مقالات رزومه الیکا اشجعی

Persian literature, especially Sufi literature, as a mirror of human thought and behavior, functions as the source of a lot of seven arts, specifically cinema. Dariush Mehrjui, as an Iranian filmmaker, has been able to establish a new philosophical thinking in cinema. Although cinema is an imported product and is not that much old in this ancient land, the precious heritage of Iranian Sufism, which is a symbol of our rites and traditions, can be considered one of its main sources. Although some of the people well educated in cinema have a certain opinion about its origin and find its roots in the Western world, there are filmmakers who are familiar with artistic and human concepts and who are not intimidated by the West, but are trying to give their art a local color. Dariush Mehrjuim, the Iranian filmmaker who has studied philosoiphy in the West, has been the founder of a new way of thinking in cinema. In this research, we have adopted content analysis and an intertextual approach to explore Sufism, as the hidden layer of the film called Hamoun, through symbols and signs. Finally, we came to the conclusion that modern man needs to pay attention to his past traditions and customs to acquire deeper knowledge and know himself. Therefore, Mehrjui finds common ground between Iranian Sufism and Western philosophy, especially some of the key principles of existentialism, which considers pragmatism and human agency very important to achieve excellence and a better. Similarly, Sufism emphasizes special human capacities and following a path based on one’s own abilities, to reach true happiness and perfection.

The abstract concept of hedonics (sense of happiness and joy) in the modern world today in the context of humanism (An overall humanistic look) and romanticism (A slightly individualistic look) has always been one of the problems of the human mind. Due to the extremism in societies and the expansionist plans of governments in human life It has evolved in a very tangible way and has made man on it In order to achieve true happiness, she turns to "backwardness" and "minority". This is important in the leftist and socialist literature of Iran and Iraq, especially the poetry of two contemporary Persian and Arabic poets: the Akhavan Sales and Al-Bayati. The Akhavan Sales and Al-Bayati, whose expectations of life were low due to their socialist tendencies, have become more crystallized. In this paper, we tried to use a descriptive-analytical method based on Brinkman's view Let us explore the concept of hedonics in the poems of these two leftist poets And express their attitude to this abstract concept.Given that both poets were involved in political commonalities Which is influenced by the climate of their time , Although there are similarities between the humanist view, But their romantic experiences differ from the hedonistic concept Reminders of youthful nostalgia should prevail in the poems of the Akhavan Sales, and childhood nostalgia should prevail in the poems of Al-Bayati.