جستجوی مقالات مرتبط با کلیدواژه "تاویل پذیری" در نشریات گروه "ادبیات و زبان ها"

The enchantments of Hafez, which have attracted many readers have inspired ‎many researchers to conduct numerous researches about the secrets of these ‎globalizer and immortalizing charms. Despite the abundance of such researches, it seems that ‎there are still undiscovered secrets and unknown codes about the constant and ubiquitous ‎effectiveness of Hafez's poems that deserve recognition. Reflecting on Hafez poems, especially ‎the verses that are more capable of interpretation, indicates that in some of these verses, a ‎common noun is the center and basis of extensive interpretations. Examining numerous samples and comparing nearly seventy seemingly similar verses indicates a linguistic skill, during which a key word with two morphological characteristics (knowledge and meaning) provides the basis for various interpretations of the desired verses. The unlimited meaning of the central word and its simple application in the studied technique (without complications arising from the interference and influence of literary industries and difficult and far-reaching rhetorical techniques) while attracting numerous readers from different classes and strata, which can bring the interpretative capacity of the context verses to the peak and make it possible to read these verses beyond the borders of time, place and language. By examining these verses in the framework of the freest hermeneutic reading (reader-centered reading) and comparing the discussed method with the Hafez's developed ambiguity, an effort has been made to clearly explain the ability of this method to develop of interpretations.

One of the most outstanding characteristics of Hafiz' poem is its amenability. Among all, sonnet 354 beginning with "with your black eyelashes you brought me thousand doubts', taking an impressionist view, is one of the sonnets that can be compared and contrasted with the story of Ibrahim and Ishaelm (peace be upon them) in the Surah of Safat. The interpretation of "ghasre" (the palace of houri) in sonnet 354 derived from Surahs of Safat, Sad, Vaghea, Rahman is a clue on the one hand, links the audience mind with the story of the Holly prophet Ibrahim and Ishmael (peace be upon them) in the Surah of Safat, and on the other hand it causes a harmony and link among the couplets of the sonnet. Based on this amenability and contrast, it is found out that Hafiz artistically has created a semantic and lexical link between his sonnet and story of Ibrahim. In fact he has been under the influence of the story in the creation of his sonnet and has accorded it with the artistic and literal nature of sonnet. Consequently created by this amenability, a different meaning can be excluded considering single lexicon, expressions and couplets of the sonnet. On the other hand, a more logical relation and a stronger consolidation can be made among the couplets of the sonnet that facilitates understanding of the couplets.In this article it is aimed to clarify and analyze the relationship between the sonnet and the Koranic story, it is also meant to demonstrate a different analysis and interpretation with reference to Hafiz's amenability from The Holy Koran verses, in addition to other meanings and expositions presented till now.