فهرست مطالب sheida khansari

The artistic developments of the early 20th century in art history are generally called "Expressionist", which is the beginning and decline of this movement between 1910 and 1925. Expressionism is a kind of exaggeration in colors and shapes, a way free from naturalism that wanted to express emotional states as clearly and explicitly as possible. The main goal of this school was to show human emotions, especially fear, hatred, love, and anxiety, in which the artist uses strong colors, crooked shapes, and rough lines to induce her intense emotions. Expressionism is not only one of the most important and influential currents in today's societies; Rather, it is a global movement that includes various fields such as literature, philosophy, social and political sciences, architecture, music, painting, and cinema. Since painting and architecture as two identical categories have been continuously present throughout history in sync with each other and influenced by each other, naturally, the influence of these two arts from the expressionism movement can be the goal of this research.
In this research, the method of collecting information from the library and field type and the interpretation-historical method will be used which, historical interpretation is a process during which past events are described, analyzed, evaluated, explained, and the researcher bases interpretation on primary [primary] and secondary [scientific] historical sources, and finally, evidence, contexts, perspectives, and reference frames are analyzed. the expressionism movement in the Pahlavi period is investigated, which also asks the question, what is the effect of the art movement of expressionism on the architecture and painting of the Pahlavi period. The answer is: which itself leads to the emergence of the common components of expressionist painting and architecture of that period, and from the commonality of the two, it explains the framework of intellectual developments in that period for the reader; This topic itself can be influential in connecting modernist paintings and contemporary architecture of the Pahlavi period. The theoretical and formal principles of this architectural style are based on the two foundations of the modern era and the place - the land of Iran - these two fundamental pillars are shown parallel to each other in the physical composition of the building. Although modern art is often referred to as works produced in a certain period in Europe and the United States, art historians have tried to find the concept of "new" and "contemporary" art in works from other parts of the world. And it should be noted that "modern art" and "contemporary art" are not synonymous. In the 20th century, Iranian society saw many changes from a political and social point of view, and these changes can be seen among Iranian artists in the form of works that were different from traditional Iranian paintings. Modernization in Iranian society in this period led artists to present results that, although they were linked to Iran's tradition and past, contained new forms and methods experienced by modernist European and American artists. The formation of the pioneers of modern art did not only mean the victory of the supporters of modernism against their opponents, but it was also able to provide positive aspects for Iranian art in the international arena. Although modernism is a fluid concept, the moment of its birth is somewhat clear, but the moment of its decline is unclear.
The results of the research show that what is known as expressionist painting in Iran does not seem to be a superficial understanding of the essence of expressionist painting; In Iranian examples, where architectural spaces were created to have social and cultural effects with the help of painting, Imitation can be seen in the first and second generation of modernist Iranian painters Also, architectural space creation in Iranian paintings that expressionist painters include two divisions in terms of architectural space creation, wanted or not. The first group includes painters who depend on form in all painting components, and the second group includes painters who imitated other painters.
However, more than half a century has passed since the official beginning of the modern art movement in Iran. A movement that tried to harmonize with world art and went through many hardships and has been continued by contemporary artists.

With the rapid growth of residential complexes and their physical development, we sometimes see the environmental quality of residential spaces deteriorating, leading to various life crises. Housing problems today include a wide range of mental disorders such as stress, anxiety, and depression. The purpose of this study was to investigate the differences between physical components of architecture in reducing depression and anxiety in dispersed, striped and centralized residential complexes. The statistical population of this study was 3400 residents of 9 residential complexes in Tehran. Simple random sampling was performed using the Morgan table with 340 participants. To analyze the data related to ‘depression’, a researcher-made questionnaire, physical components of architecture in mental health, was validated by 20 architects and experts in the field with a reliability index of 0.809 and a situation-trait anxiety questionnaire with a reliability index of 0.90, and a Beck questionnaire with a reliability of 0.93. Also, Pearson correlation and regression tests were used to analyze the data. The findings show a significant correlation between different types of dispersed, striped, concentrated, and stressed residential complexes and depression. Also, the analysis of the results showed that all physical components of residential complexes in dispersed complexes can be more effective in reducing stress with a correlation coefficient of 0.784, the beta regression coefficient of -0.550, and depression reduction with a correlation coefficient of 0.776, the beta regression coefficient of -0.574. The ratio of band and concentratin was also proved to be effective.

The art and architectural movements, which represent two relevant categories, have been permanently presented together throughout history and affected by each other concurrently. Following the formation of the artistic currents, from the middle of the 19th century onwards in both the European countries and the United States, frequent artworks have emerged. Therefore, the pertinent schools of thoughts have led to specific changes in the art fields, including the architecture in Iran from the 1940s onwards. Probably, the most prominent artistic currents that affected the buildings of contemporary time was the influence of the expressionist current of art on the architecture of the Pahlavi era; an era in which architecture and modern art were moving forward in the same direction. The influence of contemporary Iranian architecture on newfound arts indicates the necessity of this research study.

The purpose of this study is to investigate the role of expressionism art current in contemporary Iranian architecture, and to identify the expressionist architectural patterns and their representation in Iranian administrative-service buildings.

Following the completion of the field observation, the case studies were selected, and then relying on the library data and reviewing the reliable documents, the effect of expressionism art flow on contemporary Iranian architecture was evaluated in the Pahlavi era by using a historical-interpretive method. This is followed by the analytical descriptive method to represent the research findings.

The results indicate that the components of expressionism style in all three aspects of ‘objective’, ‘functional’ and ‘physical’ dimensions are presented in the administrative-service buildings during the Pahlavi era. In this regard, the emergence of objective components appeared to be more significant than the other two components. The most frequently used architectural aspects of this artistic style in administrative-service buildings in Iran include: the simple and often elongated plans along with the building, the symmetrical facade composition, the gable roof, the specific form of porch, the vertical partition of the facade, the distinctive rhythm of the facade with rectangular and elongated windows, and finally the decorative balusters designs (ṭāramī).

Statement of the Problem: One of the problems with light-cured composite resins is the limitation and inadequate depth of curing and polymerization, resulting in low surface microhardness and restoration failure.
The present study aimed to compare the surface microhardness of two different bulk-fill composite resins and one conventional composite resin using the Vickers microhardness test.
In the present in vitro study, 108 samples from two different bulk-fill composite resins (Tetric N Ceram and Xtrafil) and one conventional composite resin (Filtek Z250) were prepared in metallic molds (2×4×10 mm) (n=36 for each composite resin). Six samples from each composite resin (n=6) underwent a hardness measurement test at specific depths (0.1, 1, 2, 3, 4 and 5mm). The samples were then stored at 37ºC for 24 hours, followed by a microhardness test at the depths mentioned above.
In all the composite resin samples, microhardness decreased with an increase in depth. The highest microhardness was recorded in Filtek Z250, followed by Xtrafil, with no significant difference. The lowest microhardness was recorded in Tetric N Ceram bulk-fill. Both bulk-fill composite resins at all the depths exhibited depth-to-surface standard microhardness (>80%).
According to the results, both evaluated bulk-fill composite resins exhibited favorable surface microhardness up to a depth of 5 mm.

Understanding how a learning environment works effectively is essential to designing an architectural environment. Effective learning environment is an environment that, along with other factors that influence children's education, such as curriculum, teachers, etc. has an important impact on child education. The physical environment does not actually change the behavior, but it can affect the learning process. Therefore, in this study, we explain these principles and their relationship with learning.

The present study is an applied one and a survey method. The statistical population of this study is elementary school teachers in Rasht, 300 of whom were selected by random sampling. The KMO index in this study was 0.939 which indicates the adequacy of the samples. Confirmatory factor analysis and regression were used to analyze the data.

The results show that there is a direct and significant relationship between architectural system factors including: flexibility, light and nature and learning system factors including: fundamental, behavioral and motivational factors, most of which related to the effect of nature factor with regression coefficient 0.610, which can increase children's motivation for purpose and vitality, which are effective factors in promoting learning.

The results of the research confirm the impacts of designing and adjusting the environment on children's learning. Based on the research findings, it can be concluded that the environment is considered as an important factor in the creation of learning contexts.

Undoubtedly, the current trend of modernism in the late twentieth century has been criticized by architectural journals. These critiques have moreover shaped postmodern architecture and also have represented the currents of the theory of pro-modernism. Oppositions -as the most well-known architectural journal in the late twentieth century- has included a variety of authors and critics from both perspectives. The question is: “During the activity of Opposition, what approaches does this journal take to the critique of modernism?” With this attitude, an attempt will be made to study the position of Opposition in the formation of after Modernism architectural theories. It can be argued that Oppositions journal with a wide range of authors, (“Peter Eisenman”, “Kenneth Frampton”, “Rem Koolhaas”, “Rafael Moneo”, “Aldo Rossi”, “Colin Rowe”, “Denise Scott Brown”, “Manfredo Tafuri”, “Bernard Tschumi” and others) each of which later became the pioneer of various types of theory of after Modern architecture, could be a good example for evaluating the current governing architecture theory at that time. Research

The purpose of this study can be considered as the study of the ideas of critics who in an influential period, figured out the theories of after Modernism architecture.Research

The method of research in the writing of the theoretical framework is logical reasoning; and to analyze the findings, the method of qualitative research and content analysis has been used.

Opposition have been in a mutual relationship with architectural theories after the modern course and it has had a very critical role in shaping such theories. The attempts for theorizing- and not historiography of- the existing architectural trends with interpretive perspectives confirm the importance of the journal of Oppositions in that period. However, in the middle years of the journal’s lifetime, the neo-modernists’ impacts and their praise for independent economics, globalization and technology can be grasped in the texts, in either beginning and last years of the publication (due to the influence of postmodernism and the critical regionalism approach) the terms of contextualism, culture and society have shaped the keywords of Oppositions.

Given the importance of considering the residents' satisfaction of residential complexes, especially children, it is necessary to evaluate the environmental quality of these complexes architecture related to residential satisfaction. In recent years, construction of high-rise residential complexes in the context of villa houses in Tonekabon city has been increasing and this issue often has affected young people who are in the intellectual period of their life. Hence, the article seeks to study the residential satisfaction indices within a specific age range focusing on gender (male) and evaluates the components affecting it. This work is done by analyzing the prominent features of formal operational age range (11-15 years old) and separating the mental and concrete attributes of the community members in newly built residential complexes of Karimabad district of Tonekabon city. This descriptive-analytical study is a kind of applied research that used mixed (qualitative-quantitative) method, and descriptive method has been used in parts of theoretical views and review of previous studies. To achieve the casual relationships and recognition of the correlation and relations among variables and indices, analytical survey method is applied. In this regard, in addition to the interview, a closed-ended questionnaire has been applied as well. The results show that among the set of factors affecting residential satisfaction, mental and idealistic dimensions more than concrete dimensions are considered and selected by the children and it is noteworthy that although the children have an abstract view in the formal operational age stage and their thoughts lead to idealism, concrete components are not ignored in the eyes of idealist children.

housing structure has been constantly forming and changing during history and has been influenced by thounsands of phenomena and factors. Life style and aesthetic taste as evidences of living culture form the architecture framework. House, is the place of the formation and presentation of culture and is the most basic space in which every individual experiences his being. The present study is following the effect of living culture in general and life style specifically on household objects system (mentally and functionally) from the perspective of Bourdieu. 

the present study is a qualitative research based on descriptive-analytical research method. The population are the young couples living in residential buildings located in district two in Qazvin which 310 persons among them has been chosen randomly. In this study, the researcher’s queastionaire has been used after making sure of its reliability and justifiability and then has been distributed among sample. In order to analyze the data, correlation and regression in spss 22 soft ware has been utilized.

results of the study have shown that there is a positive and meaningful relation between the individuals’ life style and theirs household object system in the sample population.

  According to the analyses, it seems that the “mode”, i.e. what becomes fashionable throughout a society as a communal model, can play a major role in the system of functional home appliances. This communal taste can affect the selection of colors, furniture, arrangement, type of functional appliances, etc. The family structure in terms of tradition or religious beliefs may also influence the application of abstract objects at home.

Traditional arts like tilework، the art of stucco and brickwork have acquired a high position in Iranian architecture، especially in mosques. Following the advent of Islam in Iran، their forms، contents، techniques and places have undergone material changes. To find out the course of these changes، Naein Jami mosque، one of the earliest Iranian mosques، adorned with magnificent stucco reliefs، and Varamin Jami mosque، a relic of the Ilkhanid period، one of the mosques in which an exquisite colored brickwork first appeared، were chosen to speculate the effects of social- religious context on ornaments and their reformations (in a 400-year period from 4th – 8th century Hijry Qamari) through a comparative study of ornaments and their reformations. In this research using interpretive -historical method، data is gathered through published material and field research، and following the analysis endeavors to conclude the qualities of changes in techniques (stucco to brickwork and colored tilework)، the formal-conceptual content (natural vegetative motifs to complex geometric shapes and arabesques)، the content of scripts (from Quranic versus to sacred names of imams، hadith and prayers) and the place of ornaments (expanding from interior part adjacent to mihrab to exterior spaces). The influence of political stability on body of the mosque and its transformation into a state building، the influence of moguls on the architecture of the mosques (reproduction of forms and ornaments of moguls’ tents in domes) and the advent and support of the Shiite thinking in calligraphic ornaments to underline the common religion by the contemporary government are also to be mentioned.

Mosque as the house of God has always been significant to rulers, people and Muslim artists. It is one of the most ancient architectural subjects. Varamin1Jami mosque from Ilkhanid2 era is one of the masterpieces of Iranian-Islamic architecture. It was one of the first projects which started the glorious era of renovation after the dark times of the Mongols3 invasion. Perfect stucco ornaments in mihrab4, inlaid mosaic in the iwans5 and beautifully done inscriptions with Kufic6 and Thuluth7 calligraphy in different parts of it, not only have created an admirable visual beauty but also have contributed to the spatial quality of the mosque. They deeply affect worshipers and make them concentrate and think of God only and ignore earthlymatters. This research tries to investigate the quantitative and qualitative aspects of these ornamentations and tries to find out how these ornaments affect the qualitative beauty of the space inside the mosque. The research methodology is qualitative and correlational with field study. Well decided choices on the ornaments of different parts of the mosque, the effects of Shia8, noticing some of the rules of beauty such as symmetry, repetition, massing and other areas are some of the results of this research.