فهرست مطالب mohammad saleh sharif askari

This article examines the subject of semantic concordance in the thirtieth part of the holy Quran during its functional dimensions and its suit with different contexts surrounding it. Since the Koran sent by God to guide people to guide people and that the guidance requires the diversification of the speech, and the use of graphical methods, in accordance with the requirements of the conditions of the addressees, and the temporal and spatial conditions.Since it was style of semantic concordance some sort of graphic styles, and it has the many fortune in effect on the receiver, and active role in the presentation of concepts; Stock in the words of the investigators "things known by their opposites" Because of the its use in most of the fence of the blessed came this research to reveal the extent of its use in the thirtieth part and to answer questions concerning its types used, its contextual proportionality, and its semantic givens.And of the results brought about by the research: that this blessed has included semantic contrasts, and contained a number of its kinds, and concluded that this method, which was employed in most parts of the dear book, proportional to human need to know the facts most evident forms, because the semantic contrast displays the command In two different ways in front of the sight and insight, and proportionality contextual was galore share in it. Also indicate the results of this research that the contrast is not art abstract itself but a penalty from building the text has its objectives and its effectiveness and its connotations Particularly in the quranic text so that is employed to create images, music, crumbling meanings and lure the recipient.

Resistance literature in many Arab and non-Arab is extensively used as a recent style of literature. Some poets applying this style played an important role in the imagination of beautiful and dynamic visualization, and the undertaking Lebanese poet, Mohammad Ali Shams al-Din is considered as one of them. He also considers other modern contemporary poets, in order to express his viewpoints by using defamiliarization with paradoxes (paradox) as well as symbols and thus resorted resistance themes from the threat of vulgarity and on the other hand used religious and historical myths in order for providing majestic perspective. Inspecting the poet documents, patriotism and commitment to the values ​​and religious beliefs can be addressed as the most important issues and elements of his poems encountering to resistance.

Holy Quran contains the important conceptual, rhetoric and expressive elements that in addition to several promising orders for human life it has offered multi-dimensional set of different logical and traditional sciences; in this regard, semantic and rhetoric sciences have outstanding place. On one hand, they cause to faster understanding of the holy speeches and on other hand, they emphasize the rhetoric miracles aspects and divine expression compared to other speeches. Regarding to the perception of the semantics and linguistics different aspects and characteristics of holy Quran, this article aims to investigate different rhetoric and conceptual characteristics of “Raghab” in Quran. The author has investigated different rhetoric and semantic aspects of the word “Raghab” and he has referred to the former and contemporary important semantic books. The reuslts of this research depict that “Raghab” is one of the Quran principles; and in sum, this word has been used in eight verses (three in Mecca and five in Media Suras). It involves a kind of love that denotes severity of tendency and desire towards something; also it was specified that if “Raghab” is accompanied by “An”- as it is seen in the Sura Merriam, verse 46 - it has paradoxical meaning of rebut.

Narration is a cognitive tool to understand the experience flow and the theses of Analysis of stream of consciousness is considered as one of the most recent and popular methods of analyses of literary works. In the stream of consciousness method, for a detailed and momentum description, the content of thought has a central function and appears in the form of Narrative tips and techniques like internal and dramatic, monologues, soliloquy and the omniscient style of the first, second, or third person method.
This study has a brief reference to its features and components of the stream of consciousness, and then tries to analyses a selection of seven pre-Islamic Arabic ode (Mu’allaqat) referring to their fictional nature using the narrative techniques of the stream of consciousness. In other words, we try to answer this question; can part of the heritage of Arabic literature be considered in the context of stream of consciousness? It should be noted that the title of stream of consciousness only applies on the part of the literary creation that contains all or parts of characteristic of this stream. But we must keep in mind that studying these seven odes doesn’t classify them in the context of stream of consciousness; its only an attempt to show the usage of modern techniques in such works. The findings show that: the poets of Mu’allaqat, along with other narrative technique, used a dominant narrative technique based on poetic motives and intentions; the number of these techniques varies between two to three.

Scientific researches do not know their limits and literary analysis and criticism, as precautionary text, do not take into account any prohibition or warning. The present study is an attempt to study prison poetry in the contemporary Iraqi literature, with an emphasis on poet, Hassan Al Sanyd, hence, attempts to analyze the issue of prison in his poems. Since, he was one of the political opponents of the Saddam regime, the paper focuses on the poems that were said in special circumstances and the poet''s own experience in the prison and those reflect outcomes of such experiences such as prohibition, repression and torture. The paper tries to highlight the poems that have survived the censorship and prison fence. The research has followed a descriptive analytical method and author’s perspective is based on: subjects and contents of the poems, their motivation and purpose. This study has also used deductive and analytical methods. In order to determine the framwwork of the research topic, only it takes into account the poetry related to prison and this study is based on one real question: what is the intention and subject of prison poetry of Hossein Al Sanyd. Findings show that 1. the prison poetry is symbol of suffering of Al Sanyd in opposition to the Baath regime as well as his aim of liberating the Iraqi people; 2. Prison is a symbol under Saddam regime that incarcerated the Iraqi people; 3. Imam Hussein and Rouhollah Khomeini are the poet''s symbols of protests that insist on the Islamic Revolution in Iraq its victory in the near future.

Language is not only marks the launch of the language، but their names are a way able to make impressive photo of the literary aspects of the breadth of their experiences through the use and diversity and this diversity is one way to consider means of selected texts studied، so that these features are characterized its repetition rates and may measured statistical the evidence in the accounting formulas and vocabulary that characterize the level of the language of another and reflects the relative wealth of lexical with my view of one of the methods used any way Jansson. This topic study applied this Method to measure the diversity of the vocabulary of the samples of erotic poetry to Kuthayyir Azzah and Jamil Buthayna and Majnoon Layla is expected when the budget، including the advantage of each other when measure the amount of wealth verbal.

This article studies the signification of deviation from common usage in the poetry of Abu Firas al-Hamdani revealing some examples of application of this phenomenon. It also reveals the relation between the psychological state of the poet and his choice of deviation from the common usage as a result of the state he experienced. It finally indicates the strong relation between one‘s psychological state and picking out a special style in poetry out of others.

One of the applications of contemporary fiction is the depiction of contemporary human sufferings and afflictions. In other words, this important literary branch can be the best interpretation for the events in human societies, and its role and importance become double when people live in hardships such as war or invasion. Sahar Khalifah’s double, Al-Sabbar and Abbad-o-Shams has depicted the Palestinian people's life in Western Seacoast after the June, 1967 defeat. From the most important subjects seen during the events of these novels, we can refer to the most important demands of the Palestinian nation such as patriotism, unity, and hope for the future of the fatherland in the shadow of unity. Sahar Khalifah’s double unveils the concept of homeland in Sahar Khalifah's view from dimensions like: land, the Palestinian, childhood memories, and culture. It depicts the Palestinian nation's commitment to their country and fatherland. It also expresses the signs of this commitment among different groups of people such as children, teenagers, men, and women. It is this common feeling that despite the internal conflicts finally unites different characters of the novel against the invader enemy; because unity in the writer's view is the only way to escape from all difficulties caused by invasion. In addition, factors such as hope in future, giving up disappointment and grief and depression, and raising the sense of patriotism, and devotion for the fatherland, are counted as important and effective factors in the freedom of the country in the writer's view.

Humor plays an important role in bringing smiles to the lips of the depressed and making them feel happy.Humor goes a long way in creating literary and permanent tension between society and the rulers, through exposing the many causes of poverty, deprivation, cruelty and tyrany. This importan goal is achieved in a humorous and at the same time bitter way; its aim is primarily to make people smile and secondarily to draw peoples attention to the above-mentioned conditions and problems or to criticize them. This role is at the root of the appearance of many poets, among whom there is a poet whose literary creations are colored with satire and humor. He is Mohammad al- Maghout.

The term "lexical and grammatical expansion" is one of the important terms in Arabic language, which is widely used in most Lexicons and important sources of Arabic language. It has been mentioned in various ways, but it has neither a comprehensive definition nor a clear meaning. This article is an attempt to discuss the term by referring to the main sources of Arabic language, especially the important Arabic Lexicons. It also endeavors to offer a comprehensive or almost a comprehensive definition of the term in the light of the different expressions in which it has been used and has been the cause of much ambiguity, obscurity and confusion.