محمدصادق نصرالهی

The protection of cyberspace and the Internet, in view of its penetration rate in the individual and social life of the society, is prioritizing the regulation of governments. this regulation is in the different levels of decision making from policies to the laws and regulations in the areas of media establishment, criminality and punishment, monitoring and control, etc. One of the control tools of the sovereigns, which is a matter of precautionary prevention, is cyberspace filtering. In our country, filtering, though it is one of the most sophisticated decisions of the sovereign, is at the same time the most challenging decision. Perhaps the filtering of the Telegram is a good example. The issue of this article is that the regulation of the filtering of cyberspace in Iran has undergone an evolutionary process, and in which ways does it have strong points and weaknesses?The findings of this paper, using a descriptive-analytical method, show that cyber filtering has been accompanied by ups and downs as the fixed foot of the regulation of cyberspace has been. Among the important events of the filtering are the following: clarification of 7 legal documents for filtering, Internet starting with filtering to Iran, neglected such as the policy formulation of multi-level and  home filtering since 2000, the design of a super-regulator in 2009, native approach in the filtering system in the year 2005. These phenomena and other phenomena have been attempted to be subject to legal analysis.

The rap music, as one of the latest forms of music, has met with considerable success from different segments of the society, especially the youth. Iran has not been an exception to this global trend, and the consumption of this music is common among Iranian youth. This consumption will certainly be accompanied by levels of impact on the lifestyle of the listeners. A review of rap music shows that, despite its low musical value, it has become an important capacity for addressing the most important social issues, including urbanization. The aim of this article the studying of Tehran that consturcted by the farsi rap music. The main question of this research is “how does the farsi rap music represents Tehran?”To answer this question using purposive sampling, 11 songs were selected with the most attrctive for audiences and with the subject of Tehran and trying to use the method of thematic analysis, the most original constucted themes of Tehran is identified in these types of music. The findings show that the main theme of Tehran is constructed as “Anti-Utopia City” with features such as economic divide, commodification, sense of presidency, dirty city, Tehran Terra, city of thieves, lawless Tehran.Keyword: Music, Rap, Tehran, Representation, Farsi Rap Music

The memoirs of the Holy Defense are one of the most enduring documents in the history of Islamic Iran.September 22, 1980 The Ba'athist regime in Iraq launched a military attack on Iran and the imposed war began. From the beginning of the war, women and men worked in the form of relief and support groups, which they took on and did until the end of the war. after the war, women fighters recorded their memories in the form of novels, memoirs and oral histories of the war. the present article examines how the personality dimensions of women fighters in the sacred defense are represented in 4 selected memoirs. these four books, entitled Sabah, Saji, The Bright Lights of the City, and The Most Beautiful Days of Life, while written with the focus on female personality, are up-to-date and effective works in this field.The findings of this article show that the representation of women's personality can be classified into four meaning domains of insight, tendency, action and personality-building factors using thematic analysis method. In the field of insight, issues such as religious, moral and revolutionary beliefs can be raised and in the field of tendency, themes such as self-made, powerful, war-disgusting, curious and chaste spirits are mentioned. In the field of action, items such as aid, religious, revolutionary, military, cultural and religious activities are included.Finally, family-centered personality-building factors are emphasized.

Arbaeen March has become the main Shiite ritual today. It is this status that doubles the necessity of surveying it from different perspectives. One is the analytical media outlook over Arbaeen ritual. In other words, we need to examine how the mass and social media address or should address this important event. This article has employed a media and communicative approach to the representation of Arbaeen's March on the Islamic Republic of Iran's television and Radio programs. In this regard, two documentaries of Vahid Chavosh as a media activist have been analyzed: Who are you? and A Short Annotation to a Long Text. The methodology used is the semiotics of John Fisk. By taking each of the episodes of the two documentaries as a unit of analysis, the signs have been examined at three levels of social, technical, and ideological codes. The findings show that the type of Arbaeen representation in these two documentaries can be divided according to four dimensions: political, socio-cultural, spiritual and civilization. In the political dimension, elements such as defying arrogance, truth seeking and Islamic unity are considered. In the socio-cultural dimension, we can refer to the culture of humility, cultural interaction, taking vow, making sacrifice and the educational function of Arbaeen. In the spiritual side, we can mention sympathizing with Ahlul-Bayt (The Prophet’s Household) (AS) captives, praying for their intercession and seeking the Savior. Religious, cultural, and national symbols also appear in the form of food, flags and customs of each country.