جستجوی مقالات مرتبط با کلیدواژه « ایقاع » در نشریات گروه « تاریخ »

When a tie is made between two individuals and once the dealt material is simple and inseparable،the tie is called simple and irrevocable. If the parties of the tie are more than two people or its subject is various،e. g.، when it is understood that one of the vendors is not satisfied with selling his/her article or if it is found out that one of sold things belong to other person،in this case the tie is separable،and the mentioned tie is divided into two separable ties such as a valid and invalid ties. The paper is an attempt to study carefully the above mentioned rule In different respects: the current of the rule in agreements and ties،the explanation of the rule implications،the rule documents،the dissolving case in the rule،the effects of dissolution of one tie into two،the problems of the rule،and the response to them،as well as the application of the rule in the statutes and the imposed laws.

According to the scribe of its unique manuscript, the treatise entitled Kulliyat-i Yusufi, attributed to iya’uddin Yusuf, is written during Fatḥ‘ali Shah’s reign (1212-1250 A.H.). Despite its unoriginality, since very few numbers of Musical works are extant, this short treatise which indicates the continuity of writing works on music under Qajarids, is very important. The fact that there is a reference to the names of twelve musical model systems (dastgahs) at the end of the aforementioned treatise, shows an important turning point in the historical course of this concept. Like most of Safavid works on
music, this treatise uses the word Uṣul for the concept of rhythmic patterns in Music. The last chapter of this work on Uṣul has been divided to two parts. The first part, under the influence of Mir Ṣadruddin Qazvini (d. 1008 A.H.)’s work on music, commences with
the definition of the terms “Uṣul” and “Naqra”, and describes 5 old and 17 recent Dawrs, and finally different rhythmic genres. Second chapter, influenced probably by a treatise entitled Bahjat al-Rawḥ (written probably in the eleventh century) describes 24 rhythmic
dawrs.

The author of this article seeks to discuss and argue the nature of release from a responsibility dealing with its cadence or its contract tie while considering various views and concepts in this concern.To jurisprudents, the term "Ebra" means dilapidation or giving possession. These distinctions are the origins of many works which merit consideration.The writer then proceeds to study the general discussions on the release from a duty and its practical applications such as release from maintenance, release from physician, release from guardianship, release from order, release from the payment of dower, and release from the dead duty.