فهرست مطالب rasool vatandoost

The convention concerning the protection of the world cultural and natural heritage, or the World Heritage Convention (1972), is now considered the most remarkable international tool to protect and identify the shared heritage of humans. Inscription of a site on the World Heritage List is a function of regulations that are specified by the 1972 World Heritage Convention and its operational guidelines. According to the convention, the member states selected sites within their geographical expanse as nominees to enter the world heritage list according to the regulations of the convention. In the years that followed the formation of the convention, the increasing influence of politics made many countries see the world heritage list as a tool to achieve their political, economic, and cultural goals. Thus, the selection of the sites is now a function of multiple factors that make the process of inscription complicated and, in some cases, costly. The present study aimed to answer the following question: “What factors influence the selection of site processes for inscriptions on the world heritage list?” The goal was to identify the explicit and implicit factors so that more successful and cost-effective decisions could be taken from a domestic policy perspective. As a result, the influential components were identified and explained by a descriptive-analytical investigation of the texts related to the convents and a select group of 10 countries with distinguished performance in the process using content analysis, and their relationships were interpreted. Investigations showed that the factors that influenced the process were placed in three layers: the central layer was the requirements of the convention, the middle layer was the constraints of inscription, and the prioritized themes, and the external layer was the factors that influenced the method of selection adopted by countries that included items ranging from their governmental structure to their macro-scale policies in the international arena (among others).

Experts in the field of cultural heritage, in expression of these four components of the message, event, value is tied to the past and the necessity and importance of the concept of value can be said to have mentioned the pillars that form the essence of cultural heritage. Preserve the value of the preservation of historical monuments is one of the important issues in the formation of modern conservation in recent decades has been the charter. Value as one of the most important features is the protection of historical monuments and perceive it to be assigned an important position. In today's speech recognition and protection of cultural heritage value lies in the effect is of particular importance. One of the factors that determine the validity and importance of the issues associated with conservation science. Protection in development policy plays a crucial role. In general, any activity that takes time protection for valuable object or location and hence decisions about treatment and intervention is in effect pursuant to this value. Today, all successful conservation activities will seem to be able to preserve their values. But the definition of the unit of value will be very difficult due to the presence of multiple factors, This concept varies according to the environment and communities. Will follow the principle of relativity, fluid and dynamic concept that according to geographical location, credentials and experience recognized. In protection, the concept of value as an inherent feature of the monument considered and the protection of ideas in the formulation of the Charter, resolutions and international law have had a serious impact, the emphasis is on understanding the security approach. However, a comprehensive definition of the word. And it would make it difficult to identify, Can only theories and laws are distributed to the various features mentioned. Therefore, in this study, which was conducted analytical methods, To explain the concept of value based on the readings semantic components and sub-sectors in the field of protection, to review developments in the field of protection based on the value point of view, analysis and review of written declarations from the standpoint of conservation issues and considered worthy of protection was dominated by the concept of value. The effective component in explaining the value of authenticity, identity, integrity, cultural, and environmental protection were the time and type of intervention and on this basis we can say in determining value when the protective interventions in the physical health over time with respect to the integrity and the dignity inherent based on originality, expression value is done in interaction with environmental media. This concept changed the way values are expressed in terms of internal and external standards, internal standards of authenticity, identity and integrity in dealing with external criteria bed changes, the time and intervention Protection, based on the environmental characteristics of the audience, attitudes and interpretations, ideas and concepts, and the correlation between the value of the change in attitude in the field of protection of monuments impact.

Human’s conception and cognition of art takes place in their communication with the work of art. These works’ hidden concepts and values which have been beyond their creators’ thoughts manifest in relation with the works. The process of cognition is conceiving the creator’s thought which manifests in a physical body. Communication process is one of the most important aspects in the value of a piece of art. Conception has its roots in philosophy. Knowing its identity and explaining its function in knowledge has been paid lots of attention by philosophers. Understanding this concept is one of the most prominent subjects in knowing one self and the world around. When we see a work of art, understanding and knowing the meta-physical aspects, besides the physical ones, are of utmost impotance. In conceiving every work of art, hidden features and values have effective roles in gaining knowledge. One of the noticeable features in this field is the beauty and aesthetic conception of a work which will be created in connection with audiences’ views. Therefore, the audiences’ presence and their conception of hidden values of a work of art will be significant in keeping the work of art. In conveying these features and knowing them, the audiences’ presence and their interactional relation with work is of utmost importance. So, when we see a work of art, the process of conception has an important role and audience is an integrated part of a work of art. In order to reach the goal of the study and answer its questions, the selected method of the study will be interpretive-analytical. To do this, first the process of conception from the viewpoints of philosophy and Islamic and Western philosophers is scrutinized. Then, beauty conception is analyzed from the viewpoints of scholars so that the characteristics and criteria of this process are identified. A comparative study is done to identify the features of conception and beauty among Western and Islamic philosophers. Through this, how the audiences perceive these characteristics can be obtained. Human’s conception and cognition of art, as an epistemologic subject, has its roots in other epistemological domains such as philosophy. In fact, philosophers and scholars’ views of conception of beauty provokes thought. In the present study, it is tried to evaluate and understand the conception of a work and the audiences’ aesthetic values according to Islamic and Western philosophers and scholars based on interpretive-analytic approaches. Also, this study benefits from logical argumentation to analyze the audiences’ understanding and aesthetic processes. Findings reveal that works of art are formal and semantic realities and their understanding is an interactional relation among emotion, thought, wisdom, and human conception. Understanding beauty is both a subjective and an objective process which is identified in three stages of selection, analysis, and giving meaning. Therefore, perception is discovery. Here, the audiences’ mentality playes its role and its socio-cultural conditions influence the field. Conception can be introduced as a subjective and objective process to depict the internal and external views.