فهرست مطالب ebrahim rahimi zanganeh

It is obvious that the lyrical verses of Persian poetry represent the most cultural patterns and signs of civilization. Examining these stories from the perspective of cultural anthropology (whose main foundations are popular culture) is a new approach to them and introduces researchers to two options: one is to investigate people's culture in the content of the stories and Another cultural influence is the narrator according to the culture in which he was raised, and this applies to all the stories that have different narrators. In this research, the various literary and cultural knowledge hidden in the Kurdish popular literature "Beit" will be compared and analyzed with the systems of classical Persian literature, especially where the structure and content of these works are related to the principles of storytelling. If it matches, it can be a valuable work in the field of cultural anthropology studies. This research describes and analyzes the cultural components from an anthropological point of view in the poem "Mehr wa Wafa" in classical Persian literature and Kurdish folk literature narrated by Mam Ahmed Lotfi. To achieve this goal, a descriptive-analytical method has been used. The findings indicate that most of the anthropological components have appeared in this system, and the amount of similarities is greater than the differences, and this indicates the intertextuality between the Persian and Kurdish systems. Another is that the Kurdish narrations of the story, although in terms of generality, theme and concept, are in accordance with the Persian narrations of the same name, but both in form and content, especially the changes and transformations of mystical, epic and lyrical culture. It is in different periods.

Manouchehr Atashi can be considered one of the poets of contemporary literature, but various aspects and angles of his poetry have not been researched yet. The study and analysis of Atashi"s poems from the point of view of psychological criticism based on contemporary psychological theories, including Karen Horne"s theory, which can clearly reveal the close relationship between the literary work and the poet"s spirit and social environment, is the main goal of the upcoming research, which in other scientific studies about poems Fire has been neglected. Examining this issue will open a new window for the lovers and critics to know and introduce the works of this outstanding poet.

The descriptive-analytical research method is based on library studies and the method of sand analysis, in which the analyzed samples are purposefully selected from the collection of Manouchehr Atashi"s poems.

Based on what has been discussed in this research, fear, anxiety and defense mechanisms against it in the form of isolation, seclusion, seclusion, taking refuge in an ideal world and creating an ideal self-image, philosophical bewilderment and protest according to Karen"s psychological theory. Hornay can be seen in Manouchehr Atashi"s poems and compositions.

The social environment and the surrounding world and human relationships with the surrounding people can be effective in creating feelings of fear, anxiety and failure; Emotions that are considered in Hornay"s psychological theory as fundamental anxiety. The findings of the upcoming research show that the contemporary world, manifestations of industrial progress, the death of loved ones and failure in love are all effective factors in creating a sense of anxiety in Manouchehr Atashi"s poems.

Perdition as the ultimate step into God and the highest efforts of the mystics in the Divan of Shams is an excellent manifestation. In this concept, dance has a significant role and the music has a great importance. Hence, in Sufism, music and its instruments are respected and desirable, and have impressive effects in the ascension of the peripatetic to the highest level of mysticism.What is happening to a peripatetic is unutterable, the tongue is unable to interpret it, and somewhat can be comprehended by the excitement of the peripatetic, which is accompanied by sounds of music instruments. Mawlawi has benefited greatly from the influence of music on the way to the God, and he repeatedly used the musical instruments in describing the area of perdition and saw himself as many of those instruments as the beloved in those levels. This research has been implemented on evaluating the extent of perdition and its relationship with music and dance and its effect on the nature of the peripatetic.

This paper tries to analyze the important term "Attraction" in the mystical and literal texts based on the theory of definition in logic and philosophy to achieve quiddity features of the attraction that old texts overlooked to define. The present paper tries to analyze the definitions and words of mystics about the mystical term "Attraction" in the main Persian and Arabic mystical texts up to the end of 8th century by using analytical descriptive approach. None of the texts has defined Attraction features comprehensively. This study is done based on the original texts and the information attributed to Attraction and related expressions are gathered and could achieve quiddity features of attraction from these texts and gave a more complete definition. This principle can be applied in the other fields of mystical expressions.

The Haft Keshvar (the seven Countries) is the work Fakhri Herawi, the famous writer poet of the court of Iran and India in the 10th century AH. This research, with a structural approach, has examined the introduction of this work, which is the special and artistic part of it. The questions emphasized in this research are about identifying the structure of the Haft Keshvar's introduction, showing the pattern of the plot of structure of the introduction, and expressing the connection between the introduction and the main content. In addition to the recognition of the totality of the literary work, the purpose of such studies is to make possible the comparison of the structural approach of the work with pre- and post-texts. This adds to the systematic collection of studies on Persian literature. This study uses the structuralism method, which emphasizes the structure of the work, and attempts to find a link between the form and the meaning using the ideas of scholars such as Propp in classifying the personality of the story, and Saussure and Strauss in the discourse and Tzvetan Todorov in episodic anecdotes, to explain the distinct levels of the narration of the introduction of the Haft Keshvar (Seven Countries).

Semiotics leads to the extraction of signs that represent the functions of discourse. Understanding the meaning through the formation and reaching the depth of the word reveals the relationship between these signs and the cognitive and sensory functions and reveals the type of discourse system. Among the valuable Persian books, when it comes to Masnavi words, they are incomplete, and it is worth analyzing silence, but the thought on this interesting and real image and understanding the relations between references and meaning through unique mystical interpretations and its combination with the world literature in the field of modern literary theories can inspire the Maulana theorists in theories provided by theologians of terminology. This research answers that question; which Greimas's discourse systems find in Ney-Name. In addition, examines the techniques that achieve discursive functions and, through a descriptive-analytical approach, examines the interaction between the sign and the meanings in the Ney-Name. This essay shows that in order to understand meaning, we must derive the signs that are understood from different cognitive and sensory functions, and they find out in the interplay between them the resulting discourses.

Mystical writers and poets have taken an interpretive view of the Qur'an and hadith. From Attar's point of view, for example, Adam is adorned with his servitude and Iblis is the embodiment of divine hatred. Thus, one of the prominent themes in his works is the commentaries on "the creation of Adam and His descent from Heaven" and "The Devil's disobedient and his fall from highness." In this research, we seek to find the answer to this question based on hermeneutic theory and through content description and analysis: What is the form, method, structure, and endowments of Attar from the fall of Adam and Iblis’s driving out of divine court? In this study, we will see that he has interpreted these two issues in a prismatic and similar way, which undoubtedly reflects his particular view of the contrast between Adam and Iblis.

One of the most important mystical issues is the secret and mystery of paradox and paradoxical speeches of great mystics. We must seek to establish the theoretical principles needed in order to interpret and explain the basis of rhetorical paradox in the literature of mysticism, particularly the mystical paradox. To this end, this study investigates and examines the theoretical basis of Mevlana’s views. The author believes that the contrast of human existence from Mevlana’s perspective constitute the basis of mystical paradox. Consequently, various ideas regarding the interpretation of Mevlana’s theoretical foundations and his mystical paradoxical thoughts have been thoroughly investigated according to the theory of double location.