his poem under the little of Guity Gousha history. Of course a literature in the name of “Yoosef & Zouleikha” has been also attributed to him which is here veritfied.
The story of Leily & Madjnoon, in the Nami dialogue, is a type of processing of the same story of Leily & Madjnoon, with the amorously trials and trbulations of Nezami, of course Nami has apparently been greatly influenced by a school from whom had earlier owned The Leily & Madjnoon of Nami in the present thesis we have engaged in examining the story and analyzing it,s elements, and also in it,s precise compression with Nezami,s story. We have also tried to examine an other influence of the composers of Leily & Madjnoon such as Amir khousro, Jami, Maktabi

Ganjavi's Nezami, at the end of the sixth century, has brought the order of stories to the finest. After him, many poets tried to portray their skills by imitating their poems in this field; one of them was Hatefi, but none of them reached a high military position. In this research, we have tried to identify the strengths and weaknesses of them by analyzing the constructive elements of the story in the two poems of Khosrow and Shirin Nezami, and Shirin and Khosrow Hatefi, and gain more knowledge about them. The means of differentiating these two stories into storytelling (strife, knitting, knitting, incident), personality and scenery were examined. Studies carried out in this area show that Hatefi did not work well in imitation of the military system, and the elements of the story appear weak in his work, which has led to a looser than story plot of Nezami . This research has been done descriptively and analystica

With the rise of the scientific study of mythology in the twentieth century, mythological approaches were widely applied to the analysis of literary texts. In doing so, the critic attempts to penetrate into the deep layers of the meaning of a text and extract a recurrent pattern that is shared by other stories.
Joseph Campbell redefined the field of mythological criticism by developing the idea of "hero's journey archetype" which was later modified by his followers including Christopher Vogler. After studying a wide variety of myths from different nations, Campbell asserted that the hero progresses in the story in a formulaic pattern which is repeated in all stories, with minor variations, in form of a mental grammar and which ultimately leads to the perfection of the hero's personality.
Many stories from Shahnameh readily lend themselves to an analysis based on hero's journey archetype. The story of Bizhan and Manizheh is not an exception. In this story, Bizhan responds to the invitation of an external call, i.e. Keykhosrow, and leaves the ordinary world behind. Having overcome the problems, he then comes back to his land with a personality change which is represented by his marriage to Manizheh. This paper seeks to offer an analysis of the story of Bizhan and Manizheh based on the pattern of hero's journey archetype

In Persian literature, less poetry can be found that his poetry has influenced Sa'di as much from the Qur'an and narrations; from the very beginning of the Boostan, he presents his unique mastery to the word of Allah and the Hadith. Like other Parsiigian speakers and writers, And various uses of the Quran and Hadith. Sometimes a part of the verse or hadith sometimes has its meaning and meaning, sometimes with a word and a reference to a word. In fact, the main pattern and structure of Sa'di is in his writings of the Qur'an. In his philosophy of ethics, he has installed the Quran al-Ain. He used the verses in praising the Lord, teaching ethical-Islamic points of view, and applying practical results in life. The basis of Sa'di's influence on the Qur'an is not directly applicable; it is based on the teachings of the Qur'an in creating the atmosphere of poetry and tales. The type of sentence, vocabulary, and tendency to the distance and even the words of his sentences has a Quranic approach.

Music of poetry is one of important factors that helps the formation of the poem and its influence. Poetry is essentially a means of expression and a mirror that reflects the poet's inner feelings. Music of poetry can be considered as a means of expressing these emotions. The present study aims to investigate the music of poetry in Badre Chachi. He is the poet that uses ambiguity in his odes therefore the present paper investigate his poems in four parts of outer, side, internal and spiritual music to answer these questions that how is the status of the outer and side music in the odes of Badre Chachi? What are the building blocks of the inner music in the odes Badre Chachi? What are the elements of spiritual and imagery music in the odes of Badre Chachi? As a result of this study which was conducted by the use of bibliotheca means and through a descriptive analytical method it can be conclude that music and poetry are one of the most important poetic elements of Badre Chachi.He uses prevalent metre, difficult and heavy Radifs, rare rhymes, pun, repetition, etc…. and had particular attention toward poetry.

This article analyzes the cohesion and correlation at Manoochehri’s Divan with approach of reduplicated words, employing Halliday and Hassan’s theory (1985) in functionalist linguistics, in order to indicate how the verses of this Divan verify the semantic relation of the cohesive chains. According to this theory, the cohesion is the relations within the elements construct the text. Not only getting the elements of cohesion of text can’t make the text cohesive, but after inserting the elements, it is necessary to evaluate the correlation of the considered text based on the cohesive harmony. It was cleared that Manoochehri’s verses possess high cohesion and correlation. Using the scientific principles of this theory, it can be determined the degree of cohesion and correlation of Manoochehri’s verses quantitatively. Of 456 cohesive nodes in this article in the words with total 41.4% cohesive nodes, the element has had the highest cohesion 26.1% in the verses , coming together word 7.4%, semantic contrast 4.2%, synonym 2% and hyponym 1.7 & the lowest respectively.In grammatical cohesion the elements : personal referral and allusion has had 21.7%, conjunctions 15.8%, omission 14.9% , measurement referral 4% and substitution 2.2% of cohesive node coming in the text. The tables are given.