جستجوی مقالات مرتبط با کلیدواژه « ریخت شناسی قصه » در نشریات گروه « علوم انسانی »

In this paper there has been an attempt to conduct an analysis on structure and narrative system of Shamloo's Paria tale so that by understanding movements and automatic actions in Paria's tale, first of all functions and sub-functions in the tale are enumerated, and then a great deal of attention is paid to events and sequence of automatic actions, combination and interchange of this automatic action. Besides, the amount of effect of every movement on narration will be discussed, firstly, to conclude that this tale of Shamloo has been based on nine functions and five sub-functions. Secondly, automatic actions of characters in the tale sometimes have no chronological order and no logical sequence of time, and based on its poetic texture, we are faced with several substitutions and replacements of sub-functions. Thirdly, some of these sub-functions have been narrated like narrative clauses, and some other can be implied using structure of tale or by identifying clues from other sub-functions.

Haft Peykar by Nezami Ganjavi(533-602 AD) is about the journey of Bahram e Goor(483-520 BC) into the drankness in his search for drinking the AB e Hayat. This journey starts with the Black Dome and passes through different stages (the five Domes) finally leading the White Dome 7doms is equal to 7 stars in 7 colors in which 7 princess from 7 realms wear clothes having the same color as 7 Domes and narrate stories to the hero (Bahram) in each and every night. These tales in fact are the expression of his seven dreams all of which are interpretable and explainable.In the present research the researcher has first studied the form of the seventh tale (white Dome) and its structure in term of fairy tale morphology. Then the mythical and ceremonial structures have been analyzed according to the tale etymon logy (external structure). Next the symbolic agents of this text are analyzed in terms of psychological symbology which corresponds to the mystical pattern.In this paper the author attempts to present a critical and psychoanalytical review while extracting the individual unconscious manifestations of the poet as well as the unconscious collective patterns of the literary text from the archetypal elements and constructions. This will in turn reveal the real them of the text its hidden angles which will provide further studies and comments in this regard.