فهرست مطالب mohammad pouryavar choubar

Hafez's eternal presence not only in the history and literary history of Iran but also in the minds and consciences of Persian speakers around the world, has made him an "eternal memory" and for this reason, he and his poetry have been spoken about in many different ways. But it is still open to the discussion of covertness and indirect and pragmatic expression and confusion over events and biting satires and scandalous ironies and other linguistic tricks that go back to its two sides. In the present article, the structure and content of Hafez's ambiguities prominent features of his style are examined. As a result of the sequence of thoughts and associations, the meanings of the mind are involved and at the same time it never reaches certainty, it has been studied and analyzed. This unique virtue of Hafez's poetry, which distinguishes his words from the words of others and causes its exaltation and immortality, is a framework for expressing ideas that have not been explicitly expressed without danger. It is with this tactic that Hafez stands up to the ruling power and, with its help, overthrows the dominant discourse of the government and helps to free the people from their stagnation and arrogance and dependencies. The data of this research have been provided through library studies and have been described using analytical methods. The most important achievement of this research is that its cover-ups and ambiguities, where something is thought of in the structure of India, show a kind of political structure and power in relation to itself.

In the dark seventh and eighth centuries AH, which was the period of domination of the Tatar bloodthirsty and the governance of the unworthy cruel rulers over the cultural Iran, critical poems emerged in ways deeper than the protesting literature in the sixth century. In this period, Saadi and Saif Farghani were two liberals who each addressed the issues of the disintegrated society of that time. Since the arbitrariness of anti-people governments had captured the pen and speech in the labyrinth of tyranny, these poets inevitably turned to cryptic novelties, especially equivoque , to criticize the turbulent situation of the time. Based on a descriptive-analytical and comparative method, this study aims to investigate and compare the function of equivoque in raising political and social issues in the Ghazal of the mentioned poets in order to firstly explain the impact of Genghis Khan invasion and Mongol rule in this period on the common theme in their Ghazal and secondly, the most equivoques of the Ghazal of the mentioned poets is known by their political and social functions and their similarities and differences, as well. The final result of this research shows that the application of "Equivoque " method in raising political and social issues in Saadi's Ghazal is more frequent than Saif’s. Most of the equivoques criticisms of these two poets are directed at those in power. Among the types of equivoque , abstract equivoque and equivoque of proportion are more prominent in Saadi's Ghazal and equivoque of proportion and contradiction in Saif's Ghazal, respectively.