جستجوی مقالات مرتبط با کلیدواژه ": surah al-imran" در نشریات گروه "ادبیات و زبان ها"

Cognitive linguistics is a modern approach in language studies that addresses the relationship between human language and mind, as well as physical-social experiences. Mark Johnson and George Lakoff are pioneer theorists in this field. They assume that conceptual metaphor is distinguished from surrounding phenomena by explaining and objectifying abstract concepts to identify and share human experiences. This kind of metaphor is manifested in different types of schemas based on the concepts formed in the human mind. Because metaphysic imaginations and ethical concepts and their connection with perceptible cognitive and daily life experiences have a bold presence in language type and religious expression, examination of image schemas in Holy Quran’s metaphors reveals a system of conceptual structure and sophisticated meaning layers of Quran verses. This study has tried to investigate three types of schemas: path, containment, and force based on the description and analysis of Quran samples based on the theory of Lakoff and Johnson and mental constructs available in Ali 'Imran Surah. The internal context of language and imaginary images expressed in Ali 'Imran Surah has been explained in a way that reader can touch their concepts based on their daily experiences and find clear truths by reviewing the available abstract issues in this Surah. Research findings indicate that path schema in Ali 'Imran Surah emphasizes destination as the result of the path considering the sensual concepts, while containment schema in this surah is distinguished in positive and negative scopes as container and contained,.

Linguistics is an approach to the study of language that examines the relationship between language and the mind and its social experiences; Cognitive linguistics is one of the interdisciplinary sciences that aims to reflect on the mechanism of the relationship between the structure and the constituent elements of a text to better understand and how the process of completing the meaning hidden in it. Herbert Paul Grace is one of the linguistic analytical philosophers who has commented on conversations and their indirect and implicit meanings in accordance with this view, and his theory is known as Grace's principles of cooperation. Grace sees conversation as purposeful behavior and a form of collaborative interaction. According to his theory, any successful dialogue is based on the observance of four principles of cooperation (quantity, quality, communication and method) and any deviation from the four principles, if it is based on symmetry and logic, leads to communication implication. This article seeks to study the conversations in Surah Al-Imran in the Holy Quran based on the theory of Grace's rules in a descriptive-analytical manner. The results of the research show that in verses 35 to 49 of Surah Al-Imran, 4 principles of cooperation have been violated and the principle of quantity is more frequent in the conversation of Imran's spouse than other principles.

The forward challenges in translating the holy Quran are the large differences caused by the differences in the interpretations of the verses. As, a translator is obliged to be faithful to the interpreters’ views, for solving this challenge, there is a need for having an exact criterion and in accordance with linguistic logic of the holy Quran, in order to judge the diverse interpretative views.  The criterion, accordingly, is the product of having the structural approach to the holy Quran. Because having such an approach, is a knowledgeable attempt in finding the wisely geometry of surahs, and takes us to what The All-Wise Allah, aimed at the sending the text of the Quran. This article by using a descriptive-analytical method and by elicitation of the geometrical structure of Surah Al-Imran and analyzing the differences in translating some verses of this surah, and investigating the extent of adaption of each of these interpretative views with compatibility index of the general purpose, resulted from the geometrical structure of the surah, aims at answering the question that how we can use the systematic or structure-based views for criticizing a translation. Some of the results are as follows: First of all, considering the fact that Quran, itself, is a criterion for analyzing everything, included the speech of Ahl-Albayts (SAW), then the criterion of analyzing the interpretive ideas must be intra-textual; and this is the same purpose derived form the geometrical structure of the surah. In this view, the words and verses of each surah are the building blocks that are organized around one single center. Therefore, each interpretive idea or translation is not acceptable if it is not compatible with the purpose of the surah and place of the verse in the structure. Secondly, the translation of the selected verses of Sural Al-Imran have been determined as objective instances to this analytical criterion and interpretive views adapted to the structure of surah and exact translation based on them.

At the end of the verses of Surah Al Imran, the subject is demarcated because it has a focal state and carries the general thought of the verse. The subject is also the center around which the verse moves and is considered as the core for the content of the verse, so that the end is a reference point of thoughts that rely on one or more topics. The power of the ending verse can be related to mentioning certain artistic elements and its maximum order, so that the elements in the ending verse show the subject of the verse in a different structure from its context and the quality of the structure of the end of each verse is different. Each verse uses a structure that is appropriate to its content. So, it is worth thinking about the ending verses of the Holy Quran in order to make it clear to us that the artistic order in the Holy Quran is semantic according to the requirements. Therefore, it is necessary to point out that any change in the scope of the ending verses and its words and combinations is effective in creating marginal meanings that require the attention and intelligence of the listener. The purpose of this study was to investigate the artistic structure of the end of the verses with a descriptive-analytical method. The results showed the artistic beauty of the verses to exaggerate or express stability and permanence, etc., to the extent that the words and meanings of the verses are intertwined to form phrases related to their text within the framework of a particular artistic system. The results also showed that each ending of the verses has a special structural system that is consistent with the literary purpose of the same verse.