رعنا نوحی

Various religions emerged among the ancients. Each of these religions hadpractices and prayers to approach their god. While performing these actions,special terms corresponding to that language and religion were also created. Thisfactor caused the emergence of a knowledge that will be called "mystic" in the years to come. This knowledge found its way in the ancient works that theywanted to know, and their special terms were described in separate books, and some of them were content with just inserting those words in their words, and by extracting them, one can know what kind of tendencies the person in question has. He had a mystical view of knowledge. One of these people who will be investigated in this research is Azhari Shirazi. In this research, using the descriptive-analytical method, first, we explained the word that we found in Azhari Shirazi's Diwan by referring to mystical sources, and then we wrote Azhari's speech about it, and then we will analyze his speech. Using this research, we will explain how many mystical words are used in the diwan of one of the poets of the Safavid era who lived in the 11th century, and how bold this usage is, and in addition, the poet Which kind of mysticism (Sahv or Sukr) was the subject inclined towards, which will ultimately be beneficial for knowing more about the culture of Iran during the Safavid period.

Azhari Shirazi is an anonymous poet of the 11th century AH who has not been researched about this poet. The basis of the present article is based on the unique version available in the library of Shahid Motahari High School and its purpose is to study the style and thought of the manuscript of this Safavid poet.

The present article is an intra-textual, stylistic and theoretical study that has been done by library research method. The study area and community is Shirazi Divan.

In Isfahani Divan, Isfahani style can be found along with verbal and spiritual industries and innovations. The language of this poet"s poems is simple and his lyric poems are very delicate. Despite the poet"s acknowledgment of composing Turkish poems, no trace of it was found in this version. His poetry has advantages in various aspects among the court of his contemporaries; Notable are the titles for the poems, the lamentation, the boasting, the romantic lyricism and quatrains, the humorous and satirical Masnavi, and the pieces containing the material of history. I also enjoy a variety of linguistic and literary benefits in this divan.

Azhari Shirazi has experimented with other Isfahani style poets. The time of the poet"s life can be considered according to the articles of the Divan, between the years 991 to 1061 AH or shortly after. At the intellectual and content level, religious, romantic and humorous themes are the main themes of his poems. At the linguistic level, unlike Isfahani style poets, slang words are less noticeable in his poems. The use of special weights and long lines is a feature of his poems. At the literary level, phonology, repetition, types of puns, as well as forms of imagination, simile, metaphor, irony, allusion, observance, and style of equation have the highest frequency in his poems.