فهرست مطالب حسین الیاسی

The competitiveness of different companies and industries is considered as one of the main criteria for evaluating their success. In a general definition, competitiveness is the ability of a company or industry to maintain or increase its share in national and international markets using different means. Upstream contracts, oil and gas industry is one of the key industries of the country. More than a hundred years have passed since the discovery of oil in Iran, and although this industry has a decisive role in the country's economy, Iran has never been able to be among the developers of the world's oil industry technologies, while the success of countries' trade, internationalization Oil and gas companies are based on technical and engineering capabilities and strong technological infrastructure, and not just selling crude oil. The purpose of this research is to compare the competitiveness of upstream oil and gas activities in the legal system of Iran and Norway. The research method is library. The results of this research show that considering that Norway does not rely only on the sale of crude oil and has achieved significant growth in this field with the development of technology. And with appropriate strategies such as using internal capacities (private companies) which causes more competition in this field. has provided. It is suggested that although the production of oil and gas may be under the control of the government or the private sector, its transmission and distribution should be managed by the private sector under special conditions and be competitive in the free market.

Pragmatics, a branch of linguistic studies, focuses on language as a tool for communication with linguistic pragmatics examining speech acts as a fundamental aspect of this field. John Searle is a prominent figure in this area, drawing on the hypotheses of his teacher, Austin, while also developing a new classification of speech acts that considers contextual data and the roles of both parties in communication. This research applied Searle's theory of speech acts to the poem "Purple Grass that Warms in the Bowels of the Wind" by Muhammad Saber Obaid, aiming to uncover the linguistic characteristics and intentions of the poet's discourse. The findings revealed that the linguistic composition of the poem was intricately linked to its meanings, purposes, and the poet's intentions, transcending mere declarative and structural linguistic patterns. Additionally, the poem utilized directive verbs to incite a transformative response from the reader, mobilizing them in a revolutionary manner. The poem aimed to reject and challenge the materialistic tendencies within individuals, urging them to confront and rebuild after overcoming the emotional and spiritual darkness of modern life. It encouraged individuals to embrace the existential sacred and resist the profane forces that dominated the human spirit. Throughout the poem, warning verbs illuminated a future characterized by transparency and clarity, highlighting the negativity of current realities and provoking action against behaviors that could lead to future tragedy and human suffering. The poem was replete with expressive verbs that conveyed the poet's sorrow and inner turmoil resulting from the dominance of materialism. The spiritual aspect was the ultimate purpose underlying the poet's creative work with linguistic systems and phenomenal patterns serving to confront the deviant and dark aspects of the human spirit, instilling certainty about the inevitability of modern man's tragedy when succumbing to inner brutality and external profanity. The sacred resided within, deeply rooted in the soul, prompting individuals to bravely confront the darker aspects of their being. This pragmatic vision aligned with Searle's perspective on speech acts.

The title represents the true identity of the poetic text, which is the text, the meaning, and what is meant by the reduced image. In fact, the initial semantic illuminations emanate from the threshold of the title and direct the title of the textual readability. In the light of this fact, Mahmoud Abdel Wahhab considered him the wealth of the poetic text for his great contribution to expressing the identity of the poetic text, pampering and guiding the recipient when he faces the blockages of the text and its pitfalls that prevent access to the textual truth. This research paper attempts, by relying on the semiotic vision, to address textual thresholds, especially the mother title in the book “I grieve the water as a river” by Ihab Al-Shalabi. Semantic. The pivotal signifier from a semiotic perspective in Shalabi’s poetic discourse is the focus on the act of resistance and the implantation of certainty of the occupier’s exit and return to life and joy. Which ranges from a group of connotations, semantic rumors, and the reporting function of the important functions of the title, and it is replete with intense suggestions and references that reveal the identity of the poetic text. The real presence that would return the land to its original identity and its legendary time,The title represents the true identity of the poetic text, which is the text, the meaning, and what is meant by the reduced image. In fact, the initial semantic illuminations emanate from the threshold of the title and direct the title of the textual readability. In the light of this fact, Mahmoud Abdel Wahhab considered him the wealth of the poetic text for his great contribution to expressing the identity of the poetic text, pampering and guiding the recipient when he faces the blockages of the text and its pitfalls that prevent access to the textual truth. This research paper attempts, by relying on the semiotic vision, to address textual thresholds, especially the mother title in the book “I grieve the water as a river” by Ihab Al-Shalabi. Semantic. The pivotal signifier from a semiotic perspective in Shalabi’s poetic discourse is the focus on the act of resistance and the implantation of certainty of the occupier’s exit and return to life and joy. Which ranges from a group of connotations, semantic rumors, and the reporting function of the important functions of the title, and it is replete with intense suggestions and references that reveal the identity of the poetic text. The real presence that would return the land to its original identity and its legendary time, we see the paradoxThe title represents the true identity of the poetic text, which is the text, the meaning, and what is meant by the reduced image. In fact, the initial semantic illuminations emanate from the threshold of the title and direct the title of the textual readability. In the light of this fact, Mahmoud Abdel Wahhab considered him the wealth of the poetic text for his great contribution to expressing the identity of the poetic text, pampering and guiding the recipient when he faces the blockages of the text and its pitfalls that prevent access to the textual truth. This research paper attempts, by relying on the semiotic vision, to address textual thresholds, especially the mother title in the book “I grieve the water as a river” by Ihab Al-Shalabi. Semantic. The pivotal signifier from a semiotic perspective in Shalabi’s poetic discourse is the focus on the act of resistance and the implantation of certainty of the occupier’s exit and return to life and joy. Which ranges from a group of connotations, semantic rumors, and the reporting function of the important functions of the title, and it is replete with intense suggestions and references that reveal the identity of the poetic text. The real presence that would return the land to its original identity and its legendary time, we see the paradoxThe title represents the true identity of the poetic text, which is the text, the meaning, and what is meant by the reduced image. In fact, the initial semantic illuminations emanate from the threshold of the title and direct the title of the textual readability. In the light of this fact, Mahmoud Abdel Wahhab considered him the wealth of the poetic text for his great contribution to expressing the identity of the poetic text, pampering and guiding the recipient when he faces the blockages of the text and its pitfalls that prevent access to the textual truth. This research paper attempts, by relying on the semiotic vision, to address textual thresholds, especially the mother title in the book “I grieve the water as a river” by Ihab Al-Shalabi. Semantic. The pivotal signifier from a semiotic perspective in Shalabi’s poetic discourse is the focus on the act of resistance and the implantation of certainty of the occupier’s exit and return to life and joy. Which ranges from a group of connotations, semantic rumors, and the reporting function of the important functions of the title, and it is replete with intense suggestions and references that reveal the identity of the poetic text. The real presence that would return the land to its original identity and its legendary time, we see the paradox

The poetry of Ali Ja'far Al-Alaq is an objective subject with distinction and this strong relationship between Al-Allaq's poetry and reality is what makes Al-Allaq's poetry characterized by pessimism. The presence of pessimism also descends from the conviction of the poet that poetry is the son of loss and loss and must reflect the reality of living. This study sails in the world of Ali Jafar poetic relationship to clarify the vision of the poet to the Arab reality and manifestations of the crisis of self and the plight of place in the poet's poetry The research relied on his approach to poetry of the relationship on the descriptive analytical approach and took from the groups of the poet poetic samples to address the subject The results indicate that the poetry of the relationship is linked to the reality of living in which the poet analyzes the Arab reality by taking care of the legendary, religious and historical heritage and dedicates in it a fact that he believes in, that what dragged the Arabs to defeat and the young is due to the Arabs themselves and more to the Arab daring. Slow attendance and the act of treason and non-clinging to the land and identity and the crisis of belonging an attempt to incite the building of the Arab civilized society, which In the relationship between the sexes on the basis of harmony and union.

Part of paddy lands of Dasht-e-Sar region of Amol was irrigated by low salinity (brackish water) Garmroud River. To investigate the effect of Garmroud irrigation water on growth and yield of 9 selected genotypes obtained from the ninth generation (M9), standard cultivar tolerates salinity variety (Fl478), Tarom Mahali, Hassani, Anbarboo and Barekat varieties, a total of 14 genotypes were evaluated in a randomized complete block design (RCB) with three replications in 2020. The experimental farm was located in the village of Shahneh Kalay Dasht-e-Sar Amol (longitude 63 1 E, latitude 40 30 N, altitude 75 m). The results showed that the earliest genotypes were lines No. 2310 and 2212 from seed sowing to 50% flowering stage, equal 85 and 88 days. Genotype 133 was the shortest line with a plant height of 124 cm. Traits including number of panicle per hill, panicle length (cm), number of full grains, empty and total grains per panicle, 1000-seed weight (g), were different 15-25, 20-27, 55-112, 91-161, 10-83 and 20-27,  respectively. The yield of genotypes varied between 1500 and 6000 kg/ha. Due to the variety of changes in agronomic traits, 2212, 2310, 133 and Hassani variety were recommended in this area of paddy field

Critical discourse analysis is a new cognitive field for challenging and exploring discourse and is a tool to achieve a full understanding of discourse, which is done by entering the hidden aspects of the text using the means and methods of analysis. The importance of critical discourse analysis lies in the fact that it integrates discourse analysis with the study of the environment that creates discourse and examines the dialectical relationship between discourse and power, and thus is an attempt to determine the ideological approach of discourse. Numerous theories have been proposed for critical analysis of discourse and related approaches, and analysts in this field, relying on a set of approaches and basic mechanisms for the final and ideal cognitive realization of this analysis, focus on the study of discourse. Norman Fairclough developed the study of critical discourse analysis by proposing contextual theory, and Laclau and Moff's critical approach is the most important approach to critical discourse analysis. The main feature of this approach is to study the roots of discourse and focus on the signs and the process of marginalizing, highlighting and crystallizing. Commentary on the study of the poetry of Ehab Shelby in this article, which critically examines the ode "Ayar Yuzhani"; The poet composed this poem on the sixth anniversary of its defeat in 2008, and the results of the research indicate that this poem is full of fragmented and floating signs that depict the negative realities of the Arab society and political conditions, and the purpose of these signs is to expose that it is a critical reality, and the centrality of its central meaning and articulation revolves around the axis of resistance, uprising, and the emphasis on the weak presence of Arab society in two different dimensions. Just as the poet marginalizes another alien and an isolated Arab who opposes uprising and mobility, he highlights the motivation and current that opposes it, by crystallizing the practice of confrontation and focusing on the sacred act of history that it can repel and expel the enemy, it does. In this regard, the contemporary Jordanian poet marginalizes another usurper and institutionalizes and emphasizes the right of the Palestinian people, denies the occupation of the land and the humiliation of its rightful owners, and ignores the Palestinian issue and the weak position of the Arab rulers Condemns occupation and rape.

Social confrontation is a part of social reality and many actions in society are formed based on it. Louis Coser is one of the thinkers who investigated confrontation and its function in the context of society and unlike other social thinkers, he considers the concept of confrontation to have two positive and negative functions. According to him, the concept of power and the clash of different ideologies in a confrontational situation is an issue that can be the cause of confrontation, and the set of common goals can be a factor in connecting people and groups. Based on the theory of Cozer's contrast, the present descriptive-analytical research examines the ode "Khafqa Al-Zari" by Ghazi Zeiba, a contemporary Jordanian poet. The purpose of this article is to investigate the representation of confrontation and its role in the formation of social relations and ideology and the dominant discourse in the poet's poems. The results obtained from the present research show that the poet has drawn various social confrontations in his poetry: the confrontation between intellectuals and other groups of people and politicians, or the confrontation between the group and the Arab self with the foreign other. Calling for participation and incompatibility and struggle and emphasis on cultural ideas and common values is the poet's solution for the integration and realization of intra-group or national solidarity against the alien other. By drawing a confrontational situation between himself and the occupying other, the poet considers it important to have a dominant discourse that can be a sign of confrontation and believes that this discourse leads to the ability and production of power in confronting Israel.

Toxoplasmosis is one of the most common causes of parasitic infections in humans and other warm-blooded vertebrates that has a worldwide spread. This study aimed to determine the immune status against toxoplasmosis and its related factors in newly married women in Joveyn city (Razavi Khorasan province, Iran) in 1400. In this descriptive cross-sectional study, 85 women were randomly selected, and after completing a questionnaire, they were examined for the presence of IgG antibodies against Toxoplasma gondii by ELISA method. The results were analyzed using SPSS statistical test. According to the kit protocol, 81.18% of the subjects were negative for anti-Toxoplasma IgG antibodies, and 18.82% were positive. The highest prevalence of positive individuals was in women aged 30 to 35, and the lowest was in women under 20. There was a statistically significant relationship between different age groups, contact with garden soil or agricultural land, undercooked (grilled) meat consumption, and communication with cats and Toxoplasma infection.

The title represents the true identity of the poetic text, which is the text, the meaning, and what is meant by the reduced image. In fact, the initial semantic illuminations emanate from the threshold of the title and direct the title of the textual readability. In the light of this fact, Mahmoud Abdel Wahhab considered him the wealth of the poetic text for his great contribution to expressing the identity of the poetic text, pampering and guiding the recipient when he faces the blockages of the text and its pitfalls that prevent access to the textual truth. This research paper attempts, by relying on the semiotic vision, to address textual thresholds, especially the mother title in the book “I grieve the water as a river” by Ihab Al-Shalabi. Semantic. The pivotal signifier from a semiotic perspective in Shalabi’s poetic discourse is the focus on the act of resistance and the implantation of certainty of the occupier’s exit and return to life and joy. Which ranges from a group of connotations, semantic rumors, and the reporting function of the important functions of the title, and it is replete with intense suggestions and references that reveal the identity of the poetic text. The real presence that would return the land to its original identity and its legendary time, we see the paradox

Semiotics is one of the new critical approaches whose task is to study the sign system of the text or discourse and the anatomy of the text and discourse at the level of symbols and signs. In fact, it is a critical attempt delving into the textual abyss to reach the textual truth, which is the meaning and the textual embodiment after overcoming the apparent sign of the text or discourse. This study aims to investigate the poem ‘A Bird Accepted a Massacre’ by Ali Jaafar Al-Alaq, from the Diwan of Sayyid Al-Wahshetin (2006). The analysis is done using Issam’s integrated theory for reaching full awareness of this poem by relying on the semiotic method and in the various sub-axes. This poem overflows with signs, symbols, and semiotic characteristics, from the title to the last word. Ali Jaafar Al-Alaq, besides employing civilization and civilizational and cultural references and data in his poetry is very keen on linguistic selection and employing the vocabulary in his poetry stemming from awareness and knowledge of the function of language and vocabulary.In fact, the poet establishes the relations and bonds between his poetic text and between the recipient and the poem. It enjoys a delicate poetic awareness and has many semiotic energies from the title as the richness of the text to the text. The poet in this poem is very keen on poetic expression of the predicament and abysmal Iraqi reality as a result of the brutal aggression. What draws attention, as revealed by the semiotic act, is the semantic relationship between the title and the poetic text in the relationship, as we notice in the poem. This title with semantic charge and abundant semiotic energies, which is a shorthand for the connotations inherent in the text and semiotic awareness, reveals that the poet, by formulating this title, expresses the states of labor, the exit from the whirlpool and the massacre, the moment of joy and openness, and the perpetuation of life in the land of Iraq after defeating the factors of occupation and siege. The conclusions in this poem with the semiotic property and the organizational structure of the sentences and the textual structures of this poem serve the purposes of the text and enhance the connotations emanating from the symbols and connotations.When studying the global structure of the poetic text, we see the three sides at the level of textual factors between the sender, the assistant, and the opposition. The rhetorical groupings consisting of various words and signs associated with the textual representatives and the semantic field associated with death and life through the exploitation of suggestive words and according to the semiotic square of Grimas were observed. The results of the study also showed the relationship based on the formation of the negative level and the negative state of the land as a result of war and aggression.

Motif is a structural phenomenon that carries the aesthetic and expressive functions in contemporary Arab poetry and is considered the key to accessing the poetic world and its intellectual system. Ali Jafar al–Allaq has his own poetic land, and he is very keen to be distinguished and unique from his peers in the generation of the sixties (of the twentieth century). Motif is an essential component of building poetry in the relationship and its presence, on the one hand, expressing the poet's insistence on a particular idea, and on the other hand, it acts as an attacking device in which the reader is able to capture the semantics of the text. This research took it upon himself to tackle the subject of motifs by relying on the descriptive-analytical method and by selecting motifs of 'grass, wind, and songs' from the poetic lexicon and studying them under the shades of semiotics, whose tasks include studying the system of signs. What emerged from this research is that these motifs are an insignificant part of the poetic composition, and some of them have mythological and epistemic roots, and are the poet's means of creating poetic decor. Such as: the herb or to build the paradox between the past and the present, and the herb is the herb of immortal Gilgamesh, to which the poet depends to embody the destabilization of Arab reality or the fading of Arab will. The death of the song and the wind are frequent motifs in the poet's poetry, which carry different indications. The poet used the motif of the song in the framework of the so-called correspondence between the senses to embody the Arab place of death, loss and dispersion. And the wind is a symbol of a yearning for life and a yearning for sweet memories in his childhood.

Using pressure reducing valves to reduce the pressure in water distribution systems to the minimum of required value is one of the most effective ways for leakage reduction. Valve opening/closing, switching a pump on/off and water consumption fluctuation by a large consumer cause transient flows. Interference between transient flow and a PRV with constant needle-valve setting may intensify pressure waves in WDS. Applying smart PRVs can limitpressure fluctuation. In this research, Input-output feedback linearization method has been used for smart PRV control. The results of this method have been compared with PRV with CNVS and proportional-integral-derivative controller. A theoretical network taken from references was used to evaluate the proposed methods. Network demands include normal consumers and an industrial large consumer. Water hammer caused by consumption variations, PRV with CNVS operation, IOFL method and PID controllers were modeled in Simulink. PRV outlet head fluctuation in PRV with CNVS is 18 to 28 m in PID controller and in IOFL method are 26 to 28 m. Also, the results showed that the IOFL method has smoother and less fluctuation than PID. Root-mean-square error for PRV outlet head in CNVS, PID controller and IOFL is 1.6, 0.32 and 0.28, respectively. Therefore, IOFL method has less error and better performance than PID. Also, this method has simpler computational operations by converting nonlinear system equations to linear equations.

In this paper, the design steps of a multi-model adaptive receding horizon controller for a nonlinear dynamic system are investigated. To implement this control structure, the Takagi-Sugno-Kong (TSK) fuzzy inference system (TSK) has been used to predict the behavior of the dynamic system on a receding horizon. In the proposed controller, the linear part of the TSK fuzzy model is used as a linear model to implement a multi-stage receding horizon controller to calculate the optimal control input sequence. A standard least square algorithm is used to identify the rules consequent parameters of the TSK model. A clustering method is used for partitioning the input-output space in order to generate TSK fuzzy model. Each cluster represents a functional area of the complex dynamic system in the input-output space. In the proposed control strategy, it is assumed that the variables which are used in the premise of the rules are also those which are used in linear models that describe the consequents of the rules. For proper control of the nonlinear system, multiple models are used on the receding horizon. In order to evaluate the proposed control strategy, the proposed control structure has been used to control the power of a nuclear reactor in the charge pursuit problem. The simulation results show the good performance of the proposed control structure.

With the emergence of poetic modernity, contemporary Arabic poetry moved from its own narrow framework to new open spaces. In fact, modernity unleashed poetry and made it benefit from other arts. One of the most important features of poetic modernity is the combination of poetry and narration. This combination, as one of the results of modernity in thought and awareness, enriches poetry in terms of aesthetics and connotations, breaks the monotony of poetry, expands its circle, and the narration with its techniques and elements makes the poetic text vibrate with movement and makes it deeper and open. The Iraqi poet Maad al-Jubouri is one of the most prominent poets who used narration and its energies in their poetry. We see the narrative hegemony over the poet’s poetic space in all his works and the narrative and poetic overlap reached the degree of poetic sensitivity in him. This research attempts to study the presence of the narration in the poetry of Jubouri by studying his “Where the River Returns.” The article argues that the narration has an intense presence in the poem and the poet uses it creatively and with a keen awareness of its effectiveness and thus makes the poetic text pulsate with movement and vitality which enables him to master the poetic connotations. The state of dynamism and vitality and the overlap of poetry with narration are the poet’s means to create an integrated and coherent poetic ground that contributes to the success of communication and the process of reception.

Contemporary Arabic poetry is objective poetry by distinction, and we see the logical and fundamental relationship between contemporary Arab poetry and between place and man, and this contemporary poetry reflects the Arab man and the problems of political, social and economic reality. We hardly find a poet and poet who lives in isolation from the place and from the human in general. From this point of view we see the person and the place at the threshold of objectivity Contemporary Arabic poetry does not submit to contemporary Arabic poetry and does not obey the issue of other than human beings and the problems of the place. Contemporary Arabic poetry, a result of frictions and clashes, emerged from its narrow framework and opened up to the many different themes of culture, civilization, identity and vision. One of the most important topics discussed in contemporary Arab poetry is the issue of civilization and the civilizational conflict between the Arab ego and between the West and its civilization, and in reality the subject of civilization and the problematic of civilization has become the subject and building of the contemporary poetic image of the realist poets who embody the Arab and the foreign ego in the frame of images and at the level of civilization and this is the subject of the image. Poetry is in a large part of it in contemporary poetry. Let us not go beyond the righteousness if we say that contemporary Arabic poetry contains a civilized vision, especially among poets who have a deep belonging to their land, homeland and civilization, and the people of the gardener and Ali Jafar Al-Alaq are the leadership in this topic and in contemporary Palestinian poetry, we find that the clash between the ego and the other On the cultural level, he is the main subject of Fawzi al-Bakri's poetry, and he is considered the only poet among the poets of Jerusalem who deviated in his poetry from the framework of resistance, war and struggle to consecrate the topic of civilization in his poetry, and this topic is the true building block for the poet’s poetic image. Through evoking the civilized other, the poet tries in his poems to expose the Western civilization and reveal his identity and the woes of this material civilization characterized by brutality and arrogance, and he also calls for building a new civilization and limiting the incursion of Western material civilization into the Arab land, by clinging to a set of basic principles to build the new civilization. This research paper seeks, through an objective vision, to study this important poetic feature of Fawzi al-Bakri’s poetry by selecting some poetic models from the poet’s poetry. We aim from behind delving into the poet’s poetic world and shedding light on an important aspect of al-Bakri’s poetry, to reveal and show the two opposing images of the Eastern and Arab other. Against the Israeli and American other, we find clear responses to a set of questions that act as the main motivation for such a visionary and deep approach:What are the most important specifications and features of Western civilization according to Fawzi Al-Bakri's vision, and what are the basic indicators for building civilization? How is the image of the Arab self and the image of the foreign other manifested on the cultural level in the poet's poetry?This research paper reached many results, which we summarize:- Fawzi Al-Bakri is considered one of the distinguished poetic voices in the resistant Palestinian poetry, and he is the only one among the poets of Jerusalem who remained in it and did not leave Jerusalem and defended his poems from which the spirit of enthusiasm and resistance leaves his land and his homeland and despite all the pressures directed to him, he did not give up and did not retreat, but rather increased his determination and insistence on me. Attendance and resistance. - Al-Bakri reveals in his poems the Western identity and the material civilization of the West and expresses the wildness and animalism of this civilization. Western civilization, according to Fawzi Al-Bakri, as a result of elevating the status of science and its sanctification, did not achieve the happiness and idealism of the human being and the quality of the vision to science, and the loss of spiritual truth among Western society is one of the most important crises of Western civilization. The absence of creative civilization action also causes frustration and degradation of this civilization and the brutality that the West brings to the peoples of the world. According to Fawzi Al-Bakri, it is only a result of the material hegemony over Western thought and Western civilization. - In addition to his attempt to destroy Western civilization and uncover the reality of this civilization, he calls for building a new civilization of tradition and originality in which the relationship with religion and the truth of faith are the valuable stock of this civilization without the new civilization being purely materialistic and in reality the poet rejects his intellectual inclination towards the West and the truth. In the attempt to build civilization, he calls for the sacredness of high values and their propagation in society and the rejection of the vice values that the West and Western material civilization boast about. - In the field of civilization, it calls for intellectual uprooting, non-intellectual and cultural Westernization, confronting the civilizational attack of the West, and confronting the intellectual tendency towards the material civilization of the West. The means for this confrontation is the civilized belonging of the Arab man, and in addition to the poet’s assertion of civilized belonging, he affirms the reverence of the noble human values that the noble human instinct aspires to. Religion, faith and knowledge as a means of advancing man and pushing him forward, but he is in the presence of faith and religion so that man does not deviate from his path.

The contemporary Iraqi poetry is a watery poem in great relief and the water is the backbone of contemporary Iraqi poetry The poet uses it intensively in his poetry. The presence of water in contemporary poetry ranges from a variety of different subjects. The subject of transit and transition is the general theme that in Jabouri's poetry is the vast presence of water and its tools on the poetry ground. This research is a journey of criticism in the world of Jabouri's poetic art and an attempt through the descriptive-analytical approach to study the transit passage. The result of this research ultimately indicates that the poet tries in his poetic formulations to obscure the act of crossing, moving and poetry at Jabouri carrying the obsession of crossing and moving. The passage and transition of the poetry of the poet the other meanings we address in this research Its facilitation in this field is the great use of water and its tools in its poetic formations and the presence of water, along with the movement and flow to the poetic scene, which increases its potential and semantic potential.

The poetry of Yassin Taha Hafez belongs to the poetry of a group of poets who mixed in their poems the experience of romantic love and the experience of place in its general dimension outside the romantic framework associated with situations of love and longing or distance and separation. The romantic experience in this type of poetry is unique in that it narrates the story of love in its connection with the corrupt society and the corrupt city, that is, the poet tells through his romantic poems the corrupt situations that are not desirable for the city and the place. Taha Hafez Yassin's poetry represents poetry of two dimensions in its connection to the place and the experience of romantic love, which tells the story of the poet's love for Fatima as a symbol or reality, and the poet in all his poetry works on embodying the corrupt conditions of the place in which he lives and which differ and are in a complete paradox, the purity of love, his innocence and the result of this The poet from the corrupt city rejects the position and reflects the negative features of the place by embodying romantic love In fact, he mixes the two experiences, as the city and the place in which the poet wades does not carry the desired dimension. It is not an incubator

.Any text without an interpretive reading that shows the hidden meanings is a passive reaction. Using interpretive reading and a descriptive-analytical method, this study interprets the poems of Ali Jafar al-Alaq. The study mainly aims to get to a proper understanding of the poet's poetry and his ode “The Song of Lost Homeland”. Having a historical attitude, this ode analyzes the situation in the Arab countries and using artistic images, depicts the wounds of his land from the Andalus time to the present. In addition to the truth, the poet pays special attention to the innovative aspect of the language of poetry and, using a metaphoric language, paradox, synesthesia, and foreignization, strengthens the semantic and aesthetic burden of the poem. This ode is of important mythological and religious heritage and the poet use it to objectify the meanings and references of the poem. Moreover, different forms of music play an interpretive role in the ode. Using parallel forms in rhymes the poet tries to create beautiful structures. A connection between the references of title of the poem and the main body of the ode shows that using an intertextual title, the poet gives the readership all the meanings and content of the poem and reminds the betrayal and destruction of his home land.

The dream of contemporary poetry refers to the presence of dreams as a poetic element in the structure of contemporary poetry, which contributes to the aesthetic expression of concepts and acts as a means of expression. Al-Jabouri is one of the contemporary Iraqi poets that have had an important role in the country’s poetic transformation. The most important features of his poetry are the extensive application of dream and this presence stems from his tendency to the realist approach. This research is on the theme of the dream and its manifestations in the poetry of Al-Jabouri and is based on the descriptive-analytical approach. The dream in the structural appearance in the poems of Jubouri is used in both negative and positive contexts, i.e., related to attendance and absence. On the level of absence, the dream carries signs of silence and reluctance to surrender. Whereas in the presence, it becomes the subject of the dream revolution and the dream of return or life is with warmth and euphoria or becomes the poet's way to build a paradox meaning the dream come true through his presence and loss of the same in the different scenes.

Semiotics which emerged in the early twentieth century by Saussure and Pierce is a science that examines linguistic signs. Semiotics is a broad and pervasive branch of divergent and convergent schools that analyzes the signs of semantic production. One of the most important branches of semiotics is social semiotics, which is based on the linguistic role of Michael Halliday and emphasizes the context of the text. The present study, which is written in an analytical descriptive manner, seeks to analyze the context of the poem “Al-Asha al-akhir” which is one of the most important poems of Amal Donqol, a contemporary Egyptian poet (1940-1983), based on the principles of social semiotics. The poem is the result of the years following the Six-Day War which was fought between Egypt, Jordan, and Syria in 1967. It depicts the turmoil and bitterness of the Arabs’ defeat and its consequences, as well as the corruption in the governments of Egypt and the other Arab countries. In this poem, the poet recounts the historical and mythological past and condemns the current situation in order to call for a change. With the aim of inducing his readers to act toward this change, the poet uses historical, religious, and mythological personalities in order to give a clear picture of his ideologies and of the situation in Egypt. The article argues that Amal Donqol, using his lingual strategies and influential power, creates an integrated critical discourse system against the domination of tyranny. He addresses social evils such as poverty, passivity, and the lack of freedom in the society, emphasizing the important role of the intellectuals in making changes in the structure of the society. In his discourse, along with the reflection of the unhealthy situation in Egypt and, in general, the Arab society, he always delegitimizes the ruling government.

In this paper, a new control strategy based on Fuzzy Cognitive Maps (FCMs) in order to design a supervisory controller for a complex system is presented. This supervisory controller is designed to provide reference signals needed for local controllers used in different sections of complex system. Designing of proposed supervisory controller consists of two part: 1- First, a basic FCM is constructed based on the cause and effect relationships between various components of the complex system, 2- Then, according to the control needs, new concepts are added to this cognitive map, and the relationship between these new concepts and the concepts of the primary fuzzy cognitive map is optimized based on a functional index. The proposed control approach is applied to energy management of a series-parallel plug-in hybrid electric vehicle problem. The simulation results show that the proposed control strategy has a better performance in satisfying the control objectives for a complex system than the conventional fuzzy controller.

Modeling of transmission lines for the analysis of electromagnetic transient behavior requires the calculation of a modal transformation matrix in a wide range of frequencies. In this paper, a comprehensive framework for smooth calculating the transformed matrix is ​​presented. Accordingly, at each frequency, a general set for eigen vectors corresponding to each eigen value is computed. Then, on the basis of a smoothing criterion and an optimization algorithm, at each frequency the set of eigen vectors are chosen arbitrarily, avoiding sudden mutations and smoothing the fitted function for different elements The conversion matrix is​​guaranteed. The proposed algorithm is implemented on an underground cable 3 phases system and overhead line in order to obtain a transformation matrix. The simulation results indicate the effectiveness of the algorithm used to calculate the transformation matrix in a very smooth and precise manner. Also, this algorithm will continue to show significant accuracy in a situation where the frequency sampling rate is reduced, so that it exhibits acceptable tracking capability at low sampling rates.

It was said in the literary, historical and religious texts of ancient Iran that the owl was a blessed bird loved by them. It was said that a large part of the Zoroastrian Avesta was singing on his tongue; so that when he was reading this owl (Avesta) the demons and the Ahrman fled from his annoying cry, For fear of it. The Arabs considered the owl to be an ominous bird in general, absolute, as it suggests misery, misery and death, according to their intellectual and cultural resources. This pessimistic view was gradually leaked to the Persian, and was rooted in the perspective of the optimistic Persians and the writers and poets until they replaced them. The Persian literature and the Iranian poets' literature remained only a small fraction of that usual optimism. After Islam entered Iran in the Sassanian days and their beliefs in the Persian society, In this study, we seek to shed light on the influence of the culture of the pre-Islamic Arabs on the Persian poets in pessimism based on the theoretical principles of the French school in comparative literature as we try to show the motives of pessimism in the Persian literature influenced by the Arabs of pre-Islamic. One of the most important findings of this study is that the pope has an optimistic view of the ancient Persians, so that they attributed it to the blessed asceticism and sanctified the sanctification of the gods and raised it to the level of sanctification and worship. But this bird lost its positive face in the Persian literature gradually during the fifth and sixth centuries AH and beyond influenced by the Arabs of the pre-Islamic. We now do not see the optimistic spirit that is required to be present in the Iranian writers and poets except in some very rare cases we often meet negative images of the face of the owl completely.

This paper presents a robust model predictive control scheme for a class of discrete-time nonlinear systems subject to state and input constraints. Each subsystem is composed of a nominal LTI part and an additive uncertain non-linear time-varying function which satisfies a quadratic constraint. Using the dual-mode MPC stability theory, a sufficient condition is constructed for synthesizing the MPC’s stabilizing components; i.e. the local terminal cost function and the corresponding terminal set. The proposed control approach is applied to a CSTR. Simulation results show that the proposed robust MPC scheme is quite effective and it has a remarkable performance.