فهرست مطالب a. eshghi sardehi

Mankind has long tried to build his society on the basis of his culture, literature and ideals. In this effort, literature has continuously surpassed other subjects and has found a special place in society and politics. As a result of the constitutional movement, the victory of the Iranian Islamic Revolution, the imposed war between Iran and Iraq, and similar events and issues, contemporary Persian poetry moved towards social and political poetry. To the extent that a branch called "social ghazal" was formed in contemporary Persian literature. In these sonnets, social themes and events of the era of poets are mostly mentioned. These sonnets are prominent in the ideological layer, which is related to the inner language, and the element of ideology is constantly repeated in them. The purpose of this article is to investigate the intellectual style of social sonnets after the revolution in the poems of Qaisar Aminpour, Abdul Jabbar Kakaei, and Saed Bagheri.

This research was conducted with a descriptive-analytical method.

After the Islamic revolution, the themes of this sonnet became more national-religious and issues such as martyrdom and stability were raised more. The most important themes in social sonnets after the revolution are freedom, patriotism, stability, martyrdom, peace and friendship, protest against the transformation of values, and the culture of expectation and Mahdism.

In general, Qaisar Aminpour should be considered a more serious and prolific poet than Saed Bagheri and Abdul Jabbar Kakaei in the field of revolutionary poetry. Even though Aminpour has many new poems in this field, his social sonnets about war, homeland and the value of martyrdom remain worthy of attention. Saed Bagheri has been martyred more than any other issue and has repeatedly expressed his regret and longing for his martyrdom and comrades. Abdul Jabbar Kakaei, but more than two other poets, has dealt with the subject of Mahdism and waiting for the promised. He equates his long waiting time with the loss of his dreams to reach the ideal society.

Parsoner (1902) is one of the social theorists whose views have been the focus of social critics in the sociological study of literature. While paying attention to the normal issues of people's lives and providing ways to improve the conditions of society, he has investigated social issues under four sections: social system, cultural system, personality system and behavioral organism.

In this article, which is written in a library method and with the aim of criticizing the family system in the poems of Parvin Etisami, an attempt has been made to analyze Parvin's poems from the perspective of conformity with Parsoner's theory.

The results of the research show that Parvin's frequent references to the family and emphasis on the position and role of the mother are seen as a frequent theme in his divan. The structure of the family in his court is of the nuclear type, which, for some reasons, emphasizes the position and role of the mother, and the role of the father is partially mentioned. He tries to present his perceptions of the family and especially the mother to his reader with a moral and educational expression.

The allegorical aspect that Parvin has given to the poems related to the institution of the family, the very short and limited reference to marriage and its type, the immense attention to the role of the mother in which even the allegorical birds of his poems appear in this role - and not in the role of a lover are important features. And his poems are special.