جستجوی مقالات مرتبط با کلیدواژه "الشعر العباسی" در نشریات گروه "ادبیات و زبان ها"

According to historical books, "’Āl Sahl" was an original Iranian family who played a prominent role in the first Abbasid government after the Barmakids. Fadl ibn Sahl, known as Dhu al-Ri'āsatayn (The man of two chairmanships), Hasan ibn Sahl, his brother and wazir of al-Ma'mun), and Ibrahim bin Hasan, hajib (chamberlain) of al-Mutawakkil, were the most distinguished characters of this family. Al-Buhturi (d. 284 H.) despite of his Arab origin, praised this family, after familiarity with them, in several of his odes and confessed their merits, and of course received their generous gifts. Al-Buhturi mixed ’Āl Sahl praises with the names of Sassanid kings, which manifests the desire of this Arab poet to Iranian civilization and culture. The method of this research is comparative one relied on imageologic approach from French school. We can conclude that al-Buhturi, due to his abundant interests in ’Āl Sahl, reflects also in his poems numerous dimensions of the Iranian civilization and culture. He manifested clearly through 'Arab I' the transcendental characteristics of the human beings in the portrait of 'Iranian the other'.

Stylistics is a science that seeks to explore outstanding elements an author uses for a variety of purposes. Prominent elements,  similarities and differences could be shown by stylistics.  Prominent elements in the field of poetry appear at various levels including phonology, syntax, rhetoric, and eloquence. Al-Buhturi and Al-Mutanabbi are prominent poets of the Abbasid period, whose praise and love formed the basis of most of their poems. In the present study, we intend to compare two poems of the two poets, which are similar in terms of content, metre, and rhyme.. The investigation of the two odes involves three lexical, philosophical, and literary levels. At the lexical level, three points are considered: phonetic, words, and grammar. At the philosophical level, the intellectual dimension are taken into account. At the literary level, the expression of the topics from two poets and also the concepts they consider for their definition are considered. Our approach in this research is an adaptive analysis using library resources.The results of the study show that both poets have used syntagmatic and paradigmatic relations to express what was on their minds. The relationship between thinking and how to use these relationships leads to the individual style. Excessive use of the letter ‘a’ in Buhturi’s poem (Taif al-Habib Alam me Adovva) has also intensifiedthe emotional level of the poem. The verb is more noticeable in Buhturi’s poem than in Mutanabbi’s poem (Athal al-Awazil Howla Ghalbi Alta). The reason could be that Mutanabbi tends to emphasize and prove, but Buhturi seems to put a novel in front of the reader and tell a story. Each poem begins with a sonnet and ends with an eulogy. In addition,  there is a unity of the subject and harmony between the verses in both poems. But the unity of the subject could be more observed  in Mutanabbi’s poem because Buhturi’s poem has two parts: the first 5 verses are about the sonnet and the second 5 verses are about eulogy. But in Mutanabbi’s poem, each verse is related to the next verse. So, Mutanabbi’s poem is more integrated than Buhturi’s poem. Buhturi’s poem is in the form of oblique. For this reason, he has used metaphors and similes a lot, but Mutanabbi’s wording is direct, so he has used metaphors and similes less. There is no reason to believe that Mutanabbi was influenced by Buhturi. Both poets are very capable of expressing their concepts. Finally, the differences in the philosophical level as well as in the use of linguistic and artistic devices could be easily observed.

Visual images are of great value in poetic scenes. The cartoon image is a visual image that aims to criticize society by distorting the existing image of reality and exaggerating its defects in order to indirectly attack the reality that is unable to meet the needs and needs of society. Therefore, caricature is one of the most important means of expression and the most powerful means of influencing and penetrating the mind of the recipient. And since caricature images usually lined with bitter and bitter irony, the result of this intertwining mixture was a wonderful color in poetry called caricature irony. Caricature irony is an innovative artistic tapestry that combines seriousness and humor in an ingenious way, where seriousness and humor are mixed, removing the breaks between them, aiming to push people to hit the nail on the head of the truth by portraying and amplifying the distortions of life.And since Abu Dalamah, the famous Abbasid poet, is famous in forums with the sarcastic poet, this study, based on the descriptive-analytical approach in presenting and criticizing the material, aims to highlight the images of cartoon irony, through Abu Dalama's poems. Finally, the research concluded that the cartoon sarcasm is a peculiarity of Abu Dalama's poetry. This pattern, in his poetry, along with humor and circumstance, became a defensive mechanism that the poet exploited to confront the social oppositions in society, fight their defects and combat their negatives, but without crossing the red lines