مقالات رزومه مجتبی سلطانیان

This article examines Sara Salar's novel "Probably Lost" using Lucien Goldmann's formative constructivist approach, and attempts to analyze the political and social structures that govern the author's mental space and society. The present study will try to show the social atmosphere of the author's world by documenting, analyzing and criticizing the text along with evidence to express how the political, social and cultural structures of Iranian society have influenced the formation of the author's mental structures and the emergence of this novel. And what is the connection between the structures of society and the structures of the novel? A careful study of the components considered in this novel revealed that this novel is a completely social work and the product of the author's mentality and ideological thinking in which, while examining the social and cultural developments of the society of his time, a reflection of social and governing realities. In this novel, which is the result of the actions of the contemporary generation and their concerns, the author depicts the problems and issues of women in life, the patriarchal atmosphere, the lack of identity of women, etc., by choosing the life of a married woman. Kills and shows that the narrator has lost his story and walks everywhere looking for his lost part. Sara Salar considering one of the social themes; That is, feminine identity and patriarchal atmosphere, has shown the structure of the society of a period in Iran.

Sociological criticism of the novel as an indicator of the sociology of literature investigates the effect of society on the content of the work and also the effect of the content of the work on society. This essay examines the novel "Rud-e- Ravi" by Abu Torab Khosravi using Lucien Goldman's developmental constructivism approach and we have tried to analyze the political and social structures governing the author's and society's mental space.

The present research will try to show the social atmosphere that governs the world of the author with documentary method, analysis and criticism of the text along with evidence, in order to state that the political, social and cultural structures of the Iranian society in the formation of the author's mental structures and the emergence of this What is the impact of the novel and what is the relationship between the structures of the society and the structures of the novel.

By carefully examining the components considered in this novel, it was found that this novel is a completely social work and a product of the author's mentality and ideological thinking, in which, while examining the social and cultural developments of the society of his era, it is a reflection of social realities. and has shown the ruler of the society.

The findings show that this novel was written in a space with postmodernist elements, and uncertainty is seen as the most indicative postmodernist linguistic element of this work. Components such as metafiction and multiple endings have placed this novel in the ranks of postmodernist novels. In addition, the postmodern atmosphere of the novel has depicted an atmosphere of the society of the time of the work, which expresses sectarian and religious concerns and shows a superstitious atmosphere in it. The audience faces a surreal and ambiguous atmosphere where several stories are moving in parallel and traces of truth and illusion are placed together.

Revival of manuscripts is a useful way to understand the cultural, literary and historical heritage of any ethnic group. Therefore, the transfer of the works of the past in a correct way and without interference is one of the cultural necessities of any society. The treatise of Shoaa (Arc and Fury) is one of the scientific treatises of Khajeh Nasir al-Din Tusi, which is very brief and in Persian. The subject of this treatise is how to form a ray of light on polished objects by irradiating light from a radiant body. This research, while explaining the content of the version, examines the structure and thought as well as correcting the version. The present research method is content analysis and library based on the principle of the work and the evidence extracted from it. The method of text correction is also intermediate correction. During the correction, an attempt was made to record from the relative basic version, and wherever the recording of another version was more correct than the relative basic version; Has been used. Differences of abrogation are mentioned in a footnote.

Scientific works constitute an important part of the collection of historical writings of Iran. Mathematical and arithmetic sciences have been among the sciences of interest to Iranian scientists. Examining mathematical manuscripts and arithmetic and geometry in terms of identifying the history of science, using their contents to establish new knowledge, as well as finding out the literary and linguistic features of the period in which it was written. Are of particular importance. Therefore, reviewing and correcting such manuscripts, even if they are not in the category of literary and scientific works, can be a priority for researchers and proofreaders active in this field. The treatise on arithmetic is one of the ninth and tenth century writings in the field of mathematics, arithmetic and geometry. The author of this work is Mir Mohammad Ghasem Asir Varamini (Isfahani). This book was written in Baghdad and the author is the same author. The date of its writing, according to the author and its scribe, dates back to 900 AH. This work consists of an introduction and a conclusion, as well as three articles, each of which is divided into different chapters. In this research, the most important features of the thesis book are written along with the introduction of its manuscript and finally the version is examined from a content point of view.

Stylistics tries to reach the intellectual and linguistic layers of the author and the work methodically. Therefore, in this study, two works of the Timurid period, "Zafarnameh" and "Rashidi History" have been evaluated stylistic and linguistic structure in vocabular and syntactic layers relying on library and documentary studies, as well as inductive and analytical methods, and to some extent Rhetoric and the linguistic coordinates of the two works are shown by giving examples. One of the common currents of the Timurid period is imitation in prose writing. Mirza Mohammad Haidar Doghlat has also adapted several works in writing Rashidi's history and has mentioned the exact name of the work. In addition to using written chronicles, he relied on his observations and hearings, and in order to document his narration, he recorded the writings of old inscriptions and copies or the complete content of some letter. The rhetorical and linguistic comparison of these two works shows that they are complementary and have a kind of intertextual content and language relationship. Also, the frequency of Arabic compounds and words, the frequent use of adjectives and verbs, redundancy and synonyms are obvious features of the syntactic and morphological structure of the language of the two works; The difference is that Zafarnameh has an emotional language with technical prose while transmitting information, but the author of Rashidi history with a simple prose as a knowledgeable witness, has criticized and challenged a lot of Zafarnameh information to provide the first category information to the audience.

One of the branches of sociolinguistics is gender linguistics, which examines the effect of the author’s gender on the content of the work. In this article, inductive and analytical methods of feminine and masculine language in the collection of Goli Taraghi’s works are compared based on the theories of social linguists and from the perspective of grammar, in order to evaluate the effect of the author’s gender on the story language and his/her level of success in creating a language appropriate to the gender of homosexual and heterosexual characters. For this purpose, female and male languages in the field of grammar were examined based on the following variables; Vocabulary such as: taboo words and color words, and sentences such as: modifiers and verifiers. The findings show that characters’ language is influenced by the author’s gender, and the clichés of feminine language are repeated more frequently in this work. Based on the above variables it was also determined that the author was able to use a language appropriate to the gender of the characters in many ways. In cases where there is no proportion between language and gender, especially in female characters, it is largely because of the author’s spirit and intent, to show the desire of women against the domination of a patriarchal ruling society.