جستجوی مقالات مرتبط با کلیدواژه "الگوی سه وجهی پیرس" در نشریات گروه "ادبیات و زبان ها"

The world within the text is full of unknowns that are represented and revealed by the discovery of linguistic signs. Literary semiotics extracts its secondary messages and expresses the main concept and purpose of the poem by analyzing the actions within the text, and the audience reaches a deep understanding of the meaning of the poem. Pierce's theory of semiotics is one of the appropriate models for the critique of literary works in which the formation of three components of signs, namely representation, subject and interpretation and the relationship between them is investigated. Adel Adham, a contemporary Iraqi poet, is one of the poets of modernity with poems in which concepts such as war, terror, extremism, peace, empathy and unity are widely reflected, and one of his great ideals is a world free of war and full of reconciliation. The present study tries to analyze the process of formation of linguistic signs related to the concept of peace in Adham Adel's poems using a descriptive-analytical method and based on Pierce's three-dimensional semiotic model, and to critisize the relationship between these three components and their role in producing signs. The results of the research indicate that the linguistic signs in Adham Adel's poetry are a single and coherent structure, which are formed from the semantic connection between the example, subject and interpretation, and are based on a qualitative sign and the expression of some visible events and drawing the appearance of things, and with a sign The detail and expression of the bitter and unfortunate events of the inflamed and war-torn Iraq and the practical experiences of Iraqis regarding terror, suicide operations, fear and insecurity are expanded and end with a general sign and the poet's attitude towards the category of war and peace.