جستجوی مقالات مرتبط با کلیدواژه « الزمن السردی » در نشریات گروه « ادبیات و زبان ها »

The research aims to clarify the periods in which the character lived, and the psychological and mental influences that instilled in it the spirit of rebellion in its three periods: childhood, maturity, and the fantastical time. It explores how this character managed to live its time in confronting society in its thoughts, traditions, and views despite facing punishments, manifested by psychological torment and physical imprisonment. The problem of the research lies in the issue of some minds carrying a greater awareness than that of their society, leading to confrontation. The temporal awareness experienced in childhood exceeds the traditional temporal awareness of society, resulting in a discordance between the protagonist's time and consciousness with that of the hierarchical society that has not evolved over the years. This led to a shocking confrontation at that time. The research methodology relies on the descriptive approach, observing the phenomenon of time and its divisions and connections in consciousness. The research yielded several results, among the most important being that the periods were closely linked to the character's thoughts and consciousness. Each period had its intellectual specificity. In childhood, the narrator was linked to the idea of seriousness. In maturity, the narrator was linked to thought and rebellion against societal traditions. In the fantastical time, it was linked to the idea of the failure of human attempts to escape from the confines of time.

Time has the most obvious function to improve the structure of the story among the constituent elements of the story. Gerard Genet, as one of the theorists in this field, provided a clear theoretical framework for evaluating and analyzing the element of time in the story. Genet believes that in analyzing narrative time and comparing it with calendar time, three important categories such as order, continuity and frequency should be analyzed in order to extract and evaluate the most important narrative techniques used in each work of fiction. Ahmad Saadawi's novel Frānkenštāin fī Baghdād (Frankenstein in Baghdad) is a suitable novel for analysis based on the Genet model due to its great emphasis on time. Therefore, in the present study, an attempt is made to investigate the element of time in the novel "Frankenstein in Baghdad" based on the descriptive-analytical method and with the aim of discovering the salient aspects of time turbulence in post-modern novels. The results show that the widespread use of retrospectives, negative accelerations and positive accelerations, has caused irregularity and discontinuity in the narrative time of "Frankenstein in Baghdad". This sometimes confuses the reader in the story, which of course is one of the features of postmodern stories, and Ahmad Saadawi has been able to make good use of this techniques.