مجله پژوهش های تعلیم و تربیت اسلامی
پیاپی 4 (پاییز و زمستان 1387)

Image refers to a series of possibilities of artistic expression in poetry and its main realm contains simile, metaphor, metonymy, symbol and different ways of expressing mental images. Religious texts are special kinds of literary texts which make use of special forms, skills and poetic language. The Holy Quran as a literary text makes use of mechanisms of literary language to express its content. Among these mechanisms is image.The present paper studies the features of artistic imagery in the Holy Quran.

The extent of human recognition to what they do, repeat, and say is different. This recognition is the result of the experiments and understandings which is obtained through the study of actions in their surroundings and form their behaviours and dialogue according to them. Some our actions are done with enthusiasm regularly. If we intend to add to our accomplishment through such repetitions, we must be aware of their details within our limits. This study tries to approach ‘ AL” in Soorat ‘ al Hamd from a new perspective and exposes the beaty and excellence of this divine verse.

The wise God that taught human being speech has used in the Holy Quran the whole comprehensively potentials of speech to affect and preach human actively. One such good potentials in speech which could cause to emphasize a word is repetition of (Erab),specially ZAMME. Ebn Jenni says; ''ZAMME is the most weighty and heaviest motions of letters. ''Rising and falling, motions, and stops in music and tone can affect a word emphatically and semantically. Repetitions of ERAB can revive and change a word into lively, powerful, and fruitful meaning. That on hearing it a very wide range of meanings occurs to him.

With the advent of Islam in Saudi Arabia, the Moslems on the one hand got an identity, and on the other hand got superiority over other nations. Although in the first century of Islam Saudi Arabia had the central role, in the second and third Century this superiority was transferred to Baqdad. Arab’s Civilization got acquainted with Iranian civilization and Iranian civilization influenced it a lot. While Islam was developing toward the east and west in the forth and fifth centuries, Islamic civilization got promoted and caused the emergence of the great and well known geographers. Moslems were deeply interested in geography. Moslem geographers because of their company with the Greek could translate some of the Greek works, as a result this caused Islamic geography gain a scientific colour. The Greek and the Moslems got the first and second stands in science respectively. Eventually, the scientific thoughts of Moslems influenced the medieval European greatly and enlightened them. Most of the famous Moslem geographers were Iranians and Arabs and Turkish geographers stood next to them. Iranian with a great effort extended Islamic civilization to the east. The remained works of Moslem geographers indicate to the point that they made great efforts to develop Islamic civilization, and Iranian played a considerable role in extending Islamic civilization to the east. This article tries to investigate the reasons of Moslems interest in geography, Moslems geographers and their works, also the use of different methods.

Quranic tales, specifically The tales of the prophets have appealed to many Persian poets. Stories from the life of Adam and Eve to that of the prophet Mohammad (p.b.u.h) have been introduced into Persian poetry. Based on such stories and allusions, poets have composed elegant and novel verses. A great part of Saeb's poetry deals with allusions to the lives of the prophets. This study deals with the place and appearance of the prophets in Saeb's poetry. Fifteen prophets to whom Saeb has alluded are introduced first; Quronic verses. Mystical allusions, moral concepts and literary fineness are studied subsequently.

Non moslem Arabs considend the prophet (p.b.u.h) as a poet and so tried to reduce his character and his message down to poet and poetry.The present paper is an account of the prophet's views about poem and poetry. His views have been studied by the use of hadith and parables. Six verses are presented in the Holly Quran which are concerned with poem and versification or poetry. It should be understood that poetry is not rejected from every aspects, and it is with regard to the meaning and the content when a poem is rejected or appreciated.

In the history of Calligraphy, the Qoran – Calligraphy is the fulfillment of the sacred essence of this art. Furthermore one should seek the highest point of calligraphy splendor in the Qoran – Calligraphy field. Besides the Qoran Calligraphy entity, there are two other social & historical factors having important parts in the Qoran- Calligraphy development: the first is establishment of official schools, the second, the Moslem Il-khans ruling Iran, later the 7th century and early 8th century. This is why the Il-khan age or A.H 7th and 8th centuries are the most creative era in the history of Islamic civilization. In all Qoran- Calligraphy fields, Moslem artists are in the highest point such as calligraphy (in the group of so-called Arabic script), decoration ways and other cases related to book e.g. the size and book binding. The aesthetic feature of the Qoran- Calligraphy in this age is the combination of the two concepts: Greatness and beauty that is due to love and authority and in comparison with later ages, meaning beauty and elegance ages, we see the real fulfillment of calligraphy splendor and Qoran- Calligraphy. Perhaps the real combination of Eastern and western artist's abilities in Islamic world is one of the reasons of this idea.

Afzaladdin Abu Hamed Ahmad Ibn Hamed Kermani, known as Afzal-e-Kerman is one of the greatest writer of late 6th (A.H) century. His most famous book is titled”Egdol-Ola-Lel Mughef-Al-A’ala” which is a valuable example of literary prose of the 6th (A.H) century. This prose is full of Quranic verses, traditions, quotations, statements and Arabic poems. The most perfect example of this kind of prose can be seen in the works of Ahmad Ibn Hamed Kermani, Zydari and Nasrollah Ibn Abdolhamid Monshi Shirazi. This article presents Prophet’s traditions used in the above book to introduce this knowledgeable man of letters and historian.

Mohadith Qomi gathered the elites who are titled, nicknamed or reffered to by the prefix “Ibn” in a concise book, and named it “Hadiyat – ol – Ahbab”. This book although does not contain the name of all those very great persons but with regard to its briefness it is very effective. Qomi has made use of Hadith, poetry, tale and remembrance to introduce these elites. In this book he has praised Shiite ‘ s Imams and preaches ethics. But beside such characteristics there are some other aspects which should be re -examined.

The prose style of the Holy Quran is named Rasm-ol- moshaf. This manner is observed even in the beginning of writing of the Holy Quran. The reason was to save the Holy Quran ‘ s from alternation in words, and to keep it away from the harms that affected previous Holy books of other religious. This intensity in favor and care was so great that some peoples said it is dative and even the others have prohibited change in writing manner. There are some differences between the writing manner of Quran and the writing manner of ordinary arabic texts and some words differ in this respect.

Throughout the Islamic era-from the start to the present time – Fadak Sermon which is not only the sign of Fatima and her honourable family but also the symbol / reason of Shiite beliefs in Imam Ali’s leadership (Imamat) has been quoted and confirmed by Shiite and Sunni scholars. It has been examined from various aspects including Isnad, narrative evidence, various aspects of words, and explanation and exegesis of sentences. In this article, Fadak Sermon is studied from the viewpoint of esthetics and different rhetorical features.