جستجوی مقالات مرتبط با کلیدواژه « بازنمایی واقعیت » در نشریات گروه « ادبیات و زبان ها »

Faced with literary masterpieces, the increasing correlation of sciences based on the cognition of language, culture, and society with literature, as a practical platform for decryption of the prevalent thoughts in society, has highlighted the requisiteness to accompany artistic pleasure with an interdisciplinary approach in order to get acquainted with cultural background and try to strengthen the moral and cultural infrastructure of society.This is the common theme of Humanities and literature, which can be interpreted as Semioethics: The Life cycle care beyond borders. In the forthcoming research, "Gulistan" and selected "Javame'al-Hekayat", as two prominent books in the category of anecdote, have been analyzed, and with the method of quantitative and qualitative analysis of moral signs the following items have been concluded:1.By their styles (direct-descriptive or persuasive-warning) and less attention to the details of the narrative and 2.By assigning characteristics to the characters of the anecdotes, the authors have presented a social and governmental view of their times, and a display of the real moral characteristics or an idealistic view of morality. 3.The qualitative and quantitative level of attention to Ethics signs is such that the authors can be considered as activists with moral and social concerns and the works or at least parts of the works, represent the realities of the time. 4. Most individual moral signs belong to the range of rationality/ignorance, honesty/dishonesty, compassion/ violence. Also, most social moral signs are justice/oppression and goodness/ carelessness to people 5. From what is represented in the literary masterpieces, it can also be concluded that “people take refuge in many lies with different justifications and in different situations”. Although this claim does not in any way mean the inherent truth of human, it should make us think to restrain mentioned trait to have a more beautiful world or to alleviate human suffering.

Idealists believe that understanding the filmic world and the world around it depends on the perception and the ways in which the mind of the audience work. Realists, in contrast, see re-creation and representation as a reflection of an external, undistorted reality. The views of Andre Bazin, the leader of the realist movement, have always been met with skepticism and opposition, and the idealists have taken advantage of this movement to explain different views on cinematic representations. In phenomenological theory in which Husserl plays a pivotal role, understanding representation is an intuitive and direct process. Phenomenologists emphasize subjectivity, the power of imagination in the representational experience, and the role that consciousness and awareness play in the independent existence of objects, whether imaginary or real. Their main emphasis is on analyzing the performance of the imaginative force, the emotional response, and the mental representation of the spectator's presence in the film's cosmos. Vivian Sobchack the phenomenologist of the present age, goes beyond this view and believes that films, like humans, can comprehend mental processes such as perception and have agential activity; therefore, they should be analyzed with these characteristics in mind. The present study adopts a phenomenological approach with the aim of revealing the viewer's perception of the cinematic representational experience. Hence, the research problem is to analyze and understand how the spectator communicates with the phenomenon of film and cinema. The research method is qualitative-interpretive.

  The contemporary party poetry as a leader of the committed literary has intended to redefine and reconstruct fundamental concepts such as the history, consciousness, equality and reality under the umbrella of the thoughts of Marxism in order to reorder its dissident against the authoritarianism.  The spread of Marxist beliefs in Persian and Kurdish societies has led to the appearance of comparable topics while they were differed in representation method. Comparative explanation of ideological implications can help to epistemologically-aesthetically decipher of the poets works. Relying on an analytical-descriptive methodology, this study aims to explain and illustrate the reconstructed reality in the poems of Ismail Shahroudi and Abdullah Goran as the two prominent representatives of the political committed literary. Results show that despite the climatic and social differences, the presence of an ideological commitment as a prior order has led to the resemblance of the subjects of representation while they are differed in their representation method. Thus, the difference of representation of the reality in the works of the two can be considered in their contextualization or de-contextualizing of the representative subject. Shahroudi neither expresses his own lived experience or the experience of the Iranian society nor shows the signs of leftist idioms and concepts in his poems. In contrast, Goran’s expression is based on contextualization. He simultaneously refers to the lived climatic-social experience of the Kurds and the as the epistemological context puts the idioms and concepts of leftism in his poems.