فهرست مطالب shamsalhajeyah ardalani

Angels are inconspicuous beings that god created them to serve through his orders. On the other hand, it is intertextuality which is the method of text convergence, based on impressionability from previous texts and the influence on later texts. The current research is qualitative research with the descriptive-analytical method based on library resources and with the aim of investigating the role of angels in the poetry of Hafez of Shiraz and Imam Khomeini, it has been compiled based on Quranic intertextuality. Both Hafez and Imam Khomeini had mystical tendencies and regarding the fact that they had complete familiariaty with the word of God, therefore the dominant theme of their poems is based on mysticism. Angels as executors of God's orders, which mostly have a formative identity, are well considered by Hafez and Imam Khomeini. They pointed to a wide range of angel's activities; both aspects of mercy and wrath and also in between which depend on reaction to human behavior, were regarded.

Faez Dashti (1871-1951AH)is one of the poets of the southern song house and one of the representatives of folk poetry and popular and indigenous literature of this region, who pays special attention to educational ideas in his songs. He has been called the most emotional poet of the common people. With an overview of Fayez's couplets, one can understand the presence of his emotion and delicate feeling and poetic taste along with various local elements. In his lyrical poems and romances, he has referred to moral and educational issues and has effectively used rhetorical tools, especially semantics. This benefit has been successful in conveying moral concepts and teaching them to its audience by using semantics and its appropriate tools such as question sentences, news and something in an effective way, and at the same time, through this, The presence of the audience in the text lab is also more prominent. In this research, the authors have studied this category of sentences and their secondary meanings in a descriptive-analytical manner and library tools, and the highlights of three topics of semantics, namely, question and news question sentences and their role and effect. In the effective transmission of the poet's educational themes in the lyrical and romantic poem, it has been explained and explained.

One form of sentence used to convey secondary meanings is the imperative mood. This article focuses on types of sentences involving imperative mood and conveying secondary signification in Rumi’s Masnavi, which he used in his work with his mastery of language and knowledge of conceptual capacities.  The study   The purpose of this study is to investigate the style and structure of imperative sentences in the third book of Masnavi Sharif.   The authors aim to investigate Rumi’s intention in employing imperative sentences and the ensuing secondary meaning with highest frequency. The type of research is basic and descriptive-analytical, and the findings are examined based on content analysis. The statistical population of the research is the third book of Masnavi. The result of the research indicates that Rumi has used all the secondary meaning, and imperative sentences with secondary meaning are not clearly limited to the same cases mentioned in the books of meanings. Also, the most widely used of secondary meaning are guidance, rest, desire, persuasion and encouragement, pain and supplication, and the expression of multiple meanings has been done simultaneously in one sentence by the speaker.

Cultural semiotics is one of the types of the semiotics of new criticism with which the hidden layers of Shams Ghazals can be explored. Jalal ad-Din Muhammad Rumi, also known as Molavi, has expressed his mystical thoughts in Ghazals elegantly and with great capacity. Explaining astronomical myths is one of the most important codes in cultural semiotics. In this article, the descriptive-analytical method and content analysis method were used to study and analyze astronomical myths in the first seventy Ghazals of Shams. The results showed that Shams Ghazals are the manifestation of astronomical myths‎that‎ have‎influenced‎Moulavi’s‎ subconscious.‎Also,‎it‎was‎ found‎that‎ this mystic poet has used these astronomical myths and beliefs to explain his intellectual and mystical patterns. The ancient beliefs and myths have long considered the astronomy and astronomical phenomena to be influential in their destiny. Accordingly, in the present study, astronomical myths in Shams Ghazals were investigated.

As one of the most important mystical works of Persian language, Mathnawi deserves a lot of attention in various aspects. Rumi has used many Quranic verses in Mathnawi, and one of Rumi's most important techniques in dealing with the Qur'anic verses is their interpretation of the Holy Qur'an and their lively and romantic interpretation. It goes from appearance to backend. Basically, belief in the essence of things is at the center of Rumi's thinking, so he pays special attention to interpretation. He believes that the Holy Quran has an esoteric hidden under the rhetoric. The interpretation of the verses of the Holy Qur'an in Mathnawi is a way of interpretation that brings out the inner beyond the appearance of the standard of love but does not negate the appearance. One of the most important conditions of interpretation for him is his own interpretation, which necessitates self-knowledge and cultivation of the soul, and it requires avoidance of whim. The second, and perhaps the most important, component of interpretation is Rumi's view of the work and its result, which means that one must hope for God's mercy. The subject of this study is the mystical and romantic interpretation of Rumi's verses. One of the most important conditions of interpretation for Mowlana is the interpretation of self which requires self-knowledge and the cultivation of the soul and the result is prostration; that is, interpretation must lead one to happiness and hope in God's mercy.