جستجوی مقالات مرتبط با کلیدواژه "تاریخ سیستان" در نشریات گروه "ادبیات و زبان ها"

One of the most interesting questions for humans is the reason for naming things (the appellation). In the texts of Persian poetry and prose, some writers and poets, in the course of their works, Etymologized some words and define their appellation(the reason of naming). Studying, analyzing, and classifying these appellations, indicates the way they look at the construction of words. In this article, some of these appellations that are included in the ''history of Sistan'' and "Divan-e-Khaghani" are examined and compared. For this purpose, we categorized the types of the appellation and mentioned the evidence from different books. Then we extracted and examined the examples of the appellation from the ''history of Sistan'' and "Divan-e-Khaghani". By examining the samples, it was found that the author of the ''history of Sistan'' has paid more attention to the etymology of words in expressing the appellation, and in some cases, he has referred to the Folklore but Khaghani has paid more attention to poetic games with words and offers innovative appellation. Of course, he has also paid attention to the appellation mentioned in other books. This article has been written in a descriptive-analytical way and the data has been collected in the library method. Although several articles have been published on the subject of the ''Appellation'' but so far no independent article has been published on the subject of ''Appellation in the history of Sistan''.

Tarikh e Sistan is a text from the middle of the fifth century which has been written by Morsal in terms of writing style and by an unknown author. Halliday considers the text to have trans-elemental elements, contextual context, and context, and to include empirical meanings, actors of discourse, and discourse, and to believe that the text should have a beginning, middle, end, or context. He has considered the language of the seven functions and maps: interactive, imaginative, instrumental, exploratory, supervisory, informational (declarative) and emotional. The main purpose of this study is to determine the ability of this theory to analyze the Tarikh e Sistan and to show the trans-role factors and functions of this text.

This descriptive-analytical study is a map-based reading of the history of Sistan based on Halliday's theory. Findings show that the ritual-religious discourse of the author of Tarikh e Sistan; Mythical and surrealist actors of the text; And the method of discourse based on linking history and myth, which have been processed with the wonderful adaptations of Iranian and Semitic culture (Kiomars = Adam AS), which are based on the idea of social equality and populism; They create the situational context and unwritten parts of this text.

This report text has a situational and contextual context and in its functions, imaginative and emotional function can be seen in expressing Sistan's wonders and its value, but the information maps (descriptions) and persuasive language have respectively. They are the most visible and the interactive function (conversations) has the least appearance compared to other functions and maps of language.

One of the notable books of the Qajar period is Tabashir al-Hikma, the secret of Shiraz, which was created with the approach of literary return and simplification. Although this work is considered a mystical text, but in the narration of Noor Mohammadi, it has a common theme with the history of Sistan and it seems that it was written under its influence. Therefore, a comparative study of the history of Sistan is a good way to understand this work. In the history of Sistan, the story of the birth of Mustafa (PBUH) is full of amazing events that have been believed with narrative techniques. Has the author of Tabashir al-Hikma been able to use narrative techniques to make amazing events believable? In order to find a suitable answer to the descriptive-analytical method and with emphasis on narrative theories, this article has compared Noor Mohammadi in these two works. The results show that the author of the history of Sistan, by diversifying the narrative language, benefiting from the narrative and dramatic narrative, constantly changing the narrative center, using authentic historical and religious characters, benefiting from the narrative language of the main characters From the first person point of view, using the narrative perspective of the anti-hero, sacred voices, variety in the narrative aspect to create emotional language, dialogue, etc., has been able to make the story of Mustafa (PBUH) born artistic and believable. Although the author of Tabashir al-Hikma, while being influenced by the history of

In some historical texts, the audience sometimes encounters stories that are full of fascinating events. In these true stories, language acts as an important component in narrating the practice of historical habits and contributes to their believability through sophisticated artistic narrative techniques. The story of Moloud Muhammad Mustafa (PBUH) is one of the works in the history book of Sistan that has made the birth of the Prophet of Islam (PBUH) one of the most enduring work of narrative tradition in the narrative language in a way that makes the reader At the same time, it achieves intellectual persuasion and spiritual acceptance. How has the anonymous author of this magnificent work managed to make history a fascinating story, so that the communicative and rhetorical role of simultaneous language has been realized? This paper studies descriptive-analytic method with emphasis on narrative and linguistic theories in order to find a suitable answer; results show that much of the rhetorical-communicative function of this work The complex techniques of narrative and linguistic power are relevant. By diversifying narrative language, incorporating plot and narrative, utilizing narrative and dramatic narrative, continually changing narrative focus, using authentic historical and religious personalities, utilizing narrative language of primary personalities with first perspective The use of anti-hero narrative perspective, sacred voices, variety of narrative in order to create emotional language, dialogue and so on have significantly made the story of Mustafa beautiful, artistic and believable.

It has been told in the book history of Sistan, when Jacob achieved great victories and the king gave him domination of Kerman and Pars, the poets admired him in the Arab language because he didn't know Arabic, he didn't understand the poetries, so he said don't express what i don't perceive. At this time Mohammad-ben-Vasif was a sober man, started Persian poetry for him and compose: In the all resources as following history of Sistan  "Letam" has been written "Letam" and based on researchers "Letam" transformed of "Logan / Locan".

This research is following a decriptive-analytical method. Based on this method, we investigated the documents including considered couplet and then surveyed the commentators. Eventually, by using historical and literary documents, we didn't recognise it correct and suggested a new form.

Mohammad Vasif Sagzi is one of the pioneer poets in Persian poetry. It has been told about him in the history of sistan book his scribe was Jacob leith a polite man. He glorified him in an ode by beginning a couplet :There is a couplet in this ode that most researchers and commentators analysed, but most of them focused on words such as "Ratbil/ Zonbil", "palang/ begeng/ kolang". that may written wrong. "Letam" is another word argued about its meaning. Sombody meant it fight and others meant it a local name of place. We annunce . "Letam" is a  transformed word of "Logan / Locan" that uninforming of  this made the poetry in ambiguity."Logan / Locan" is a local name of a place in Sistan-Provience. Based on Moqadasi research, the author of History of Sistan and Beihaghi references, this plain has governmental function. Moqadasi recalled this plane for the army as an altered Arabic shape of Askar. Toward Qaznin there is a place like a city called Asqar as a place of lord. This territory in the history of Sistan has been mentioned as Bakan plain and the existence of  Bab-taam district proves our idea about that writing form of Bakan plain is another form of writing Lekan/Legam plain. By investigating the historic documents and poetry, it has been cleared some indications that prove our idea.Abolfazl beyhaqi in his book has written about Legan Plain three times. Onsori-balkhi in an ode for king Mahmoud in describing one of the palaces of this realm has mentioned this plain as Lekan plain: Farrokhi-sistani also mentioned this plain in an ode.

As recording the poetry as "Letam" The researchers have been tried to clarify the ambiguity of poetry. The ambiguity of meaning in this phrase «به لتام آمد» caused the researchers to express various interpretations to interpret this poet. By considering the indications in this article, "Logan / Locan" have to replace "Letam" and this is a word of Mohammad-ben-vasif poetry. Also,  by the instances in this article, we express this word is name of a place in Sistan district.

It seems that much of the burden of the prose's beauties has been put on the shoulders of the language. Language as an important factor in creating amazing facts and historical thaumaturgies, has a paradoxical role. On the one hand, by expanding the imagination, it enhances the literacy of historical texts in a way that it separates the readers from this real world. And on the other hand with a linguistic look in creating logic and the casual relationship, it returns the audience to the context of reality so that they at the pinnacle of enjoyment and amazement take historical thaumaturgies as the truth. This article by investigating the story of the birth of the holy prophet Muhammad from the Sistan's history shows the writer's skill in this language ability and concludes that the mentioned writer has used the paradoxical function of the language in creating literacy and transferring facts for making the thaumaturgies believable.

The history of Sistan and the history of history includes the thought, linguistic and literary features of Persian language.The study of historical books, in addition to their historical content, is also important and necessary in terms of prose rhetorical characteristics. This study, by examining the rhetorical structure of the history of history and the history of Sistan through a comparative and descriptive-analytical method, attempts to highlight the rhetorical features of the historical prose books of the early centuries of the emergence of the Persian language. The comparison of these two works suggests that both are simple and psychic to the books of their period. This is due to the influence of the prose of the history of the history of the history of dialectical history, as well as the efforts of their authors in translating history in plain language. The literary features of prose are the lack of use of verbal and verbal artifacts and array expressions, and the use of a handful of innovative spiritual archetypes of verses and hadiths and assurances of Persian and Arabic poetry in the history of Sistan and briefness.

Iranian literary scholars have shown less interest in the study of prose works than those in verse. This is why a great number of Persian literary works in verse have had the chance to be revised and reedited and go to print again and again, while the number of the prose works presented to the culturati and scientific society has been fairly less. However, the necessity of introducing the importance and true validity of Persian prose and emphasizing its significance from different viewpoints is strongly felt. Then the present paper tries to conduct a research on The History of Sistan (written c.445 AH), a primary resource for the early Persian prose evolution. This book was one of the unknown and forgotten works of Persian literature until Etemad Al-Saltana, Naser Al-Din Shah Qajar’s secretary of publications, printed it in Nos. 474 – 564 of Iran Daily (1920 – 1923) as installments of a serial. Later in 1935, Mohammad Taqi Bahar, the well-known poet and scholar, revised and reedited it with a comprehensive introduction to be published in the form of a book. The present research, based on Bahar’s revision, explores its inflectional and syntactical features including parts of speech, their functions, simple and complex sentence structures, subject and verb agreement, order of the components, deletions, coordination, subordination, etc.