جستجوی مقالات مرتبط با کلیدواژه « تنگسیر » در نشریات گروه « علوم انسانی »

Writers who live in a common climate are influenced by the social and political climatic conditions of that region in addition to their worldview and personal style. And they create the regional and climatic school. Which of these schools is the South school of fiction writing, which has important place in Iranian fiction literature. Texts, including literary texts in interaction with history carry social meanings and become the presence of different discourses. The influence of political, historical and climatic conditions on the literature of the South, especially from the 1953 coup d'état in Iran decades after the revolution, has created many similarities in terms of content and structure in the works of the great storytellers of this region. In this research, by choosing three works of the southern school, namely the novels "Tangsir" by Sadegh Chubak, "Suvashon" by Simin Daneshvar, and "Ahle Ghareq" by Muniro Ravipour, We have shown how the selected works of this school are influenced by the existing discourses and the social structure that generates these discourses. In their works, compared to the other works of this school, the mentioned authors tried to reconstruct the atmosphere of colonialism and tyranny in a more concrete way and create dominant post-colonial and tyrannical discourses in a historical moment, that is, from the time of the presence of British colonialism at the end of the Qajar era until the 1953 coup d'état and have imposed their dominant discourses on the lexical, syntactic and rhetorical structure of speech.

This article tries to use semiotics to study the covers of The Blind Owl, Tangsir, The Tale of Baba Sobhan and Shazdeh Ehtjab in a descriptive-analytical way to shed light on the interplay of the basic elements of painting and literary texts. Because color has the capacity to communicate, nonverbally, with the most active human sense – the sense of sight – it can help us understand the textual space by conveying thoughts without speaking. The artistic use of color plays a special role in creating a creative space for the textual content; it can also challenge the audience’s assumptions by stimulating their emotions and encouraging them to read the book. Therefore, examining the cover of literary texts – the space of color display which is used as a cover for the verbal world – can shed light on the connection between the color of the cover and the textual layers as well as hidden concepts of the text. Analysis of the elements of color in the above-mentioned novels reveals that in some of these texts, the color of the cover is not just a product of the designer’s imagination (a decorative element). Rather, it has a symbolic function and interacts with other paratexts, especially the title, theme and characters; it also plays a main role in the process of production of meaning. In other texts, however, the color serves only an aesthetic function and is used to attract the audience – without having a meaningful connection to the theme.

The modern novel is a new form of writing that always seeks to find emotions, vague mental impressions and the escape of people and then convey them from an objective and impartial point of view that belongs neither to the narrator nor to the reader. A writing that lacks transparency, explanation of values, principles of traditional order, humanitarian descriptions, politics, etc. Factors such as uncertainty, absence of cause and effect relationships, presentation of new topics, defamiliarization of traditional concepts of the text, ambiguity and complexity, serious presence of the reader are the components that exist in the structure of this new literary form, some of which can be compared in Tangsir's novel. Sadegh is Chobak. In a way, Chubak's language and writing in Tangsir is intended to create a new concept that has a mixed approach to challenge the originality of the traditional language. Chobek's unique form and techniques in Tangsir, including mixed time, linear and discrete plot, multi-instrumental beginning, closed ending, evolved characters, presenting a new concept, monologues are components that can be used in two classical and modern story structures. compared writing. The purpose of this research is to compare the modern and classic novel components in Tangsir Sadeq Chubak in a descriptive-analytical way and in a library way. The findings of the research show that Chubak is a modernist writer because he was able to present a new form of writing that was unprecedented until then with the influence of the modern literature of the world and his inherent genius. Also, the findings of his research show that Chubak sometimes used composite time in the novel Tangsir and brought it close to the flow of the mind, which is a completely new method, and he even tried to break the linear pattern in parts of the novel and make it discrete and Provide art.

An adjective in Persian is a word other than a noun that comes with a noun or noun group; it binds the meaning and explains it. There are different types of adjectives. This research tries to carefully examine the adjective in detail, to deal with its meta-directive role in processing of space-building figures, and the writer's literary school, drawing scenes and its literary functions, and to answer the questions about the nature of the literary and semantic function of the adjective in the novel Tangsir and the collection of short stories of Antar( monkey  figure of the story) whose Louti (trainer ) had died. By analyzing the data in a descriptive-analytical method, we came to the conclusion that adjectives, are very effective in constructing and processing characters, expressing their views, relationships and thinking of characters towards each other, as well as in constructing literary arrays such as metaphor, synesthesia and  literary highlighting and  in constructing the dominate atmosphere of the story through the frequency of the adjectives , the darkness or lightness of the adjectives and some features such as physical features and the type of structure of the adjective. From category cognition point of view, by examining the frequency of the traits used, we came to the conclusion that the frequency of the prototype adjectives, both in the novel and in the short story series, is higher than the non-prototype adjective. The author has mostly used simple expressive adjectives, and most of these adjectives are the prototype adjectives, That is, they have the highest degree of being of an adjective and are used around the first character or the protagonist.

Tangsir novel, written by Sadegh Chubak, an Iranian novelist, can be categorized as the written literature of the school of fiction in southern Iran. Chubak's deep acquaintance with the culture and character of the inhabitants of the Persian Gulf coasts and his use of climatic and indigenous elements common in the southern regions of Iran, has made the descriptive analysis and narrative of Tangsir story, thought-provoking and important. In this paper, elements such as beliefs and insights, temperaments, accents and dialects as well as rituals and traditions rooted in the Veins and roots of the people of Bushehr province, along with the natural and human history and geography of this region are reflected in the Tangsir as a novel have been found and analyzed. The results showed that Chubak, in addition to having a unique knowledge and mastery of various historical, geographical and cultural aspects of the inhabitants of Tangestan of Bushehr and depicted them in his novel, has also been able to reveal the manifest and hidden layers of the spirits of these people such as Liberalism and oppression, Humanity and family friendship, being naturally and environmentally friendly, well revealed from the point of view of a realist narrator.

Numerous toponyms are seen through texts in northern littoral of Persian Gulf which their function has been changed or forgotten due to pass of time. Despite the numerous researches on domain of historical geography of Persian Gulf, still there are many ambiguous dimensions in this area. One of the names is Khenesir which was the name of a geographical region before and is the name of a collection of tribes now. The purpose of this study is to analyze the evolution of the word over time and to study the migrations of the residents of Khenesir region. The present study is done by historical method and with an analytical-explanatory approach basing library resources, field researches and oral researches. Discoveries and historical evidence of this paper indicates that the origin of the of Khenesir tribe was located in the south of Tangsir (Tangestan) and obedient of Khan Dashti. In the beginning this region was defined to Kabgan village and adjacent but later expanded. Population explosion and reduction of agricultural land together with insecurity and unemployment have been the main reasons of migrant sending and lack of development in this area. Another achievement of this research is to investigate the backgrounds of slums formation in the south of the high wall of Bushehr seaport and explaining its exact location.

theory of  Deconstruction is regarded as a common literary theory in late 1960s, the foundations of which were first laid by Jacques Derrida. It aims to reconstruct and rediscover the meaning of the text and to reveal the contradictions present in it.  By challenging certain systematic views about signs in terms of binary oppositions, endless play of signifiers, deconstruction, plurality of interpretations, polysemy and the like, Derrida undermined the rationalistic foundations and asserted that an ultimate meaning or a final signified can never be reached The endless play of signifiers, deconstruction, binary oppositions, supplement, archi-writing, trace and the like are considered among Derrida’s theoretical foundations. In the present research we intend to discuss two works by Sadeq Chubak, i.e. Tangsir and Sange Sabur, based on Derrida’s theory of deconstruction. In this way the capacity of Persian language would be demonstrated as to whether it bears to be tested by this theory or not.  Also the similarities of the two novels would be displayed according to Derrida’s theory of deconstruction. Till The  another approach of two  text  according to Derrida’s theory reached.

In Pahlavi II period, Iranian cinema flourished and domestic cinematographic films rose. Until then, there were many Indian, Arabic and Western films. With regard to the manner of the community and the sale of the film, the process of producing Iranian films went to "film Farsi". It was made at a low level for the general public. an audience that was the result of incomplete economic reforms, cultural and social changes, and the transformation of society into modernity unfinished. In the 1970s, critical films were also made about the situation of the community. Movies like Secrets of the Jenny valley treasure (1973) Ebrahim Golestan, Tangsir (1974) Amir Nadri, Rock trip (1976) Masud Kimiai. in this research, with a content analysis approach, Three sample films, from critical films in the 1970s were reviewed. selected critical films since the 1970s, the critique of modernization, the conflict between tradition and modernity, crisis and identity conflicts reflecting these conflicts in the form of Islamism and inviting and provoking popular upheaval against oppression. The content and elements of storytelling and illustration in these films, as if the incidents of social uprising and rebellion were anticipated before the Islamic Revolution, was predicted.

Sadegh Choubak is an author who describes the life of the lower classes of society in his books. He uses the language and tune them to illustrate the bitter realities of their ugly life with extreme details and attention. His realistic view of life depicts a world of miserable people - who have no choice over their lives- for the readers. The school of naturalism considers nature as a primary concept which concerns every event in the world. After a little time excitement in the behavior of followers of this school overcomes imposed censorships and expresses the ugliness and disasters of the society in which no other author had mentioned before him. Sadegh Choubak as a naturalistic writer has utilized these disorders to the advantage of his works. this article, Reviews the impact of naturalism on his works with an analytical – descriptive method.

Critical discourse analysis is an Analytical method which seeks to understand different discourses, and determine their relationships with power. Critical discourse analysis has different approaches including reliable and comprehensive views of the Norman Fairclough’s theory. Because of its nature, literature is one of the emerging arenas of discourse. It is full of historical facts expressed in the form of stories and novels. Through the analysis of these stories and novels, it is possible to gain a better understanding of the relevant history and culture. Such texts are mainly representative of sociopolitical realities of a society to raise the awareness of the public. This paper is an attempt to explore Chubak’s first novel, Tangsir, based on Norman Fairclough’s theory of critical discourse analysis. The novel was published in the 1340s, when Iran experienced a decade overshadowed by ideology and turbulence. The Findings indicate that the novel has anti-government, anti-authoritarian and anti-colonialism themes. It is a revolutionary and unifying literary work.

Tangsir, a novel by Sadeq Chubak, the well-known Iranian writer, can be classified under the works created by the Southern School of writing. Chubak’s profound familiarity with the culture of the residents of the coasts of the Persian Gulf and the regional and native elements of the southern lands of Iran has made his descriptive and narrative account of the story of Tangsir greatly worthy of attention and deliberation. Following a descriptive-analytic method, this study examined some elements such as ideas and beliefs, behaviors, dialect, accents, and rituals and customs of the people in Bushehr Province alongside its history and natural and anthropological geography )which have a narrative reflection in Tangsir(. The findings of this study not only demonstrate the writer’s deep knowledge of the various historical, geographical, and cultural features of the Tangestan County in Bushehr Province but also bring to light the visible and hidden layers of the beliefs, characteristics, and moral conduct of the people of the south through the eyes of a realist narrator. The most significant of such features are the love of freedom and valor, the love of other human beings, the love of family, and the love of nature and the environment.

This study uses the theories of thinkers such as Wuthnow, Collins, Bakhtin, and Moadel, and three level method of Fairclugh, has analyzed political discourse of Tangseer written by Sadiq chubak. The question of present study is that how Tangseer can be considered in the order of political discourse, as a discourse?, and how has formed the content of this discourse? In this regard, after analysis of description, and interpretation levels of Tangseer’s political discourse and with emphasis on five hypotheses, affecting factors on its content has been studied. The most important findings of this study suggest that according to horizon of 1960’s first years, struggle with dominant discourse, has been on the agenda of the author. This literary work, is not only in dialogical opposition of dominant discourse, but also has formed in dialogue with the other discourses in that time. dominant ideological world at that time, and interests of groups & competing discourses, has made content of Tangseer as special. therefore, it has been effected at least of chubak’ cultural capital, and Unlike most of his works, it is a commitment and political work.

Sadeq Choobak and Najeeb Mahfooz are pioneer novelists in Iran and Egypt who have great contribution on the evolution and development of story writing. Tangsir of Sadeq Choobak and Thief and dogs of Najeeb Mahfooz novels have reflected the social realities of a historical period of Iran and Egypt and revealed the internal and external world of low level people of their societies. Reflection of poverty and injustice، emphasis on individual battle and seeking justice of the society’s hero، partly outstanding role of woman، studying the realistic and naturalistic styles and symbolism feature of both novels are among the subjects which have been dealt in analytical study of these two novels.

Sadegh Chuback is one of the Iranian storied literature famous writers.He is one of the pioneer writers in continental and domestic literature of Iran. This kind of literature use continental aspects of writer birthplace in a lot of situations. Thus, he has used Bushehr, Tanghestan and Shiraz contemporary dialect in his books, Sange Sabur and Tangsir.This article has been organized in two divisions: 1- investigating Iran southern Cities Vocabularies, expressions, and word compounds and their presents in his works, as well as a kind of southern sad poem, Sherveh, and in the next part we have studied Sange Sabur story characteristics tone (tune) to see whether there is coordination between characteristics tone and their social and cultural status, i.e. one of naturalism school characteristics.