جستجوی مقالات مرتبط با کلیدواژه "middle class" در نشریات گروه "تاریخ"

Social classification is a type of social segregation in which social hierarchies and situations are important. With the advent of Karl Marx, the term class took on a special meaning and became one of the fundamental concepts in the contemporary social sciences. Examining the historical developments and social movements in the last few centuries, In Iran and after the Islamic Revolution and the establishment of the structure of the Islamic Republic, following changes in the main areas of society (political, economic, social and cultural) in the field of classes, some changes occurred. The purpose of this article is to explain the position of the middle class in the socio-political developments of Iran after the Islamic Revolution until 2013. The purpose of this article is to explain the position and role of the middle class in the political and social developments in Iran.Examining the position and function of social forces in political and social developments as well as its impact on the legitimacy of the ruling structure is one of the basic issues in political sociology.. The results of the research show that the middle class is known as the main class in the socio-political developments of Iran, which uses components such as the class accompanying the ideology of the system, trying to transition to democracy in Iran, strengthening political participation , strengthening relations with Influential groups and parties in the political arena and strengthening the political culture has been able to play an important role in legitimizing the ruling structure.

Among the various social classes, the role of the middle class as an influential class in legitimizing the ruling structure has always been considered. The purpose of this article is to explain the position and role of the middle class in the political and social developments in Iran, Also, the role of the middle class on the legitimacy of the ruling structure from the beginning of the Islamic Revolution in Iran until 2013 has been studied. Examining the position and function of social forces in political and social developments as well as its impact on the legitimacy of the ruling structure is one of the basic issues in political sociology. The research method in this article is descriptive-analytical and based on library studies. The results of the research show that the middle class is known as the main class in the socio-political developments of Iran, which uses components such as the class accompanying the ideology of the system, trying to transition to democracy in Iran, strengthening political participation , strengthening relations with Influential groups and parties in the political arena and strengthening the political culture has been able to play an important role in legitimizing the ruling structure.

From the mid-nineteenth century, ideological contacts with the western world, through modern educational, bureaucratic, and military institutions, laid the basis of a new professional middle-class in Iran, who has been the main trendsetter of modern European clothing styles among Iranian men. With examining historical texts from late Qajar period, the process of appropriation and popularity of European-style men’s suit, and its social implications in Iran, is studied here, to answer the question that what is the connection between new middle class, new civil institutions, and modernization of men’s dress. European dress for Iranian modernists, represented a modern social and organizational perception, and was a symbolic manifestation of equality to the advanced western world, and also distinction from not only aristocracy, but also traditionalists. The aim of this study is to show that modernization of men’s dress in Iran has had a social basis in constitutional era, prior to political changes of dress in Pahlavi era.

From the mid-nineteenth century, ideological contacts with the western world, through modern educational, bureaucratic, and military institutions, laid the basis of a new professional middle-class in Iran, who has been the main trendsetter of modern European clothing styles among Iranian men. With examining historical texts from late Qajar period, the process of appropriation and popularity of European-style men’s suit, and its social implications in Iran, is studied here, to answer the question that what is the connection between new middle class, new civil institutions, and modernization of men’s dress. European dress for Iranian modernists, represented a modern social and organizational perception, and was a symbolic manifestation of equality to the advanced western world, and also distinction from not only aristocracy, but also traditionalists. The aim of this study is to show that modernization of men’s dress in Iran has had a social basis in constitutional era, prior to political changes of dress in Pahlavi era.

Luster pottery that had a significant prevalence from sixth to the eighth century AH in Iran, almost emerged simultaneously with the Seljuk rule in Iran. Analysis of these masterpieces in addition to the technical, structural and aesthetic aspects, sometimes help us to find political, economic, social and cultural status of this period. In this article to identify the social configuration and conditions of this period we want to scrutinize and recognize the luster ceramics of the sixth century AH. The emergence and widespread augmentation of this precious ceramics in the Seljuk Era raises some questions that this paper attempts to answer: Can sociological interpretation be offered for this artistic phenomenon and if it is possible to represent the social conditions and occult realities of society in this period? Are there any ways to identify the social history of art in Seljuk period in determine of luster ceramic’s motives which aesthetic principles of them always have been studied? The aim and intent of this paper is to discover how social conditions reflected in luster ceramics of sixth century AH and also to understand the formation of two social phenomena which are the appearance of middle class and popular art at this time. The theoretical basis of this article is sociological theories. Methods of this research are carried out by investigation of historical documents that are both textual and visual (artworks). Collected data have studied in descriptive analytical methods and in some cases comparative approach has also been used. It is considered that, it seems the development of the middle class is one of the reasons for the appearance and flourishing of luster ceramic production, and this is the beginning for general access to art and drawing daily life themes and using realistic style by artists in Seljuk period.